Distance Between Two Most Common Vertical Intervals |
7.0 |
Prevalence of Most Common Vertical Interval |
0.205 |
Prevalence of Second Most Common Vertical Interval |
0.1978 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.9647 |
Vertical Unisons |
0.02257 |
Vertical Minor Seconds |
0.001939 |
Vertical Thirds |
0.2801 |
Vertical Tritones |
0.01322 |
Vertical Perfect Fourths |
0.1202 |
Vertical Perfect Fifths |
0.1978 |
Vertical Sixths |
0.125 |
Vertical Sevenths |
0.02856 |
Vertical Octaves |
0.1825 |
Perfect Vertical Intervals |
0.5231 |
Vertical Dissonance Ratio |
0.0773 |
Vertical Minor Third Prevalence |
0.5873 |
Vertical Major Third Prevalence |
0.6179 |
Chord Duration |
1.523 |
Partial Chords |
0.1381 |
Standard Triads |
0.5714 |
Diminished and Augmented Triads |
0.0381 |
Dominant Seventh Chords |
0.0119 |
Seventh Chords |
0.04762 |
Non-Standard Chords |
0.2429 |
Complex Chords |
0.009524 |
Minor Major Triad Ratio |
0.2121 |
Average Number of Simultaneous Pitch Classes |
2.946 |
Variability of Number of Simultaneous Pitch Classes |
0.5403 |
Average Number of Simultaneous Pitches |
3.995 |
Variability of Number of Simultaneous Pitches |
0.8578 |
Most Common Vertical Interval |
0.0 |
Second Most Common Vertical Interval |
7.0 |
Dynamic Range |
0.0 |
Variation of Dynamics |
0.0 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
1.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
0.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
0.0 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
1.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.2356 |
Stepwise Motion |
0.6793 |
Melodic Thirds |
0.1216 |
Melodic Perfect Fourths |
0.06991 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.04103 |
Melodic Sixths |
0.00304 |
Melodic Sevenths |
0.00304 |
Melodic Octaves |
0.01216 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
2.636 |
Melodic Embellishments |
0.02112 |
Direction of Melodic Motion |
0.5 |
Average Length of Melodic Arcs |
2.026 |
Average Interval Spanned by Melodic Arcs |
5.089 |
Melodic Pitch Variety |
5.055 |
Mean Melodic Interval |
2.359 |
Number of Common Melodic Intervals |
2.0 |
Distance Between Most Prevalent Melodic Intervals |
1.0 |
Prevalence of Most Common Melodic Interval |
0.4438 |
Relative Prevalence of Most Common Melodic Intervals |
0.5308 |
Amount of Arpeggiation |
0.2477 |
Repeated Notes |
0.06991 |
Importance of Middle Register |
0.7903 |
Importance of High Register |
0.0362 |
Dominant Spread |
6.0 |
Strong Tonal Centres |
2.0 |
Mean Pitch |
60.73 |
Mean Pitch Class |
5.32 |
Most Common Pitch |
62.0 |
Most Common Pitch Class |
7.0 |
Prevalence of Most Common Pitch |
0.09351 |
Prevalence of Most Common Pitch Class |
0.2066 |
Relative Prevalence of Top Pitches |
1.0 |
Relative Prevalence of Top Pitch Classes |
0.7737 |
Interval Between Most Prevalent Pitches |
5.0 |
Interval Between Most Prevalent Pitch Classes |
7.0 |
Pitch Variability |
7.646 |
Pitch Class Variability |
3.612 |
Pitch Class Variability After Folding |
2.733 |
Pitch Skewness |
-0.2456 |
Pitch Class Skewness |
-0.5649 |
Pitch Class Skewness After Folding |
1.051 |
Pitch Kurtosis |
5.495 |
Pitch Class Kurtosis |
4.837 |
Pitch Class Kurtosis After Folding |
8.116 |
Major or Minor |
0.0 |
First Pitch |
67.0 |
First Pitch Class |
7.0 |
Last Pitch |
43.0 |
Last Pitch Class |
7.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
23.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
9.0 |
Number of Common Pitches |
2.0 |
Number of Common Pitch Classes |
1.0 |
Range |
33.0 |
Importance of Bass Register |
0.1735 |
Note Density per Quarter Note |
1.564 |
Note Density per Quarter Note per Voice |
0.3127 |
Note Density per Quarter Note Variability |
0.5013 |
Range of Rhythmic Values |
9.0 |
Number of Different Rhythmic Values Present |
8.0 |
Number of Common Rhythmic Values Present |
3.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.003017 |
Prevalence of Medium Rhythmic Values |
0.6682 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.733 |
Prevalence of Very Long Rhythmic Values |
0.07541 |
Prevalence of Dotted Notes |
0.0905 |
Shortest Rhythmic Value |
0.5 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
2.615 |
Most Common Rhythmic Value |
2.0 |
Prevalence of Most Common Rhythmic Value |
0.4012 |
Relative Prevalence of Most Common Rhythmic Values |
0.6579 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
1.84 |
Rhythmic Value Skewness |
1.004 |
Rhythmic Value Kurtosis |
11.65 |
Mean Rhythmic Value Run Length |
1.754 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
1.217 |
Mean Rhythmic Value Offset |
0.0362 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.6586 |
Complete Rests Fraction |
0.0 |
Partial Rests Fraction |
0.6085 |
Average Rest Fraction Across Voices |
0.1708 |
Longest Complete Rest |
0.0 |
Longest Partial Rest |
24.0 |
Mean Complete Rest Duration |
0.0 |
Mean Partial Rest Duration |
7.24 |
Median Complete Rest Duration |
0.0 |
Median Partial Rest Duration |
6.0 |
Duple Initial Meter |
0.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
5.404 |
Variability Across Voices of Combined Rests |
40.53 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5733 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2194 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.613 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7927 |
Rhythmic Variability - Tempo Standardized |
0.05073 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
0.6667 |
Quadruple Initial Meter |
1.0 |
Metrical Diversity |
1.0 |
Total Number of Notes |
663.0 |
Initial Tempo |
100.0 |
Average Variability of Time Between Attacks for Each Voice |
1.852 |
Minimum Note Duration |
0.3 |
Maximum Note Duration |
14.4 |
Average Note Duration |
1.591 |
Variability of Note Durations |
1.273 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
2.0 |
Number of Moderate Rhythmic Pulses |
2.0 |
Number of Relatively Strong Rhythmic Pulses |
2.0 |
Mean Tempo |
100.0 |
Strongest Rhythmic Pulse |
50.0 |
Second Strongest Rhythmic Pulse |
100.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
Strength of Strongest Rhythmic Pulse |
0.7331 |
Strength of Second Strongest Rhythmic Pulse |
0.2595 |
Strength Ratio of Two Strongest Rhythmic Pulses |
2.825 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.9925 |
Rhythmic Variability |
0.06116 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
1.0 |
Tempo Variability |
0.0 |
Duration in Seconds |
254.4 |
Note Density |
2.606 |
Note Density Variability |
0.8475 |
Average Time Between Attacks |
0.8684 |
Average Time Between Attacks for Each Voice |
1.877 |
Variability of Time Between Attacks |
0.3144 |
Maximum Number of Independent Voices |
5.0 |
Relative Range of Loudest Voice |
0.4242 |
Relative Range Isolation of Loudest Voice |
0.0 |
Relative Range of Highest Line |
0.4242 |
Relative Note Density of Highest Line |
0.5204 |
Relative Note Durations of Lowest Line |
1.0 |
Relative Size of Melodic Intervals in Lowest Line |
0.5556 |
Voice Overlap |
0.9623 |
Voice Separation |
4.75 |
Variability of Voice Separation |
3.304 |
Parallel Motion |
0.02931 |
Average Number of Independent Voices |
4.146 |
Similar Motion |
0.1477 |
Contrary Motion |
0.1465 |
Oblique Motion |
0.6764 |
Parallel Fifths |
0.001172 |
Parallel Octaves |
0.001172 |
Variability of Number of Independent Voices |
0.8425 |
Voice Equality - Number of Notes |
30.53 |
Voice Equality - Note Duration |
24.32 |
Voice Equality - Dynamics |
0.0 |
Voice Equality - Melodic Leaps |
0.8367 |
Voice Equality - Range |
1.304 |
Importance of Loudest Voice |
0.0 |