| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2049 |
| Prevalence of Second Most Common Vertical Interval |
0.1844 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9001 |
| Vertical Unisons |
0.03331 |
| Vertical Minor Seconds |
0.004415 |
| Vertical Thirds |
0.2796 |
| Vertical Tritones |
0.01565 |
| Vertical Perfect Fourths |
0.1288 |
| Vertical Perfect Fifths |
0.1844 |
| Vertical Sixths |
0.1292 |
| Vertical Sevenths |
0.02649 |
| Vertical Octaves |
0.1716 |
| Perfect Vertical Intervals |
0.5182 |
| Vertical Dissonance Ratio |
0.0788 |
| Vertical Minor Third Prevalence |
0.6023 |
| Vertical Major Third Prevalence |
0.6136 |
| Chord Duration |
1.201 |
| Partial Chords |
0.06548 |
| Standard Triads |
0.622 |
| Diminished and Augmented Triads |
0.07143 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.02381 |
| Non-Standard Chords |
0.2887 |
| Complex Chords |
0.005952 |
| Minor Major Triad Ratio |
0.6328 |
| Average Number of Simultaneous Pitch Classes |
2.935 |
| Variability of Number of Simultaneous Pitch Classes |
0.5827 |
| Average Number of Simultaneous Pitches |
4.037 |
| Variability of Number of Simultaneous Pitches |
0.8734 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2313 |
| Stepwise Motion |
0.6231 |
| Melodic Thirds |
0.08209 |
| Melodic Perfect Fourths |
0.05597 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.0597 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01119 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
10.0 |
| Melodic Embellishments |
0.01099 |
| Direction of Melodic Motion |
0.5157 |
| Average Length of Melodic Arcs |
1.956 |
| Average Interval Spanned by Melodic Arcs |
4.798 |
| Melodic Pitch Variety |
3.986 |
| Mean Melodic Interval |
2.101 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3918 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5905 |
| Amount of Arpeggiation |
0.3209 |
| Repeated Notes |
0.1679 |
| Importance of Middle Register |
0.8059 |
| Importance of High Register |
0.04396 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
61.7 |
| Mean Pitch Class |
5.938 |
| Most Common Pitch |
64.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.0989 |
| Prevalence of Most Common Pitch Class |
0.2051 |
| Relative Prevalence of Top Pitches |
0.963 |
| Relative Prevalence of Top Pitch Classes |
0.7857 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.105 |
| Pitch Class Variability |
3.582 |
| Pitch Class Variability After Folding |
2.764 |
| Pitch Skewness |
-0.7409 |
| Pitch Class Skewness |
-0.8897 |
| Pitch Class Skewness After Folding |
0.6839 |
| Pitch Kurtosis |
5.423 |
| Pitch Class Kurtosis |
4.86 |
| Pitch Class Kurtosis After Folding |
7.223 |
| Major or Minor |
0.0 |
| First Pitch |
52.0 |
| First Pitch Class |
4.0 |
| Last Pitch |
52.0 |
| Last Pitch Class |
4.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
23.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.1502 |
| Note Density per Quarter Note |
1.551 |
| Note Density per Quarter Note per Voice |
0.3102 |
| Note Density per Quarter Note Variability |
0.5037 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.007326 |
| Prevalence of Medium Rhythmic Values |
0.6374 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7875 |
| Prevalence of Very Long Rhythmic Values |
0.0696 |
| Prevalence of Dotted Notes |
0.06593 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.725 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4249 |
| Relative Prevalence of Most Common Rhythmic Values |
0.5776 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.784 |
| Rhythmic Value Skewness |
1.219 |
| Rhythmic Value Kurtosis |
10.25 |
| Mean Rhythmic Value Run Length |
1.665 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.041 |
| Mean Rhythmic Value Offset |
0.0293 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.4842 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.4656 |
| Average Rest Fraction Across Voices |
0.1316 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
15.42 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
6.095 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
5.367 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
4.185 |
| Variability Across Voices of Combined Rests |
12.13 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6308 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.186 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.392 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8168 |
| Rhythmic Variability - Tempo Standardized |
0.05346 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
273.0 |
| Initial Tempo |
120.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.064 |
| Minimum Note Duration |
0.25 |
| Maximum Note Duration |
20.89 |
| Average Note Duration |
2.179 |
| Variability of Note Durations |
1.863 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
1.0 |
| Number of Moderate Rhythmic Pulses |
3.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
88.02 |
| Strongest Rhythmic Pulse |
77.0 |
| Second Strongest Rhythmic Pulse |
154.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.9592 |
| Strength of Second Strongest Rhythmic Pulse |
0.02551 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
37.6 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9847 |
| Rhythmic Variability |
0.07561 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
31.27 |
| Duration in Seconds |
137.0 |
| Note Density |
1.993 |
| Note Density Variability |
1.062 |
| Average Time Between Attacks |
1.206 |
| Average Time Between Attacks for Each Voice |
2.341 |
| Variability of Time Between Attacks |
0.6602 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.3226 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.3226 |
| Relative Note Density of Highest Line |
1.264 |
| Relative Note Durations of Lowest Line |
0.9223 |
| Relative Size of Melodic Intervals in Lowest Line |
0.625 |
| Voice Overlap |
0.9707 |
| Voice Separation |
4.25 |
| Variability of Voice Separation |
2.872 |
| Parallel Motion |
0.04247 |
| Average Number of Independent Voices |
4.273 |
| Similar Motion |
0.1622 |
| Contrary Motion |
0.1699 |
| Oblique Motion |
0.6255 |
| Parallel Fifths |
0.003861 |
| Parallel Octaves |
0.007722 |
| Variability of Number of Independent Voices |
0.9136 |
| Voice Equality - Number of Notes |
7.301 |
| Voice Equality - Note Duration |
9.437 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.5477 |
| Voice Equality - Range |
3.194 |
| Importance of Loudest Voice |
0.0 |