Distance Between Two Most Common Vertical Intervals |
7.0 |
Prevalence of Most Common Vertical Interval |
0.2144 |
Prevalence of Second Most Common Vertical Interval |
0.1673 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.78 |
Vertical Unisons |
0.04523 |
Vertical Minor Seconds |
0.00423 |
Vertical Thirds |
0.2782 |
Vertical Tritones |
0.009925 |
Vertical Perfect Fourths |
0.1341 |
Vertical Perfect Fifths |
0.1673 |
Vertical Sixths |
0.1386 |
Vertical Sevenths |
0.02538 |
Vertical Octaves |
0.1692 |
Perfect Vertical Intervals |
0.5158 |
Vertical Dissonance Ratio |
0.07223 |
Vertical Minor Third Prevalence |
0.6356 |
Vertical Major Third Prevalence |
0.5889 |
Chord Duration |
2.062 |
Partial Chords |
0.1132 |
Standard Triads |
0.6051 |
Diminished and Augmented Triads |
0.03926 |
Dominant Seventh Chords |
0.01155 |
Seventh Chords |
0.03002 |
Non-Standard Chords |
0.2517 |
Complex Chords |
0.004619 |
Minor Major Triad Ratio |
0.3575 |
Average Number of Simultaneous Pitch Classes |
2.911 |
Variability of Number of Simultaneous Pitch Classes |
0.5971 |
Average Number of Simultaneous Pitches |
3.922 |
Variability of Number of Simultaneous Pitches |
0.8997 |
Most Common Vertical Interval |
0.0 |
Second Most Common Vertical Interval |
7.0 |
Dynamic Range |
0.0 |
Variation of Dynamics |
0.0 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
1.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
0.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
0.0 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
1.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.2059 |
Stepwise Motion |
0.7029 |
Melodic Thirds |
0.1176 |
Melodic Perfect Fourths |
0.06029 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.05294 |
Melodic Sixths |
0.001471 |
Melodic Sevenths |
0.0 |
Melodic Octaves |
0.01324 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
1.162 |
Melodic Embellishments |
0.02628 |
Direction of Melodic Motion |
0.4961 |
Average Length of Melodic Arcs |
2.074 |
Average Interval Spanned by Melodic Arcs |
5.286 |
Melodic Pitch Variety |
5.369 |
Mean Melodic Interval |
2.45 |
Number of Common Melodic Intervals |
2.0 |
Distance Between Most Prevalent Melodic Intervals |
1.0 |
Prevalence of Most Common Melodic Interval |
0.4971 |
Relative Prevalence of Most Common Melodic Intervals |
0.4142 |
Amount of Arpeggiation |
0.2353 |
Repeated Notes |
0.05147 |
Importance of Middle Register |
0.654 |
Importance of High Register |
0.0 |
Dominant Spread |
6.0 |
Strong Tonal Centres |
1.0 |
Mean Pitch |
56.14 |
Mean Pitch Class |
5.083 |
Most Common Pitch |
55.0 |
Most Common Pitch Class |
7.0 |
Prevalence of Most Common Pitch |
0.1401 |
Prevalence of Most Common Pitch Class |
0.2204 |
Relative Prevalence of Top Pitches |
0.75 |
Relative Prevalence of Top Pitch Classes |
0.8609 |
Interval Between Most Prevalent Pitches |
5.0 |
Interval Between Most Prevalent Pitch Classes |
7.0 |
Pitch Variability |
6.612 |
Pitch Class Variability |
3.566 |
Pitch Class Variability After Folding |
2.974 |
Pitch Skewness |
-0.1318 |
Pitch Class Skewness |
0.07 |
Pitch Class Skewness After Folding |
0.9188 |
Pitch Kurtosis |
5.556 |
Pitch Class Kurtosis |
4.876 |
Pitch Class Kurtosis After Folding |
7.955 |
Major or Minor |
0.0 |
First Pitch |
55.0 |
First Pitch Class |
7.0 |
Last Pitch |
48.0 |
Last Pitch Class |
0.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
21.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
8.0 |
Number of Common Pitches |
2.0 |
Number of Common Pitch Classes |
1.0 |
Range |
31.0 |
Importance of Bass Register |
0.346 |
Note Density per Quarter Note |
1.522 |
Note Density per Quarter Note per Voice |
0.3044 |
Note Density per Quarter Note Variability |
0.6415 |
Range of Rhythmic Values |
7.0 |
Number of Different Rhythmic Values Present |
7.0 |
Number of Common Rhythmic Values Present |
3.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.0 |
Prevalence of Medium Rhythmic Values |
0.635 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.8146 |
Prevalence of Very Long Rhythmic Values |
0.06569 |
Prevalence of Dotted Notes |
0.1007 |
Shortest Rhythmic Value |
1.0 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
2.745 |
Most Common Rhythmic Value |
2.0 |
Prevalence of Most Common Rhythmic Value |
0.4496 |
Relative Prevalence of Most Common Rhythmic Values |
0.513 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
1.825 |
Rhythmic Value Skewness |
1.224 |
Rhythmic Value Kurtosis |
13.58 |
Mean Rhythmic Value Run Length |
1.851 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
1.557 |
Mean Rhythmic Value Offset |
0.03796 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.4101 |
Complete Rests Fraction |
0.0 |
Partial Rests Fraction |
0.5556 |
Average Rest Fraction Across Voices |
0.1525 |
Longest Complete Rest |
0.0 |
Longest Partial Rest |
30.51 |
Mean Complete Rest Duration |
0.0 |
Mean Partial Rest Duration |
7.15 |
Median Complete Rest Duration |
0.0 |
Median Partial Rest Duration |
5.085 |
Duple Initial Meter |
0.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
6.232 |
Variability Across Voices of Combined Rests |
17.91 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6187 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2016 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.07 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8203 |
Rhythmic Variability - Tempo Standardized |
0.05301 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
0.5 |
Quadruple Initial Meter |
1.0 |
Metrical Diversity |
2.0 |
Total Number of Notes |
685.0 |
Initial Tempo |
120.0 |
Average Variability of Time Between Attacks for Each Voice |
1.37 |
Minimum Note Duration |
0.3333 |
Maximum Note Duration |
8.0 |
Average Note Duration |
1.095 |
Variability of Note Durations |
0.8911 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
3.0 |
Number of Moderate Rhythmic Pulses |
3.0 |
Number of Relatively Strong Rhythmic Pulses |
2.0 |
Mean Tempo |
158.9 |
Strongest Rhythmic Pulse |
77.0 |
Second Strongest Rhythmic Pulse |
51.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
1.51 |
Strength of Strongest Rhythmic Pulse |
0.6187 |
Strength of Second Strongest Rhythmic Pulse |
0.2016 |
Strength Ratio of Two Strongest Rhythmic Pulses |
3.07 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.8203 |
Rhythmic Variability |
0.05301 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
0.5 |
Tempo Variability |
29.19 |
Duration in Seconds |
177.0 |
Note Density |
3.87 |
Note Density Variability |
1.62 |
Average Time Between Attacks |
0.6132 |
Average Time Between Attacks for Each Voice |
1.258 |
Variability of Time Between Attacks |
0.3179 |
Maximum Number of Independent Voices |
5.0 |
Relative Range of Loudest Voice |
0.3871 |
Relative Range Isolation of Loudest Voice |
0.2689 |
Relative Range of Highest Line |
0.3871 |
Relative Note Density of Highest Line |
0.4818 |
Relative Note Durations of Lowest Line |
1.079 |
Relative Size of Melodic Intervals in Lowest Line |
1.0 |
Voice Overlap |
0.892 |
Voice Separation |
4.5 |
Variability of Voice Separation |
2.082 |
Parallel Motion |
0.05333 |
Average Number of Independent Voices |
4.236 |
Similar Motion |
0.14 |
Contrary Motion |
0.164 |
Oblique Motion |
0.6427 |
Parallel Fifths |
0.005333 |
Parallel Octaves |
0.006667 |
Variability of Number of Independent Voices |
0.8857 |
Voice Equality - Number of Notes |
17.2 |
Voice Equality - Note Duration |
7.044 |
Voice Equality - Dynamics |
0.0 |
Voice Equality - Melodic Leaps |
0.0 |
Voice Equality - Range |
2.646 |
Importance of Loudest Voice |
0.0 |