| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2566 |
| Prevalence of Second Most Common Vertical Interval |
0.2083 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8117 |
| Vertical Unisons |
0.05266 |
| Vertical Minor Seconds |
0.002967 |
| Vertical Thirds |
0.2625 |
| Vertical Tritones |
0.008035 |
| Vertical Perfect Fourths |
0.1115 |
| Vertical Perfect Fifths |
0.2083 |
| Vertical Sixths |
0.115 |
| Vertical Sevenths |
0.01632 |
| Vertical Octaves |
0.204 |
| Perfect Vertical Intervals |
0.5764 |
| Vertical Dissonance Ratio |
0.04833 |
| Vertical Minor Third Prevalence |
0.5859 |
| Vertical Major Third Prevalence |
0.6823 |
| Chord Duration |
1.174 |
| Partial Chords |
0.09511 |
| Standard Triads |
0.6413 |
| Diminished and Augmented Triads |
0.0462 |
| Dominant Seventh Chords |
0.008152 |
| Seventh Chords |
0.02446 |
| Non-Standard Chords |
0.2391 |
| Complex Chords |
0.01087 |
| Minor Major Triad Ratio |
0.2487 |
| Average Number of Simultaneous Pitch Classes |
2.909 |
| Variability of Number of Simultaneous Pitch Classes |
0.5947 |
| Average Number of Simultaneous Pitches |
4.427 |
| Variability of Number of Simultaneous Pitches |
1.536 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1787 |
| Stepwise Motion |
0.527 |
| Melodic Thirds |
0.1712 |
| Melodic Perfect Fourths |
0.07207 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05405 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.009009 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.85 |
| Melodic Embellishments |
0.01335 |
| Direction of Melodic Motion |
0.4991 |
| Average Length of Melodic Arcs |
1.796 |
| Average Interval Spanned by Melodic Arcs |
4.851 |
| Melodic Pitch Variety |
4.504 |
| Mean Melodic Interval |
2.296 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3483 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5129 |
| Amount of Arpeggiation |
0.4009 |
| Repeated Notes |
0.1667 |
| Importance of Middle Register |
0.6869 |
| Importance of High Register |
0.01632 |
| Dominant Spread |
5.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.14 |
| Mean Pitch Class |
4.792 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.1142 |
| Prevalence of Most Common Pitch Class |
0.2226 |
| Relative Prevalence of Top Pitches |
0.8961 |
| Relative Prevalence of Top Pitch Classes |
0.9333 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.894 |
| Pitch Class Variability |
3.476 |
| Pitch Class Variability After Folding |
4.298 |
| Pitch Skewness |
-0.4657 |
| Pitch Class Skewness |
-0.1793 |
| Pitch Class Skewness After Folding |
0.9031 |
| Pitch Kurtosis |
5.354 |
| Pitch Class Kurtosis |
4.769 |
| Pitch Class Kurtosis After Folding |
4.791 |
| Major or Minor |
0.0 |
| First Pitch |
65.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
41.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
2.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.2967 |
| Note Density per Quarter Note |
1.755 |
| Note Density per Quarter Note per Voice |
0.2194 |
| Note Density per Quarter Note Variability |
1.094 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.6662 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.862 |
| Prevalence of Very Long Rhythmic Values |
0.0905 |
| Prevalence of Dotted Notes |
0.07122 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.843 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.5282 |
| Relative Prevalence of Most Common Rhythmic Values |
0.3848 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.915 |
| Rhythmic Value Skewness |
1.32 |
| Rhythmic Value Kurtosis |
11.2 |
| Mean Rhythmic Value Run Length |
1.893 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.629 |
| Mean Rhythmic Value Offset |
0.005935 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.1541 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.7232 |
| Average Rest Fraction Across Voices |
0.3581 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
174.1 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
17.19 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
2.657 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
36.7 |
| Variability Across Voices of Combined Rests |
65.83 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.7452 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1324 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
5.627 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8777 |
| Rhythmic Variability - Tempo Standardized |
0.0603 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
674.0 |
| Initial Tempo |
120.0 |
| Average Variability of Time Between Attacks for Each Voice |
8.559 |
| Minimum Note Duration |
0.5 |
| Maximum Note Duration |
12.0 |
| Average Note Duration |
2.202 |
| Variability of Note Durations |
1.689 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
2.0 |
| Number of Moderate Rhythmic Pulses |
2.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
89.69 |
| Strongest Rhythmic Pulse |
40.0 |
| Second Strongest Rhythmic Pulse |
80.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.859 |
| Strength of Second Strongest Rhythmic Pulse |
0.141 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
6.093 |
| Combined Strength of Two Strongest Rhythmic Pulses |
1.0 |
| Rhythmic Variability |
0.06854 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
30.0 |
| Duration in Seconds |
289.0 |
| Note Density |
2.332 |
| Note Density Variability |
1.45 |
| Average Time Between Attacks |
1.254 |
| Average Time Between Attacks for Each Voice |
3.43 |
| Variability of Time Between Attacks |
0.7645 |
| Maximum Number of Independent Voices |
8.0 |
| Relative Range of Loudest Voice |
0.4242 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.4242 |
| Relative Note Density of Highest Line |
0.819 |
| Relative Note Durations of Lowest Line |
0.9694 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5714 |
| Voice Overlap |
1.0 |
| Voice Separation |
3.0 |
| Variability of Voice Separation |
3.162 |
| Parallel Motion |
0.0373 |
| Average Number of Independent Voices |
5.0 |
| Similar Motion |
0.1776 |
| Contrary Motion |
0.1936 |
| Oblique Motion |
0.5915 |
| Parallel Fifths |
0.001776 |
| Parallel Octaves |
0.005329 |
| Variability of Number of Independent Voices |
2.008 |
| Voice Equality - Number of Notes |
23.01 |
| Voice Equality - Note Duration |
49.54 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.7071 |
| Voice Equality - Range |
1.188 |
| Importance of Loudest Voice |
0.0 |