| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2252 |
| Prevalence of Second Most Common Vertical Interval |
0.1783 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7917 |
| Vertical Unisons |
0.03341 |
| Vertical Minor Seconds |
0.002547 |
| Vertical Thirds |
0.2834 |
| Vertical Tritones |
0.005552 |
| Vertical Perfect Fourths |
0.1253 |
| Vertical Perfect Fifths |
0.1783 |
| Vertical Sixths |
0.1476 |
| Vertical Sevenths |
0.01561 |
| Vertical Octaves |
0.1918 |
| Perfect Vertical Intervals |
0.5288 |
| Vertical Dissonance Ratio |
0.0419 |
| Vertical Minor Third Prevalence |
0.6491 |
| Vertical Major Third Prevalence |
0.706 |
| Chord Duration |
2.02 |
| Partial Chords |
0.09222 |
| Standard Triads |
0.7295 |
| Diminished and Augmented Triads |
0.02273 |
| Dominant Seventh Chords |
0.002622 |
| Seventh Chords |
0.02885 |
| Non-Standard Chords |
0.1495 |
| Complex Chords |
0.006993 |
| Minor Major Triad Ratio |
1.675 |
| Average Number of Simultaneous Pitch Classes |
2.947 |
| Variability of Number of Simultaneous Pitch Classes |
0.5211 |
| Average Number of Simultaneous Pitches |
4.268 |
| Variability of Number of Simultaneous Pitches |
1.162 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1898 |
| Stepwise Motion |
0.5232 |
| Melodic Thirds |
0.1249 |
| Melodic Perfect Fourths |
0.06215 |
| Melodic Tritones |
0.000565 |
| Melodic Perfect Fifths |
0.07119 |
| Melodic Sixths |
0.009605 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01582 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.113 |
| Melodic Embellishments |
0.01971 |
| Direction of Melodic Motion |
0.4689 |
| Average Length of Melodic Arcs |
1.736 |
| Average Interval Spanned by Melodic Arcs |
5.049 |
| Melodic Pitch Variety |
4.752 |
| Mean Melodic Interval |
2.359 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3333 |
| Relative Prevalence of Most Common Melodic Intervals |
0.578 |
| Amount of Arpeggiation |
0.4045 |
| Repeated Notes |
0.1927 |
| Importance of Middle Register |
0.7179 |
| Importance of High Register |
0.04842 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
60.23 |
| Mean Pitch Class |
5.109 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.103 |
| Prevalence of Most Common Pitch Class |
0.2202 |
| Relative Prevalence of Top Pitches |
0.9344 |
| Relative Prevalence of Top Pitch Classes |
0.8568 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.951 |
| Pitch Class Variability |
3.364 |
| Pitch Class Variability After Folding |
4.006 |
| Pitch Skewness |
-0.5528 |
| Pitch Class Skewness |
0.09742 |
| Pitch Class Skewness After Folding |
1.671 |
| Pitch Kurtosis |
5.078 |
| Pitch Class Kurtosis |
4.674 |
| Pitch Class Kurtosis After Folding |
4.839 |
| Major or Minor |
0.0 |
| First Pitch |
57.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
29.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
34.0 |
| Importance of Bass Register |
0.2337 |
| Note Density per Quarter Note |
1.515 |
| Note Density per Quarter Note per Voice |
0.2526 |
| Note Density per Quarter Note Variability |
0.6453 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.007883 |
| Prevalence of Medium Rhythmic Values |
0.6059 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8508 |
| Prevalence of Very Long Rhythmic Values |
0.1042 |
| Prevalence of Dotted Notes |
0.08953 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.977 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4566 |
| Relative Prevalence of Most Common Rhythmic Values |
0.5166 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.988 |
| Rhythmic Value Skewness |
1.475 |
| Rhythmic Value Kurtosis |
9.754 |
| Mean Rhythmic Value Run Length |
1.78 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.302 |
| Mean Rhythmic Value Offset |
0.02252 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.2994 |
| Complete Rests Fraction |
0.001714 |
| Partial Rests Fraction |
0.6984 |
| Average Rest Fraction Across Voices |
0.2412 |
| Longest Complete Rest |
2.009 |
| Longest Partial Rest |
175.7 |
| Mean Complete Rest Duration |
2.009 |
| Mean Partial Rest Duration |
12.03 |
| Median Complete Rest Duration |
2.009 |
| Median Partial Rest Duration |
6.026 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
25.57 |
| Variability Across Voices of Combined Rests |
107.0 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6781 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.165 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.108 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8432 |
| Rhythmic Variability - Tempo Standardized |
0.0561 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1776.0 |
| Initial Tempo |
100.0 |
| Average Variability of Time Between Attacks for Each Voice |
4.93 |
| Minimum Note Duration |
0.3 |
| Maximum Note Duration |
9.6 |
| Average Note Duration |
1.795 |
| Variability of Note Durations |
1.265 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
2.0 |
| Number of Moderate Rhythmic Pulses |
2.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
100.6 |
| Strongest Rhythmic Pulse |
51.0 |
| Second Strongest Rhythmic Pulse |
101.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.98 |
| Strength of Strongest Rhythmic Pulse |
0.8122 |
| Strength of Second Strongest Rhythmic Pulse |
0.1807 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
4.495 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9929 |
| Rhythmic Variability |
0.06548 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
5.62 |
| Duration in Seconds |
700.2 |
| Note Density |
2.536 |
| Note Density Variability |
1.12 |
| Average Time Between Attacks |
0.9993 |
| Average Time Between Attacks for Each Voice |
2.487 |
| Variability of Time Between Attacks |
0.4571 |
| Maximum Number of Independent Voices |
6.0 |
| Relative Range of Loudest Voice |
0.4706 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.4412 |
| Relative Note Density of Highest Line |
0.2331 |
| Relative Note Durations of Lowest Line |
0.9847 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.9606 |
| Voice Separation |
4.0 |
| Variability of Voice Separation |
2.828 |
| Parallel Motion |
0.0404 |
| Average Number of Independent Voices |
4.554 |
| Similar Motion |
0.1275 |
| Contrary Motion |
0.1616 |
| Oblique Motion |
0.6705 |
| Parallel Fifths |
0.002525 |
| Parallel Octaves |
0.004419 |
| Variability of Number of Independent Voices |
1.273 |
| Voice Equality - Number of Notes |
70.25 |
| Voice Equality - Note Duration |
63.93 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
1.211 |
| Importance of Loudest Voice |
0.0 |