Distance Between Two Most Common Vertical Intervals |
7.0 |
Prevalence of Most Common Vertical Interval |
0.2072 |
Prevalence of Second Most Common Vertical Interval |
0.2011 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.9705 |
Vertical Unisons |
0.03418 |
Vertical Minor Seconds |
0.003015 |
Vertical Thirds |
0.286 |
Vertical Tritones |
0.008323 |
Vertical Perfect Fourths |
0.1113 |
Vertical Perfect Fifths |
0.2072 |
Vertical Sixths |
0.1436 |
Vertical Sevenths |
0.01873 |
Vertical Octaves |
0.1669 |
Perfect Vertical Intervals |
0.5196 |
Vertical Dissonance Ratio |
0.0536 |
Vertical Minor Third Prevalence |
0.6352 |
Vertical Major Third Prevalence |
0.627 |
Chord Duration |
1.255 |
Partial Chords |
0.0853 |
Standard Triads |
0.696 |
Diminished and Augmented Triads |
0.03188 |
Dominant Seventh Chords |
0.003542 |
Seventh Chords |
0.02715 |
Non-Standard Chords |
0.1916 |
Complex Chords |
0.004132 |
Minor Major Triad Ratio |
0.7796 |
Average Number of Simultaneous Pitch Classes |
2.957 |
Variability of Number of Simultaneous Pitch Classes |
0.4715 |
Average Number of Simultaneous Pitches |
3.988 |
Variability of Number of Simultaneous Pitches |
0.8392 |
Most Common Vertical Interval |
7.0 |
Second Most Common Vertical Interval |
0.0 |
Dynamic Range |
0.0 |
Variation of Dynamics |
0.0 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
1.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
0.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
0.0 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
1.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.227 |
Stepwise Motion |
0.5933 |
Melodic Thirds |
0.1224 |
Melodic Perfect Fourths |
0.07049 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.05267 |
Melodic Sixths |
0.0 |
Melodic Sevenths |
0.0 |
Melodic Octaves |
0.01549 |
Melodic Large Intervals |
0.0003873 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
2.098 |
Melodic Embellishments |
0.0201 |
Direction of Melodic Motion |
0.502 |
Average Length of Melodic Arcs |
1.774 |
Average Interval Spanned by Melodic Arcs |
4.717 |
Melodic Pitch Variety |
4.656 |
Mean Melodic Interval |
2.279 |
Number of Common Melodic Intervals |
3.0 |
Distance Between Most Prevalent Melodic Intervals |
1.0 |
Prevalence of Most Common Melodic Interval |
0.3664 |
Relative Prevalence of Most Common Melodic Intervals |
0.6195 |
Amount of Arpeggiation |
0.3358 |
Repeated Notes |
0.1452 |
Importance of Middle Register |
0.6973 |
Importance of High Register |
0.01546 |
Dominant Spread |
6.0 |
Strong Tonal Centres |
1.0 |
Mean Pitch |
57.95 |
Mean Pitch Class |
5.25 |
Most Common Pitch |
55.0 |
Most Common Pitch Class |
2.0 |
Prevalence of Most Common Pitch |
0.1152 |
Prevalence of Most Common Pitch Class |
0.1832 |
Relative Prevalence of Top Pitches |
0.9262 |
Relative Prevalence of Top Pitch Classes |
0.981 |
Interval Between Most Prevalent Pitches |
7.0 |
Interval Between Most Prevalent Pitch Classes |
5.0 |
Pitch Variability |
7.402 |
Pitch Class Variability |
3.416 |
Pitch Class Variability After Folding |
3.142 |
Pitch Skewness |
0.5728 |
Pitch Class Skewness |
0.22 |
Pitch Class Skewness After Folding |
0.344 |
Pitch Kurtosis |
5.384 |
Pitch Class Kurtosis |
4.801 |
Pitch Class Kurtosis After Folding |
7.064 |
Major or Minor |
0.0 |
First Pitch |
57.0 |
First Pitch Class |
9.0 |
Last Pitch |
52.0 |
Last Pitch Class |
4.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
31.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
11.0 |
Number of Common Pitches |
3.0 |
Number of Common Pitch Classes |
0.0 |
Range |
35.0 |
Importance of Bass Register |
0.2872 |
Note Density per Quarter Note |
1.504 |
Note Density per Quarter Note per Voice |
0.3008 |
Note Density per Quarter Note Variability |
0.5479 |
Range of Rhythmic Values |
9.0 |
Number of Different Rhythmic Values Present |
8.0 |
Number of Common Rhythmic Values Present |
3.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.003865 |
Prevalence of Medium Rhythmic Values |
0.6019 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.8458 |
Prevalence of Very Long Rhythmic Values |
0.05991 |
Prevalence of Dotted Notes |
0.09393 |
Shortest Rhythmic Value |
0.5 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
2.786 |
Most Common Rhythmic Value |
2.0 |
Prevalence of Most Common Rhythmic Value |
0.4476 |
Relative Prevalence of Most Common Rhythmic Values |
0.6071 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
1.641 |
Rhythmic Value Skewness |
1.437 |
Rhythmic Value Kurtosis |
11.61 |
Mean Rhythmic Value Run Length |
1.812 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
1.396 |
Mean Rhythmic Value Offset |
0.02165 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.4005 |
Complete Rests Fraction |
0.0 |
Partial Rests Fraction |
0.5704 |
Average Rest Fraction Across Voices |
0.1576 |
Longest Complete Rest |
0.0 |
Longest Partial Rest |
298.2 |
Mean Complete Rest Duration |
0.0 |
Mean Partial Rest Duration |
8.523 |
Median Complete Rest Duration |
0.0 |
Median Partial Rest Duration |
5.325 |
Duple Initial Meter |
0.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
24.32 |
Variability Across Voices of Combined Rests |
140.3 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6493 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.183 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.549 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8322 |
Rhythmic Variability - Tempo Standardized |
0.05454 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
1.0 |
Quadruple Initial Meter |
1.0 |
Metrical Diversity |
1.0 |
Total Number of Notes |
2587.0 |
Initial Tempo |
120.0 |
Average Variability of Time Between Attacks for Each Voice |
4.265 |
Minimum Note Duration |
0.25 |
Maximum Note Duration |
24.0 |
Average Note Duration |
2.104 |
Variability of Note Durations |
1.588 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
2.0 |
Number of Moderate Rhythmic Pulses |
2.0 |
Number of Relatively Strong Rhythmic Pulses |
1.0 |
Mean Tempo |
89.86 |
Strongest Rhythmic Pulse |
40.0 |
Second Strongest Rhythmic Pulse |
80.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
Strength of Strongest Rhythmic Pulse |
0.7939 |
Strength of Second Strongest Rhythmic Pulse |
0.2012 |
Strength Ratio of Two Strongest Rhythmic Pulses |
3.946 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.9951 |
Rhythmic Variability |
0.06445 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
1.0 |
Tempo Variability |
30.0 |
Duration in Seconds |
1292.0 |
Note Density |
2.002 |
Note Density Variability |
1.007 |
Average Time Between Attacks |
1.212 |
Average Time Between Attacks for Each Voice |
2.481 |
Variability of Time Between Attacks |
0.6378 |
Maximum Number of Independent Voices |
5.0 |
Relative Range of Loudest Voice |
0.4571 |
Relative Range Isolation of Loudest Voice |
0.6019 |
Relative Range of Highest Line |
0.4571 |
Relative Note Density of Highest Line |
0.1314 |
Relative Note Durations of Lowest Line |
0.9839 |
Relative Size of Melodic Intervals in Lowest Line |
1.0 |
Voice Overlap |
0.8118 |
Voice Separation |
4.75 |
Variability of Voice Separation |
1.708 |
Parallel Motion |
0.04091 |
Average Number of Independent Voices |
4.223 |
Similar Motion |
0.1392 |
Contrary Motion |
0.1775 |
Oblique Motion |
0.6424 |
Parallel Fifths |
0.002191 |
Parallel Octaves |
0.001826 |
Variability of Number of Independent Voices |
0.8416 |
Voice Equality - Number of Notes |
49.84 |
Voice Equality - Note Duration |
105.4 |
Voice Equality - Dynamics |
0.0 |
Voice Equality - Melodic Leaps |
0.7071 |
Voice Equality - Range |
4.099 |
Importance of Loudest Voice |
0.0 |