| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.1941 |
| Prevalence of Second Most Common Vertical Interval |
0.1753 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9033 |
| Vertical Unisons |
0.04463 |
| Vertical Minor Seconds |
0.003204 |
| Vertical Thirds |
0.3382 |
| Vertical Tritones |
0.02426 |
| Vertical Perfect Fourths |
0.09934 |
| Vertical Perfect Fifths |
0.1753 |
| Vertical Sixths |
0.1297 |
| Vertical Sevenths |
0.01968 |
| Vertical Octaves |
0.1495 |
| Perfect Vertical Intervals |
0.4688 |
| Vertical Dissonance Ratio |
0.06769 |
| Vertical Minor Third Prevalence |
0.544 |
| Vertical Major Third Prevalence |
0.512 |
| Chord Duration |
2.163 |
| Partial Chords |
0.3166 |
| Standard Triads |
0.4836 |
| Diminished and Augmented Triads |
0.06148 |
| Dominant Seventh Chords |
0.002049 |
| Seventh Chords |
0.01025 |
| Non-Standard Chords |
0.1895 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.6503 |
| Average Number of Simultaneous Pitch Classes |
2.667 |
| Variability of Number of Simultaneous Pitch Classes |
0.564 |
| Average Number of Simultaneous Pitches |
3.279 |
| Variability of Number of Simultaneous Pitches |
0.7274 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2017 |
| Stepwise Motion |
0.6367 |
| Melodic Thirds |
0.17 |
| Melodic Perfect Fourths |
0.065 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.02333 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01667 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.615 |
| Melodic Embellishments |
0.02318 |
| Direction of Melodic Motion |
0.4826 |
| Average Length of Melodic Arcs |
1.926 |
| Average Interval Spanned by Melodic Arcs |
4.88 |
| Melodic Pitch Variety |
4.923 |
| Mean Melodic Interval |
2.335 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.435 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4636 |
| Amount of Arpeggiation |
0.2983 |
| Repeated Notes |
0.08833 |
| Importance of Middle Register |
0.7632 |
| Importance of High Register |
0.006623 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.52 |
| Mean Pitch Class |
5.866 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
4.0 |
| Prevalence of Most Common Pitch |
0.09934 |
| Prevalence of Most Common Pitch Class |
0.1921 |
| Relative Prevalence of Top Pitches |
1.0 |
| Relative Prevalence of Top Pitch Classes |
0.9052 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
3.0 |
| Pitch Variability |
6.559 |
| Pitch Class Variability |
3.178 |
| Pitch Class Variability After Folding |
2.004 |
| Pitch Skewness |
-0.546 |
| Pitch Class Skewness |
-0.1266 |
| Pitch Class Skewness After Folding |
-0.5526 |
| Pitch Kurtosis |
5.321 |
| Pitch Class Kurtosis |
4.938 |
| Pitch Class Kurtosis After Folding |
5.407 |
| Major or Minor |
0.0 |
| First Pitch |
64.0 |
| First Pitch Class |
4.0 |
| Last Pitch |
52.0 |
| Last Pitch Class |
4.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
24.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.2301 |
| Note Density per Quarter Note |
1.189 |
| Note Density per Quarter Note per Voice |
0.2972 |
| Note Density per Quarter Note Variability |
0.4568 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.003311 |
| Prevalence of Medium Rhythmic Values |
0.5844 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9007 |
| Prevalence of Very Long Rhythmic Values |
0.0596 |
| Prevalence of Dotted Notes |
0.07285 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.877 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4851 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6416 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.533 |
| Rhythmic Value Skewness |
1.718 |
| Rhythmic Value Kurtosis |
9.932 |
| Mean Rhythmic Value Run Length |
1.731 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.355 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.01684 |
| Partial Rests Fraction |
0.4449 |
| Average Rest Fraction Across Voices |
0.1481 |
| Longest Complete Rest |
2.139 |
| Longest Partial Rest |
42.78 |
| Mean Complete Rest Duration |
2.139 |
| Mean Partial Rest Duration |
7.339 |
| Median Complete Rest Duration |
2.139 |
| Median Partial Rest Duration |
2.139 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
9.199 |
| Variability Across Voices of Combined Rests |
27.17 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.7408 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1341 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
5.525 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8749 |
| Rhythmic Variability - Tempo Standardized |
0.05997 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
604.0 |
| Initial Tempo |
100.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.621 |
| Minimum Note Duration |
0.3 |
| Maximum Note Duration |
7.2 |
| Average Note Duration |
1.608 |
| Variability of Note Durations |
0.8895 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
2.0 |
| Number of Moderate Rhythmic Pulses |
2.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
109.7 |
| Strongest Rhythmic Pulse |
54.0 |
| Second Strongest Rhythmic Pulse |
107.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.981 |
| Strength of Strongest Rhythmic Pulse |
0.8556 |
| Strength of Second Strongest Rhythmic Pulse |
0.141 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
6.069 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9965 |
| Rhythmic Variability |
0.06827 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
19.81 |
| Duration in Seconds |
285.0 |
| Note Density |
2.119 |
| Note Density Variability |
0.8595 |
| Average Time Between Attacks |
1.065 |
| Average Time Between Attacks for Each Voice |
1.842 |
| Variability of Time Between Attacks |
0.5906 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4839 |
| Relative Range Isolation of Loudest Voice |
0.449 |
| Relative Range of Highest Line |
0.4839 |
| Relative Note Density of Highest Line |
0.4437 |
| Relative Note Durations of Lowest Line |
0.9502 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8576 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
0.0 |
| Parallel Motion |
0.06104 |
| Average Number of Independent Voices |
3.476 |
| Similar Motion |
0.149 |
| Contrary Motion |
0.2136 |
| Oblique Motion |
0.5763 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.001795 |
| Variability of Number of Independent Voices |
0.6996 |
| Voice Equality - Number of Notes |
24.83 |
| Voice Equality - Note Duration |
15.24 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
0.5774 |
| Importance of Loudest Voice |
0.0 |