| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.1745 |
| Prevalence of Second Most Common Vertical Interval |
0.1714 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9823 |
| Vertical Unisons |
0.0279 |
| Vertical Minor Seconds |
0.007091 |
| Vertical Thirds |
0.3287 |
| Vertical Tritones |
0.01757 |
| Vertical Perfect Fourths |
0.117 |
| Vertical Perfect Fifths |
0.1745 |
| Vertical Sixths |
0.1459 |
| Vertical Sevenths |
0.02605 |
| Vertical Octaves |
0.131 |
| Perfect Vertical Intervals |
0.4504 |
| Vertical Dissonance Ratio |
0.08099 |
| Vertical Minor Third Prevalence |
0.5126 |
| Vertical Major Third Prevalence |
0.4964 |
| Chord Duration |
1.737 |
| Partial Chords |
0.2924 |
| Standard Triads |
0.4911 |
| Diminished and Augmented Triads |
0.03924 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.008861 |
| Non-Standard Chords |
0.2076 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.7093 |
| Average Number of Simultaneous Pitch Classes |
2.652 |
| Variability of Number of Simultaneous Pitch Classes |
0.6238 |
| Average Number of Simultaneous Pitches |
3.15 |
| Variability of Number of Simultaneous Pitches |
0.792 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.263 |
| Stepwise Motion |
0.717 |
| Melodic Thirds |
0.114 |
| Melodic Perfect Fourths |
0.031 |
| Melodic Tritones |
0.001 |
| Melodic Perfect Fifths |
0.029 |
| Melodic Sixths |
0.001 |
| Melodic Sevenths |
0.001 |
| Melodic Octaves |
0.008 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.167 |
| Melodic Embellishments |
0.01793 |
| Direction of Melodic Motion |
0.5033 |
| Average Length of Melodic Arcs |
1.919 |
| Average Interval Spanned by Melodic Arcs |
4.285 |
| Melodic Pitch Variety |
4.531 |
| Mean Melodic Interval |
2.027 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.454 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5793 |
| Amount of Arpeggiation |
0.25 |
| Repeated Notes |
0.098 |
| Importance of Middle Register |
0.8098 |
| Importance of High Register |
0.008964 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.15 |
| Mean Pitch Class |
5.158 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.1355 |
| Prevalence of Most Common Pitch Class |
0.1733 |
| Relative Prevalence of Top Pitches |
0.7794 |
| Relative Prevalence of Top Pitch Classes |
0.8276 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
9.0 |
| Pitch Variability |
5.843 |
| Pitch Class Variability |
3.589 |
| Pitch Class Variability After Folding |
3.331 |
| Pitch Skewness |
-0.0762 |
| Pitch Class Skewness |
0.1324 |
| Pitch Class Skewness After Folding |
0.4853 |
| Pitch Kurtosis |
5.704 |
| Pitch Class Kurtosis |
4.851 |
| Pitch Class Kurtosis After Folding |
6.502 |
| Major or Minor |
0.0 |
| First Pitch |
53.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
52.0 |
| Last Pitch Class |
4.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
27.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.1813 |
| Note Density per Quarter Note |
1.207 |
| Note Density per Quarter Note per Voice |
0.3017 |
| Note Density per Quarter Note Variability |
0.4239 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.005976 |
| Prevalence of Medium Rhythmic Values |
0.6763 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7839 |
| Prevalence of Very Long Rhythmic Values |
0.08765 |
| Prevalence of Dotted Notes |
0.06873 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.689 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4602 |
| Relative Prevalence of Most Common Rhythmic Values |
0.4567 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.804 |
| Rhythmic Value Skewness |
1.146 |
| Rhythmic Value Kurtosis |
9.173 |
| Mean Rhythmic Value Run Length |
2.164 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.745 |
| Mean Rhythmic Value Offset |
0.01195 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.3787 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.5598 |
| Average Rest Fraction Across Voices |
0.1848 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
274.7 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
12.3 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
5.971 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
38.46 |
| Variability Across Voices of Combined Rests |
131.9 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6305 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1899 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.32 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8205 |
| Rhythmic Variability - Tempo Standardized |
0.05353 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.5 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
1004.0 |
| Initial Tempo |
100.0 |
| Average Variability of Time Between Attacks for Each Voice |
4.893 |
| Minimum Note Duration |
0.3 |
| Maximum Note Duration |
14.4 |
| Average Note Duration |
1.629 |
| Variability of Note Durations |
1.147 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
2.0 |
| Number of Moderate Rhythmic Pulses |
2.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
99.76 |
| Strongest Rhythmic Pulse |
50.0 |
| Second Strongest Rhythmic Pulse |
100.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.7743 |
| Strength of Second Strongest Rhythmic Pulse |
0.2161 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
3.583 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9904 |
| Rhythmic Variability |
0.06325 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
3.459 |
| Duration in Seconds |
501.6 |
| Note Density |
2.002 |
| Note Density Variability |
0.7058 |
| Average Time Between Attacks |
0.9864 |
| Average Time Between Attacks for Each Voice |
2.194 |
| Variability of Time Between Attacks |
0.4331 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4516 |
| Relative Range Isolation of Loudest Voice |
0.1702 |
| Relative Range of Highest Line |
0.4516 |
| Relative Note Density of Highest Line |
0.2629 |
| Relative Note Durations of Lowest Line |
1.259 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5714 |
| Voice Overlap |
0.9482 |
| Voice Separation |
4.667 |
| Variability of Voice Separation |
1.155 |
| Parallel Motion |
0.05703 |
| Average Number of Independent Voices |
3.26 |
| Similar Motion |
0.116 |
| Contrary Motion |
0.1672 |
| Oblique Motion |
0.6598 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.00295 |
| Variability of Number of Independent Voices |
0.7875 |
| Voice Equality - Number of Notes |
85.51 |
| Voice Equality - Note Duration |
79.52 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
2.16 |
| Importance of Loudest Voice |
0.0 |