Distance Between Two Most Common Vertical Intervals |
7.0 |
Prevalence of Most Common Vertical Interval |
0.1921 |
Prevalence of Second Most Common Vertical Interval |
0.1898 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.9877 |
Vertical Unisons |
0.02798 |
Vertical Minor Seconds |
0.007756 |
Vertical Thirds |
0.3187 |
Vertical Tritones |
0.01828 |
Vertical Perfect Fourths |
0.1116 |
Vertical Perfect Fifths |
0.1898 |
Vertical Sixths |
0.1205 |
Vertical Sevenths |
0.01717 |
Vertical Octaves |
0.1641 |
Perfect Vertical Intervals |
0.4935 |
Vertical Dissonance Ratio |
0.07217 |
Vertical Minor Third Prevalence |
0.6316 |
Vertical Major Third Prevalence |
0.6349 |
Chord Duration |
1.807 |
Partial Chords |
0.2098 |
Standard Triads |
0.5455 |
Diminished and Augmented Triads |
0.05594 |
Dominant Seventh Chords |
0.003497 |
Seventh Chords |
0.04545 |
Non-Standard Chords |
0.1993 |
Complex Chords |
0.003497 |
Minor Major Triad Ratio |
0.2787 |
Average Number of Simultaneous Pitch Classes |
2.773 |
Variability of Number of Simultaneous Pitch Classes |
0.6914 |
Average Number of Simultaneous Pitches |
3.637 |
Variability of Number of Simultaneous Pitches |
1.252 |
Most Common Vertical Interval |
0.0 |
Second Most Common Vertical Interval |
7.0 |
Dynamic Range |
0.0 |
Variation of Dynamics |
0.0 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
1.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
0.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
0.0 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
1.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.1866 |
Stepwise Motion |
0.5806 |
Melodic Thirds |
0.1083 |
Melodic Perfect Fourths |
0.06682 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.02765 |
Melodic Sixths |
0.0 |
Melodic Sevenths |
0.0 |
Melodic Octaves |
0.009217 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
1.238 |
Melodic Embellishments |
0.02273 |
Direction of Melodic Motion |
0.4535 |
Average Length of Melodic Arcs |
2.085 |
Average Interval Spanned by Melodic Arcs |
5.079 |
Melodic Pitch Variety |
4.504 |
Mean Melodic Interval |
1.986 |
Number of Common Melodic Intervals |
3.0 |
Distance Between Most Prevalent Melodic Intervals |
2.0 |
Prevalence of Most Common Melodic Interval |
0.394 |
Relative Prevalence of Most Common Melodic Intervals |
0.5263 |
Amount of Arpeggiation |
0.3525 |
Repeated Notes |
0.2074 |
Importance of Middle Register |
0.825 |
Importance of High Register |
0.1045 |
Dominant Spread |
3.0 |
Strong Tonal Centres |
2.0 |
Mean Pitch |
64.0 |
Mean Pitch Class |
5.195 |
Most Common Pitch |
65.0 |
Most Common Pitch Class |
5.0 |
Prevalence of Most Common Pitch |
0.1568 |
Prevalence of Most Common Pitch Class |
0.2364 |
Relative Prevalence of Top Pitches |
0.6377 |
Relative Prevalence of Top Pitch Classes |
0.8365 |
Interval Between Most Prevalent Pitches |
5.0 |
Interval Between Most Prevalent Pitch Classes |
5.0 |
Pitch Variability |
6.523 |
Pitch Class Variability |
3.485 |
Pitch Class Variability After Folding |
4.528 |
Pitch Skewness |
-0.1735 |
Pitch Class Skewness |
0.1682 |
Pitch Class Skewness After Folding |
-1.978 |
Pitch Kurtosis |
5.836 |
Pitch Class Kurtosis |
4.763 |
Pitch Class Kurtosis After Folding |
4.223 |
Major or Minor |
0.0 |
First Pitch |
72.0 |
First Pitch Class |
0.0 |
Last Pitch |
53.0 |
Last Pitch Class |
5.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
21.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
8.0 |
Number of Common Pitches |
3.0 |
Number of Common Pitch Classes |
1.0 |
Range |
31.0 |
Importance of Bass Register |
0.07045 |
Note Density per Quarter Note |
1.447 |
Note Density per Quarter Note per Voice |
0.2412 |
Note Density per Quarter Note Variability |
0.6957 |
Range of Rhythmic Values |
9.0 |
Number of Different Rhythmic Values Present |
8.0 |
Number of Common Rhythmic Values Present |
3.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.01818 |
Prevalence of Medium Rhythmic Values |
0.6955 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.7727 |
Prevalence of Very Long Rhythmic Values |
0.08182 |
Prevalence of Dotted Notes |
0.07273 |
Shortest Rhythmic Value |
0.5 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
2.618 |
Most Common Rhythmic Value |
2.0 |
Prevalence of Most Common Rhythmic Value |
0.4682 |
Relative Prevalence of Most Common Rhythmic Values |
0.4466 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
1.816 |
Rhythmic Value Skewness |
1.021 |
Rhythmic Value Kurtosis |
9.779 |
Mean Rhythmic Value Run Length |
2.0 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
1.505 |
Mean Rhythmic Value Offset |
0.009091 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.1907 |
Complete Rests Fraction |
0.0 |
Partial Rests Fraction |
0.8618 |
Average Rest Fraction Across Voices |
0.3662 |
Longest Complete Rest |
0.0 |
Longest Partial Rest |
194.0 |
Mean Complete Rest Duration |
0.0 |
Mean Partial Rest Duration |
19.09 |
Median Complete Rest Duration |
0.0 |
Median Partial Rest Duration |
4.0 |
Duple Initial Meter |
0.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
43.41 |
Variability Across Voices of Combined Rests |
77.82 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6009 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1961 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.065 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.797 |
Rhythmic Variability - Tempo Standardized |
0.0519 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
0.6667 |
Quadruple Initial Meter |
1.0 |
Metrical Diversity |
1.0 |
Total Number of Notes |
440.0 |
Initial Tempo |
100.0 |
Average Variability of Time Between Attacks for Each Voice |
2.258 |
Minimum Note Duration |
0.3 |
Maximum Note Duration |
9.6 |
Average Note Duration |
1.576 |
Variability of Note Durations |
1.123 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
2.0 |
Number of Moderate Rhythmic Pulses |
3.0 |
Number of Relatively Strong Rhythmic Pulses |
2.0 |
Mean Tempo |
100.0 |
Strongest Rhythmic Pulse |
50.0 |
Second Strongest Rhythmic Pulse |
100.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
Strength of Strongest Rhythmic Pulse |
0.7353 |
Strength of Second Strongest Rhythmic Pulse |
0.2399 |
Strength Ratio of Two Strongest Rhythmic Pulses |
3.065 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.9752 |
Rhythmic Variability |
0.06084 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
1.0 |
Tempo Variability |
0.0 |
Duration in Seconds |
182.4 |
Note Density |
2.412 |
Note Density Variability |
1.114 |
Average Time Between Attacks |
0.9286 |
Average Time Between Attacks for Each Voice |
1.907 |
Variability of Time Between Attacks |
0.5562 |
Maximum Number of Independent Voices |
6.0 |
Relative Range of Loudest Voice |
0.3226 |
Relative Range Isolation of Loudest Voice |
0.0 |
Relative Range of Highest Line |
0.3226 |
Relative Note Density of Highest Line |
0.9818 |
Relative Note Durations of Lowest Line |
1.252 |
Relative Size of Melodic Intervals in Lowest Line |
0.75 |
Voice Overlap |
0.975 |
Voice Separation |
4.2 |
Variability of Voice Separation |
3.421 |
Parallel Motion |
0.02494 |
Average Number of Independent Voices |
3.803 |
Similar Motion |
0.1047 |
Contrary Motion |
0.182 |
Oblique Motion |
0.6883 |
Parallel Fifths |
0.0 |
Parallel Octaves |
0.002494 |
Variability of Number of Independent Voices |
1.272 |
Voice Equality - Number of Notes |
31.86 |
Voice Equality - Note Duration |
46.69 |
Voice Equality - Dynamics |
0.0 |
Voice Equality - Melodic Leaps |
0.5164 |
Voice Equality - Range |
1.506 |
Importance of Loudest Voice |
0.0 |