Distance Between Two Most Common Vertical Intervals |
7.0 |
Prevalence of Most Common Vertical Interval |
0.266 |
Prevalence of Second Most Common Vertical Interval |
0.1632 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.6134 |
Vertical Unisons |
0.1501 |
Vertical Minor Seconds |
0.004348 |
Vertical Thirds |
0.2828 |
Vertical Tritones |
0.01304 |
Vertical Perfect Fourths |
0.1042 |
Vertical Perfect Fifths |
0.1632 |
Vertical Sixths |
0.1216 |
Vertical Sevenths |
0.02181 |
Vertical Octaves |
0.1159 |
Perfect Vertical Intervals |
0.5334 |
Vertical Dissonance Ratio |
0.06626 |
Vertical Minor Third Prevalence |
0.4989 |
Vertical Major Third Prevalence |
0.4746 |
Chord Duration |
1.71 |
Partial Chords |
0.3194 |
Standard Triads |
0.481 |
Diminished and Augmented Triads |
0.03046 |
Dominant Seventh Chords |
0.003206 |
Seventh Chords |
0.01603 |
Non-Standard Chords |
0.1836 |
Complex Chords |
0.0 |
Minor Major Triad Ratio |
0.8405 |
Average Number of Simultaneous Pitch Classes |
2.635 |
Variability of Number of Simultaneous Pitch Classes |
0.6599 |
Average Number of Simultaneous Pitches |
3.118 |
Variability of Number of Simultaneous Pitches |
0.7973 |
Most Common Vertical Interval |
0.0 |
Second Most Common Vertical Interval |
7.0 |
Dynamic Range |
0.0 |
Variation of Dynamics |
0.0 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
1.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
0.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
0.0 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
1.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.2633 |
Stepwise Motion |
0.7252 |
Melodic Thirds |
0.1119 |
Melodic Perfect Fourths |
0.04677 |
Melodic Tritones |
0.0005255 |
Melodic Perfect Fifths |
0.02943 |
Melodic Sixths |
0.0 |
Melodic Sevenths |
0.0 |
Melodic Octaves |
0.006831 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
2.381 |
Melodic Embellishments |
0.01939 |
Direction of Melodic Motion |
0.5063 |
Average Length of Melodic Arcs |
2.021 |
Average Interval Spanned by Melodic Arcs |
4.549 |
Melodic Pitch Variety |
4.799 |
Mean Melodic Interval |
2.081 |
Number of Common Melodic Intervals |
2.0 |
Distance Between Most Prevalent Melodic Intervals |
1.0 |
Prevalence of Most Common Melodic Interval |
0.4619 |
Relative Prevalence of Most Common Melodic Intervals |
0.57 |
Amount of Arpeggiation |
0.2275 |
Repeated Notes |
0.07935 |
Importance of Middle Register |
0.8197 |
Importance of High Register |
0.1447 |
Dominant Spread |
6.0 |
Strong Tonal Centres |
1.0 |
Mean Pitch |
65.21 |
Mean Pitch Class |
5.052 |
Most Common Pitch |
67.0 |
Most Common Pitch Class |
2.0 |
Prevalence of Most Common Pitch |
0.1106 |
Prevalence of Most Common Pitch Class |
0.1661 |
Relative Prevalence of Top Pitches |
0.9431 |
Relative Prevalence of Top Pitch Classes |
0.9779 |
Interval Between Most Prevalent Pitches |
2.0 |
Interval Between Most Prevalent Pitch Classes |
5.0 |
Pitch Variability |
6.416 |
Pitch Class Variability |
3.402 |
Pitch Class Variability After Folding |
3.911 |
Pitch Skewness |
-0.608 |
Pitch Class Skewness |
0.04575 |
Pitch Class Skewness After Folding |
0.8093 |
Pitch Kurtosis |
5.447 |
Pitch Class Kurtosis |
4.721 |
Pitch Class Kurtosis After Folding |
5.14 |
Major or Minor |
0.0 |
First Pitch |
60.0 |
First Pitch Class |
0.0 |
Last Pitch |
55.0 |
Last Pitch Class |
7.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
30.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
11.0 |
Number of Common Pitches |
2.0 |
Number of Common Pitch Classes |
0.0 |
Range |
33.0 |
Importance of Bass Register |
0.03564 |
Note Density per Quarter Note |
1.445 |
Note Density per Quarter Note per Voice |
0.2891 |
Note Density per Quarter Note Variability |
0.6 |
Range of Rhythmic Values |
9.0 |
Number of Different Rhythmic Values Present |
8.0 |
Number of Common Rhythmic Values Present |
3.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.005241 |
Prevalence of Medium Rhythmic Values |
0.6488 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.7715 |
Prevalence of Very Long Rhythmic Values |
0.06761 |
Prevalence of Dotted Notes |
0.08438 |
Shortest Rhythmic Value |
0.5 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
2.676 |
Most Common Rhythmic Value |
2.0 |
Prevalence of Most Common Rhythmic Value |
0.4203 |
Relative Prevalence of Most Common Rhythmic Values |
0.5337 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
1.812 |
Rhythmic Value Skewness |
1.119 |
Rhythmic Value Kurtosis |
11.79 |
Mean Rhythmic Value Run Length |
1.847 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
1.391 |
Mean Rhythmic Value Offset |
0.03145 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.5712 |
Complete Rests Fraction |
0.0 |
Partial Rests Fraction |
0.711 |
Average Rest Fraction Across Voices |
0.2182 |
Longest Complete Rest |
0.0 |
Longest Partial Rest |
700.9 |
Mean Complete Rest Duration |
0.0 |
Mean Partial Rest Duration |
11.34 |
Median Complete Rest Duration |
0.0 |
Median Partial Rest Duration |
1.997 |
Duple Initial Meter |
0.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
62.16 |
Variability Across Voices of Combined Rests |
305.4 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5814 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2147 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.708 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7961 |
Rhythmic Variability - Tempo Standardized |
0.05109 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
0.6667 |
Quadruple Initial Meter |
1.0 |
Metrical Diversity |
1.0 |
Total Number of Notes |
1908.0 |
Initial Tempo |
100.0 |
Average Variability of Time Between Attacks for Each Voice |
8.608 |
Minimum Note Duration |
0.3 |
Maximum Note Duration |
14.4 |
Average Note Duration |
1.625 |
Variability of Note Durations |
1.23 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
2.0 |
Number of Moderate Rhythmic Pulses |
2.0 |
Number of Relatively Strong Rhythmic Pulses |
2.0 |
Mean Tempo |
99.92 |
Strongest Rhythmic Pulse |
50.0 |
Second Strongest Rhythmic Pulse |
100.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
Strength of Strongest Rhythmic Pulse |
0.7377 |
Strength of Second Strongest Rhythmic Pulse |
0.2526 |
Strength Ratio of Two Strongest Rhythmic Pulses |
2.92 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.9903 |
Rhythmic Variability |
0.06133 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
1.0 |
Tempo Variability |
1.945 |
Duration in Seconds |
793.2 |
Note Density |
2.405 |
Note Density Variability |
0.9922 |
Average Time Between Attacks |
0.9745 |
Average Time Between Attacks for Each Voice |
2.483 |
Variability of Time Between Attacks |
0.5076 |
Maximum Number of Independent Voices |
5.0 |
Relative Range of Loudest Voice |
0.5152 |
Relative Range Isolation of Loudest Voice |
0.0 |
Relative Range of Highest Line |
0.5152 |
Relative Note Density of Highest Line |
0.1861 |
Relative Note Durations of Lowest Line |
1.223 |
Relative Size of Melodic Intervals in Lowest Line |
0.625 |
Voice Overlap |
0.9864 |
Voice Separation |
4.0 |
Variability of Voice Separation |
2.944 |
Parallel Motion |
0.05425 |
Average Number of Independent Voices |
3.914 |
Similar Motion |
0.1137 |
Contrary Motion |
0.1869 |
Oblique Motion |
0.6451 |
Parallel Fifths |
0.001307 |
Parallel Octaves |
0.0006536 |
Variability of Number of Independent Voices |
0.9423 |
Voice Equality - Number of Notes |
141.9 |
Voice Equality - Note Duration |
183.5 |
Voice Equality - Dynamics |
0.0 |
Voice Equality - Melodic Leaps |
0.5477 |
Voice Equality - Range |
1.304 |
Importance of Loudest Voice |
0.0 |