Distance Between Two Most Common Vertical Intervals |
3.0 |
Prevalence of Most Common Vertical Interval |
0.2204 |
Prevalence of Second Most Common Vertical Interval |
0.183 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.8305 |
Vertical Unisons |
0.02662 |
Vertical Minor Seconds |
0.005041 |
Vertical Thirds |
0.3791 |
Vertical Tritones |
0.01961 |
Vertical Perfect Fourths |
0.09633 |
Vertical Perfect Fifths |
0.183 |
Vertical Sixths |
0.1097 |
Vertical Sevenths |
0.01956 |
Vertical Octaves |
0.1347 |
Perfect Vertical Intervals |
0.4407 |
Vertical Dissonance Ratio |
0.07588 |
Vertical Minor Third Prevalence |
0.604 |
Vertical Major Third Prevalence |
0.7076 |
Chord Duration |
1.252 |
Partial Chords |
0.2138 |
Standard Triads |
0.5739 |
Diminished and Augmented Triads |
0.04017 |
Dominant Seventh Chords |
0.003232 |
Seventh Chords |
0.01524 |
Non-Standard Chords |
0.1971 |
Complex Chords |
0.0 |
Minor Major Triad Ratio |
0.2174 |
Average Number of Simultaneous Pitch Classes |
2.814 |
Variability of Number of Simultaneous Pitch Classes |
0.4983 |
Average Number of Simultaneous Pitches |
3.417 |
Variability of Number of Simultaneous Pitches |
0.6011 |
Most Common Vertical Interval |
4.0 |
Second Most Common Vertical Interval |
7.0 |
Dynamic Range |
0.0 |
Variation of Dynamics |
0.0 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
1.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
0.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
0.0 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
1.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.2406 |
Stepwise Motion |
0.6514 |
Melodic Thirds |
0.1079 |
Melodic Perfect Fourths |
0.03748 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.04648 |
Melodic Sixths |
0.003748 |
Melodic Sevenths |
0.0 |
Melodic Octaves |
0.02249 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
1.526 |
Melodic Embellishments |
0.01046 |
Direction of Melodic Motion |
0.4871 |
Average Length of Melodic Arcs |
1.798 |
Average Interval Spanned by Melodic Arcs |
4.617 |
Melodic Pitch Variety |
4.749 |
Mean Melodic Interval |
2.241 |
Number of Common Melodic Intervals |
3.0 |
Distance Between Most Prevalent Melodic Intervals |
1.0 |
Prevalence of Most Common Melodic Interval |
0.4108 |
Relative Prevalence of Most Common Melodic Intervals |
0.5858 |
Amount of Arpeggiation |
0.3073 |
Repeated Notes |
0.1304 |
Importance of Middle Register |
0.8027 |
Importance of High Register |
0.1689 |
Dominant Spread |
7.0 |
Strong Tonal Centres |
2.0 |
Mean Pitch |
67.2 |
Mean Pitch Class |
5.171 |
Most Common Pitch |
69.0 |
Most Common Pitch Class |
5.0 |
Prevalence of Most Common Pitch |
0.1413 |
Prevalence of Most Common Pitch Class |
0.2212 |
Relative Prevalence of Top Pitches |
0.9524 |
Relative Prevalence of Top Pitch Classes |
0.7669 |
Interval Between Most Prevalent Pitches |
4.0 |
Interval Between Most Prevalent Pitch Classes |
5.0 |
Pitch Variability |
5.792 |
Pitch Class Variability |
3.438 |
Pitch Class Variability After Folding |
4.31 |
Pitch Skewness |
-0.8265 |
Pitch Class Skewness |
0.1493 |
Pitch Class Skewness After Folding |
1.308 |
Pitch Kurtosis |
5.732 |
Pitch Class Kurtosis |
4.806 |
Pitch Class Kurtosis After Folding |
4.52 |
Major or Minor |
0.0 |
First Pitch |
53.0 |
First Pitch Class |
5.0 |
Last Pitch |
53.0 |
Last Pitch Class |
5.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
20.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
10.0 |
Number of Common Pitches |
4.0 |
Number of Common Pitch Classes |
1.0 |
Range |
26.0 |
Importance of Bass Register |
0.0284 |
Note Density per Quarter Note |
1.225 |
Note Density per Quarter Note per Voice |
0.3063 |
Note Density per Quarter Note Variability |
0.5792 |
Range of Rhythmic Values |
9.0 |
Number of Different Rhythmic Values Present |
8.0 |
Number of Common Rhythmic Values Present |
3.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.01943 |
Prevalence of Medium Rhythmic Values |
0.5845 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.8027 |
Prevalence of Very Long Rhythmic Values |
0.08445 |
Prevalence of Dotted Notes |
0.09791 |
Shortest Rhythmic Value |
0.5 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
2.868 |
Most Common Rhythmic Value |
2.0 |
Prevalence of Most Common Rhythmic Value |
0.3871 |
Relative Prevalence of Most Common Rhythmic Values |
0.6506 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
1.881 |
Rhythmic Value Skewness |
1.384 |
Rhythmic Value Kurtosis |
9.146 |
Mean Rhythmic Value Run Length |
1.602 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
1.107 |
Mean Rhythmic Value Offset |
0.01717 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.3654 |
Complete Rests Fraction |
0.0007862 |
Partial Rests Fraction |
0.4253 |
Average Rest Fraction Across Voices |
0.1193 |
Longest Complete Rest |
0.8585 |
Longest Partial Rest |
71.04 |
Mean Complete Rest Duration |
0.8585 |
Mean Partial Rest Duration |
7.775 |
Median Complete Rest Duration |
0.8585 |
Median Partial Rest Duration |
2.96 |
Duple Initial Meter |
0.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
11.47 |
Variability Across Voices of Combined Rests |
44.65 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5668 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2283 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.482 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7951 |
Rhythmic Variability - Tempo Standardized |
0.05019 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
0.6667 |
Quadruple Initial Meter |
1.0 |
Metrical Diversity |
3.0 |
Total Number of Notes |
1338.0 |
Initial Tempo |
120.0 |
Average Variability of Time Between Attacks for Each Voice |
3.621 |
Minimum Note Duration |
0.125 |
Maximum Note Duration |
30.13 |
Average Note Duration |
2.439 |
Variability of Note Durations |
2.249 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
1.0 |
Number of Moderate Rhythmic Pulses |
3.0 |
Number of Relatively Strong Rhythmic Pulses |
1.0 |
Mean Tempo |
99.35 |
Strongest Rhythmic Pulse |
71.0 |
Second Strongest Rhythmic Pulse |
141.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
1.986 |
Strength of Strongest Rhythmic Pulse |
0.9167 |
Strength of Second Strongest Rhythmic Pulse |
0.04842 |
Strength Ratio of Two Strongest Rhythmic Pulses |
18.93 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.9651 |
Rhythmic Variability |
0.07235 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
1.0 |
Tempo Variability |
64.05 |
Duration in Seconds |
926.3 |
Note Density |
1.444 |
Note Density Variability |
1.206 |
Average Time Between Attacks |
1.609 |
Average Time Between Attacks for Each Voice |
2.741 |
Variability of Time Between Attacks |
1.362 |
Maximum Number of Independent Voices |
4.0 |
Relative Range of Loudest Voice |
0.6538 |
Relative Range Isolation of Loudest Voice |
0.003215 |
Relative Range of Highest Line |
0.6538 |
Relative Note Density of Highest Line |
0.2152 |
Relative Note Durations of Lowest Line |
1.028 |
Relative Size of Melodic Intervals in Lowest Line |
0.6667 |
Voice Overlap |
0.9492 |
Voice Separation |
4.0 |
Variability of Voice Separation |
2.646 |
Parallel Motion |
0.03894 |
Average Number of Independent Voices |
3.538 |
Similar Motion |
0.1807 |
Contrary Motion |
0.2134 |
Oblique Motion |
0.567 |
Parallel Fifths |
0.0 |
Parallel Octaves |
0.001558 |
Variability of Number of Independent Voices |
0.5833 |
Voice Equality - Number of Notes |
17.41 |
Voice Equality - Note Duration |
37.88 |
Voice Equality - Dynamics |
0.0 |
Voice Equality - Melodic Leaps |
1.0 |
Voice Equality - Range |
1.291 |
Importance of Loudest Voice |
0.0 |