Distance Between Two Most Common Vertical Intervals |
7.0 |
Prevalence of Most Common Vertical Interval |
0.2092 |
Prevalence of Second Most Common Vertical Interval |
0.204 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.9754 |
Vertical Unisons |
0.03652 |
Vertical Minor Seconds |
0.004603 |
Vertical Thirds |
0.2825 |
Vertical Tritones |
0.009606 |
Vertical Perfect Fourths |
0.1245 |
Vertical Perfect Fifths |
0.204 |
Vertical Sixths |
0.1131 |
Vertical Sevenths |
0.01901 |
Vertical Octaves |
0.1727 |
Perfect Vertical Intervals |
0.5377 |
Vertical Dissonance Ratio |
0.07151 |
Vertical Minor Third Prevalence |
0.6469 |
Vertical Major Third Prevalence |
0.75 |
Chord Duration |
1.115 |
Partial Chords |
0.06046 |
Standard Triads |
0.6879 |
Diminished and Augmented Triads |
0.02124 |
Dominant Seventh Chords |
0.008987 |
Seventh Chords |
0.02614 |
Non-Standard Chords |
0.2255 |
Complex Chords |
0.009804 |
Minor Major Triad Ratio |
0.2098 |
Average Number of Simultaneous Pitch Classes |
3.036 |
Variability of Number of Simultaneous Pitch Classes |
0.4615 |
Average Number of Simultaneous Pitches |
4.215 |
Variability of Number of Simultaneous Pitches |
1.092 |
Most Common Vertical Interval |
0.0 |
Second Most Common Vertical Interval |
7.0 |
Dynamic Range |
0.0 |
Variation of Dynamics |
0.0 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
1.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
0.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
0.0 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
1.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.2078 |
Stepwise Motion |
0.6511 |
Melodic Thirds |
0.1083 |
Melodic Perfect Fourths |
0.06461 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.05666 |
Melodic Sixths |
0.001988 |
Melodic Sevenths |
0.0 |
Melodic Octaves |
0.01193 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
1.224 |
Melodic Embellishments |
0.01186 |
Direction of Melodic Motion |
0.4933 |
Average Length of Melodic Arcs |
1.895 |
Average Interval Spanned by Melodic Arcs |
4.933 |
Melodic Pitch Variety |
4.993 |
Mean Melodic Interval |
2.349 |
Number of Common Melodic Intervals |
3.0 |
Distance Between Most Prevalent Melodic Intervals |
1.0 |
Prevalence of Most Common Melodic Interval |
0.4433 |
Relative Prevalence of Most Common Melodic Intervals |
0.4686 |
Amount of Arpeggiation |
0.2823 |
Repeated Notes |
0.1054 |
Importance of Middle Register |
0.7194 |
Importance of High Register |
0.0 |
Dominant Spread |
7.0 |
Strong Tonal Centres |
2.0 |
Mean Pitch |
58.72 |
Mean Pitch Class |
5.046 |
Most Common Pitch |
60.0 |
Most Common Pitch Class |
5.0 |
Prevalence of Most Common Pitch |
0.1186 |
Prevalence of Most Common Pitch Class |
0.2045 |
Relative Prevalence of Top Pitches |
0.8417 |
Relative Prevalence of Top Pitch Classes |
0.9324 |
Interval Between Most Prevalent Pitches |
7.0 |
Interval Between Most Prevalent Pitch Classes |
5.0 |
Pitch Variability |
7.245 |
Pitch Class Variability |
3.392 |
Pitch Class Variability After Folding |
4.27 |
Pitch Skewness |
-0.3948 |
Pitch Class Skewness |
0.04108 |
Pitch Class Skewness After Folding |
1.042 |
Pitch Kurtosis |
5.417 |
Pitch Class Kurtosis |
4.856 |
Pitch Class Kurtosis After Folding |
4.708 |
Major or Minor |
0.0 |
First Pitch |
65.0 |
First Pitch Class |
5.0 |
Last Pitch |
41.0 |
Last Pitch Class |
5.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
24.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
11.0 |
Number of Common Pitches |
2.0 |
Number of Common Pitch Classes |
1.0 |
Range |
31.0 |
Importance of Bass Register |
0.2806 |
Note Density per Quarter Note |
1.643 |
Note Density per Quarter Note per Voice |
0.2738 |
Note Density per Quarter Note Variability |
0.5884 |
Range of Rhythmic Values |
9.0 |
Number of Different Rhythmic Values Present |
8.0 |
Number of Common Rhythmic Values Present |
3.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.01581 |
Prevalence of Medium Rhythmic Values |
0.6275 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.749 |
Prevalence of Very Long Rhythmic Values |
0.07411 |
Prevalence of Dotted Notes |
0.07312 |
Shortest Rhythmic Value |
0.5 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
2.719 |
Most Common Rhythmic Value |
2.0 |
Prevalence of Most Common Rhythmic Value |
0.3765 |
Relative Prevalence of Most Common Rhythmic Values |
0.6667 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
1.86 |
Rhythmic Value Skewness |
1.16 |
Rhythmic Value Kurtosis |
10.34 |
Mean Rhythmic Value Run Length |
1.733 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
1.173 |
Mean Rhythmic Value Offset |
0.02767 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.5477 |
Complete Rests Fraction |
0.0 |
Partial Rests Fraction |
0.7343 |
Average Rest Fraction Across Voices |
0.2383 |
Longest Complete Rest |
0.0 |
Longest Partial Rest |
53.22 |
Mean Complete Rest Duration |
0.0 |
Mean Partial Rest Duration |
9.271 |
Median Complete Rest Duration |
0.0 |
Median Partial Rest Duration |
6.652 |
Duple Initial Meter |
0.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
9.516 |
Variability Across Voices of Combined Rests |
22.6 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5833 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2123 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.748 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7955 |
Rhythmic Variability - Tempo Standardized |
0.05102 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
0.6667 |
Quadruple Initial Meter |
1.0 |
Metrical Diversity |
1.0 |
Total Number of Notes |
1012.0 |
Initial Tempo |
120.0 |
Average Variability of Time Between Attacks for Each Voice |
3.77 |
Minimum Note Duration |
0.25 |
Maximum Note Duration |
24.0 |
Average Note Duration |
2.091 |
Variability of Note Durations |
1.966 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
2.0 |
Number of Moderate Rhythmic Pulses |
2.0 |
Number of Relatively Strong Rhythmic Pulses |
2.0 |
Mean Tempo |
89.81 |
Strongest Rhythmic Pulse |
40.0 |
Second Strongest Rhythmic Pulse |
80.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
Strength of Strongest Rhythmic Pulse |
0.7396 |
Strength of Second Strongest Rhythmic Pulse |
0.2453 |
Strength Ratio of Two Strongest Rhythmic Pulses |
3.015 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.9849 |
Rhythmic Variability |
0.06129 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
1.0 |
Tempo Variability |
30.0 |
Duration in Seconds |
463.0 |
Note Density |
2.186 |
Note Density Variability |
1.136 |
Average Time Between Attacks |
1.163 |
Average Time Between Attacks for Each Voice |
2.677 |
Variability of Time Between Attacks |
0.9081 |
Maximum Number of Independent Voices |
6.0 |
Relative Range of Loudest Voice |
0.4839 |
Relative Range Isolation of Loudest Voice |
0.0 |
Relative Range of Highest Line |
0.4839 |
Relative Note Density of Highest Line |
0.3913 |
Relative Note Durations of Lowest Line |
1.216 |
Relative Size of Melodic Intervals in Lowest Line |
0.9231 |
Voice Overlap |
0.9536 |
Voice Separation |
3.6 |
Variability of Voice Separation |
3.05 |
Parallel Motion |
0.06105 |
Average Number of Independent Voices |
4.513 |
Similar Motion |
0.1347 |
Contrary Motion |
0.1389 |
Oblique Motion |
0.6653 |
Parallel Fifths |
0.005263 |
Parallel Octaves |
0.006316 |
Variability of Number of Independent Voices |
1.147 |
Voice Equality - Number of Notes |
24.57 |
Voice Equality - Note Duration |
16.99 |
Voice Equality - Dynamics |
0.0 |
Voice Equality - Melodic Leaps |
0.4082 |
Voice Equality - Range |
1.265 |
Importance of Loudest Voice |
0.0 |