| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2359 |
| Prevalence of Second Most Common Vertical Interval |
0.203 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8604 |
| Vertical Unisons |
0.04405 |
| Vertical Minor Seconds |
0.003692 |
| Vertical Thirds |
0.2995 |
| Vertical Tritones |
0.004653 |
| Vertical Perfect Fourths |
0.1099 |
| Vertical Perfect Fifths |
0.203 |
| Vertical Sixths |
0.1133 |
| Vertical Sevenths |
0.01249 |
| Vertical Octaves |
0.1918 |
| Perfect Vertical Intervals |
0.5488 |
| Vertical Dissonance Ratio |
0.03997 |
| Vertical Minor Third Prevalence |
0.6626 |
| Vertical Major Third Prevalence |
0.734 |
| Chord Duration |
2.083 |
| Partial Chords |
0.1288 |
| Standard Triads |
0.6952 |
| Diminished and Augmented Triads |
0.02212 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.02115 |
| Non-Standard Chords |
0.1548 |
| Complex Chords |
0.005769 |
| Minor Major Triad Ratio |
0.3242 |
| Average Number of Simultaneous Pitch Classes |
2.922 |
| Variability of Number of Simultaneous Pitch Classes |
0.5607 |
| Average Number of Simultaneous Pitches |
4.247 |
| Variability of Number of Simultaneous Pitches |
1.487 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1581 |
| Stepwise Motion |
0.4838 |
| Melodic Thirds |
0.1109 |
| Melodic Perfect Fourths |
0.06431 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03835 |
| Melodic Sixths |
0.00177 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01298 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.082 |
| Melodic Embellishments |
0.02055 |
| Direction of Melodic Motion |
0.5087 |
| Average Length of Melodic Arcs |
1.866 |
| Average Interval Spanned by Melodic Arcs |
5.037 |
| Melodic Pitch Variety |
4.036 |
| Mean Melodic Interval |
1.939 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3257 |
| Relative Prevalence of Most Common Melodic Intervals |
0.8841 |
| Amount of Arpeggiation |
0.4501 |
| Repeated Notes |
0.2879 |
| Importance of Middle Register |
0.7481 |
| Importance of High Register |
0.01116 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.91 |
| Mean Pitch Class |
5.008 |
| Most Common Pitch |
65.0 |
| Most Common Pitch Class |
5.0 |
| Prevalence of Most Common Pitch |
0.1345 |
| Prevalence of Most Common Pitch Class |
0.2531 |
| Relative Prevalence of Top Pitches |
0.7467 |
| Relative Prevalence of Top Pitch Classes |
0.7355 |
| Interval Between Most Prevalent Pitches |
4.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.8 |
| Pitch Class Variability |
3.398 |
| Pitch Class Variability After Folding |
4.438 |
| Pitch Skewness |
-0.6129 |
| Pitch Class Skewness |
0.006739 |
| Pitch Class Skewness After Folding |
1.347 |
| Pitch Kurtosis |
5.569 |
| Pitch Class Kurtosis |
4.804 |
| Pitch Class Kurtosis After Folding |
4.418 |
| Major or Minor |
0.0 |
| First Pitch |
65.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
41.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
28.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.2408 |
| Note Density per Quarter Note |
1.601 |
| Note Density per Quarter Note per Voice |
0.2001 |
| Note Density per Quarter Note Variability |
0.7837 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.001174 |
| Prevalence of Medium Rhythmic Values |
0.6124 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8309 |
| Prevalence of Very Long Rhythmic Values |
0.09806 |
| Prevalence of Dotted Notes |
0.08045 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.911 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4433 |
| Relative Prevalence of Most Common Rhythmic Values |
0.5325 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.904 |
| Rhythmic Value Skewness |
1.436 |
| Rhythmic Value Kurtosis |
8.867 |
| Mean Rhythmic Value Run Length |
1.645 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.054 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.7786 |
| Average Rest Fraction Across Voices |
0.4163 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
219.3 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
26.25 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
10.15 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
36.58 |
| Variability Across Voices of Combined Rests |
66.98 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6601 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1847 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.574 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8448 |
| Rhythmic Variability - Tempo Standardized |
0.05518 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1703.0 |
| Initial Tempo |
120.0 |
| Average Variability of Time Between Attacks for Each Voice |
6.229 |
| Minimum Note Duration |
0.25 |
| Maximum Note Duration |
6.0 |
| Average Note Duration |
1.437 |
| Variability of Note Durations |
0.9502 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
3.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
122.7 |
| Strongest Rhythmic Pulse |
61.0 |
| Second Strongest Rhythmic Pulse |
41.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.488 |
| Strength of Strongest Rhythmic Pulse |
0.6601 |
| Strength of Second Strongest Rhythmic Pulse |
0.1847 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
3.574 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.8448 |
| Rhythmic Variability |
0.05518 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
12.45 |
| Duration in Seconds |
524.0 |
| Note Density |
3.25 |
| Note Density Variability |
1.468 |
| Average Time Between Attacks |
0.8336 |
| Average Time Between Attacks for Each Voice |
2.372 |
| Variability of Time Between Attacks |
0.4274 |
| Maximum Number of Independent Voices |
8.0 |
| Relative Range of Loudest Voice |
0.4242 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.4242 |
| Relative Note Density of Highest Line |
0.3241 |
| Relative Note Durations of Lowest Line |
1.001 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6667 |
| Voice Overlap |
0.9618 |
| Voice Separation |
3.143 |
| Variability of Voice Separation |
2.268 |
| Parallel Motion |
0.04433 |
| Average Number of Independent Voices |
4.66 |
| Similar Motion |
0.1519 |
| Contrary Motion |
0.1728 |
| Oblique Motion |
0.631 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
1.911 |
| Voice Equality - Number of Notes |
20.36 |
| Voice Equality - Note Duration |
32.99 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.7559 |
| Voice Equality - Range |
1.773 |
| Importance of Loudest Voice |
0.0 |