| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.1913 |
| Prevalence of Second Most Common Vertical Interval |
0.1614 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8437 |
| Vertical Unisons |
0.004746 |
| Vertical Minor Seconds |
0.002373 |
| Vertical Thirds |
0.2682 |
| Vertical Tritones |
0.01187 |
| Vertical Perfect Fourths |
0.1476 |
| Vertical Perfect Fifths |
0.1913 |
| Vertical Sixths |
0.159 |
| Vertical Sevenths |
0.02943 |
| Vertical Octaves |
0.1566 |
| Perfect Vertical Intervals |
0.5002 |
| Vertical Dissonance Ratio |
0.0783 |
| Vertical Minor Third Prevalence |
0.5951 |
| Vertical Major Third Prevalence |
0.6277 |
| Chord Duration |
1.497 |
| Partial Chords |
0.07065 |
| Standard Triads |
0.6522 |
| Diminished and Augmented Triads |
0.01359 |
| Dominant Seventh Chords |
0.03804 |
| Seventh Chords |
0.06522 |
| Non-Standard Chords |
0.212 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.7518 |
| Average Number of Simultaneous Pitch Classes |
3.011 |
| Variability of Number of Simultaneous Pitch Classes |
0.3899 |
| Average Number of Simultaneous Pitches |
3.886 |
| Variability of Number of Simultaneous Pitches |
0.3657 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.3123 |
| Stepwise Motion |
0.5929 |
| Melodic Thirds |
0.0751 |
| Melodic Perfect Fourths |
0.06324 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.02372 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01186 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
1.0 |
| Minor Major Melodic Third Ratio |
1.714 |
| Melodic Embellishments |
0.03113 |
| Direction of Melodic Motion |
0.4948 |
| Average Length of Melodic Arcs |
1.764 |
| Average Interval Spanned by Melodic Arcs |
3.918 |
| Melodic Pitch Variety |
3.952 |
| Mean Melodic Interval |
1.751 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3123 |
| Relative Prevalence of Most Common Melodic Intervals |
0.8987 |
| Amount of Arpeggiation |
0.3439 |
| Repeated Notes |
0.2332 |
| Importance of Middle Register |
0.8482 |
| Importance of High Register |
0.01946 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
61.43 |
| Mean Pitch Class |
5.813 |
| Most Common Pitch |
64.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1401 |
| Prevalence of Most Common Pitch Class |
0.2023 |
| Relative Prevalence of Top Pitches |
0.7222 |
| Relative Prevalence of Top Pitch Classes |
0.9423 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.887 |
| Pitch Class Variability |
3.627 |
| Pitch Class Variability After Folding |
2.639 |
| Pitch Skewness |
-0.04746 |
| Pitch Class Skewness |
-0.1545 |
| Pitch Class Skewness After Folding |
0.7563 |
| Pitch Kurtosis |
6.203 |
| Pitch Class Kurtosis |
4.804 |
| Pitch Class Kurtosis After Folding |
7.112 |
| Major or Minor |
0.0 |
| First Pitch |
57.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
45.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
28.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
12.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
34.0 |
| Importance of Bass Register |
0.1323 |
| Note Density per Quarter Note |
1.397 |
| Note Density per Quarter Note per Voice |
0.3492 |
| Note Density per Quarter Note Variability |
0.3369 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.04669 |
| Prevalence of Medium Rhythmic Values |
0.5992 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8444 |
| Prevalence of Very Long Rhythmic Values |
0.08949 |
| Prevalence of Dotted Notes |
0.1245 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.809 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4436 |
| Relative Prevalence of Most Common Rhythmic Values |
0.5789 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.673 |
| Rhythmic Value Skewness |
1.451 |
| Rhythmic Value Kurtosis |
9.847 |
| Mean Rhythmic Value Run Length |
1.658 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.203 |
| Mean Rhythmic Value Offset |
0.007782 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.1248 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.08245 |
| Average Rest Fraction Across Voices |
0.02276 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
9.608 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
4.188 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
3.982 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
3.787 |
| Variability Across Voices of Combined Rests |
4.0 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
5.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6595 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1696 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.888 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8291 |
| Rhythmic Variability - Tempo Standardized |
0.05464 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
257.0 |
| Initial Tempo |
76.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.86 |
| Minimum Note Duration |
0.3947 |
| Maximum Note Duration |
12.0 |
| Average Note Duration |
2.796 |
| Variability of Note Durations |
1.771 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
2.0 |
| Number of Moderate Rhythmic Pulses |
3.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
62.72 |
| Strongest Rhythmic Pulse |
60.0 |
| Second Strongest Rhythmic Pulse |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.7657 |
| Strength of Second Strongest Rhythmic Pulse |
0.1714 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
4.467 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9371 |
| Rhythmic Variability |
0.06192 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
13.0 |
| Duration in Seconds |
183.9 |
| Note Density |
1.398 |
| Note Density Variability |
0.5236 |
| Average Time Between Attacks |
1.656 |
| Average Time Between Attacks for Each Voice |
2.979 |
| Variability of Time Between Attacks |
0.7484 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.2353 |
| Relative Range Isolation of Loudest Voice |
0.3944 |
| Relative Range of Highest Line |
0.2353 |
| Relative Note Density of Highest Line |
1.074 |
| Relative Note Durations of Lowest Line |
1.419 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6667 |
| Voice Overlap |
0.5992 |
| Voice Separation |
6.333 |
| Variability of Voice Separation |
2.309 |
| Parallel Motion |
0.05974 |
| Average Number of Independent Voices |
3.913 |
| Similar Motion |
0.08052 |
| Contrary Motion |
0.1506 |
| Oblique Motion |
0.7091 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.318 |
| Voice Equality - Number of Notes |
15.37 |
| Voice Equality - Note Duration |
3.997 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
1.0 |
| Voice Equality - Range |
4.272 |
| Importance of Loudest Voice |
0.0 |