| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.1844 |
| Prevalence of Second Most Common Vertical Interval |
0.169 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9162 |
| Vertical Unisons |
0.02288 |
| Vertical Minor Seconds |
0.005476 |
| Vertical Thirds |
0.3065 |
| Vertical Tritones |
0.0219 |
| Vertical Perfect Fourths |
0.1128 |
| Vertical Perfect Fifths |
0.1844 |
| Vertical Sixths |
0.1488 |
| Vertical Sevenths |
0.03599 |
| Vertical Octaves |
0.133 |
| Perfect Vertical Intervals |
0.4532 |
| Vertical Dissonance Ratio |
0.1008 |
| Vertical Minor Third Prevalence |
0.534 |
| Vertical Major Third Prevalence |
0.604 |
| Chord Duration |
1.064 |
| Partial Chords |
0.1211 |
| Standard Triads |
0.5799 |
| Diminished and Augmented Triads |
0.05086 |
| Dominant Seventh Chords |
0.01729 |
| Seventh Chords |
0.04578 |
| Non-Standard Chords |
0.2533 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.3318 |
| Average Number of Simultaneous Pitch Classes |
2.945 |
| Variability of Number of Simultaneous Pitch Classes |
0.531 |
| Average Number of Simultaneous Pitches |
3.601 |
| Variability of Number of Simultaneous Pitches |
0.6386 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
4.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2098 |
| Stepwise Motion |
0.6279 |
| Melodic Thirds |
0.1164 |
| Melodic Perfect Fourths |
0.07184 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03448 |
| Melodic Sixths |
0.001437 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01868 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.793 |
| Melodic Embellishments |
0.02286 |
| Direction of Melodic Motion |
0.4587 |
| Average Length of Melodic Arcs |
1.836 |
| Average Interval Spanned by Melodic Arcs |
4.761 |
| Melodic Pitch Variety |
4.795 |
| Mean Melodic Interval |
2.273 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4181 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5017 |
| Amount of Arpeggiation |
0.2989 |
| Repeated Notes |
0.1293 |
| Importance of Middle Register |
0.7871 |
| Importance of High Register |
0.02571 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.7 |
| Mean Pitch Class |
5.756 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1 |
| Prevalence of Most Common Pitch Class |
0.2086 |
| Relative Prevalence of Top Pitches |
0.9714 |
| Relative Prevalence of Top Pitch Classes |
0.7534 |
| Interval Between Most Prevalent Pitches |
4.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.009 |
| Pitch Class Variability |
3.49 |
| Pitch Class Variability After Folding |
2.01 |
| Pitch Skewness |
0.1449 |
| Pitch Class Skewness |
-0.21 |
| Pitch Class Skewness After Folding |
-0.09595 |
| Pitch Kurtosis |
5.586 |
| Pitch Class Kurtosis |
4.912 |
| Pitch Class Kurtosis After Folding |
5.538 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
24.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.1871 |
| Note Density per Quarter Note |
1.389 |
| Note Density per Quarter Note per Voice |
0.3472 |
| Note Density per Quarter Note Variability |
0.4342 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.008571 |
| Prevalence of Medium Rhythmic Values |
0.6457 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.75 |
| Prevalence of Very Long Rhythmic Values |
0.07857 |
| Prevalence of Dotted Notes |
0.1486 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.611 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3957 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6101 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.769 |
| Rhythmic Value Skewness |
1.037 |
| Rhythmic Value Kurtosis |
11.46 |
| Mean Rhythmic Value Run Length |
1.606 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.116 |
| Mean Rhythmic Value Offset |
0.04571 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.9315 |
| Complete Rests Fraction |
0.01055 |
| Partial Rests Fraction |
0.2164 |
| Average Rest Fraction Across Voices |
0.0719 |
| Longest Complete Rest |
5.319 |
| Longest Partial Rest |
10.64 |
| Mean Complete Rest Duration |
5.319 |
| Mean Partial Rest Duration |
3.535 |
| Median Complete Rest Duration |
5.319 |
| Median Partial Rest Duration |
2.66 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
2.586 |
| Variability Across Voices of Combined Rests |
16.01 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5347 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2415 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.215 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7762 |
| Rhythmic Variability - Tempo Standardized |
0.04906 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
700.0 |
| Initial Tempo |
100.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.203 |
| Minimum Note Duration |
0.3 |
| Maximum Note Duration |
43.2 |
| Average Note Duration |
2.412 |
| Variability of Note Durations |
2.458 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
1.0 |
| Number of Moderate Rhythmic Pulses |
2.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
74.8 |
| Strongest Rhythmic Pulse |
67.0 |
| Second Strongest Rhythmic Pulse |
133.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.985 |
| Strength of Strongest Rhythmic Pulse |
0.9675 |
| Strength of Second Strongest Rhythmic Pulse |
0.02397 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
40.36 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9914 |
| Rhythmic Variability |
0.07626 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
25.0 |
| Duration in Seconds |
454.8 |
| Note Density |
1.539 |
| Note Density Variability |
0.796 |
| Average Time Between Attacks |
1.314 |
| Average Time Between Attacks for Each Voice |
2.515 |
| Variability of Time Between Attacks |
0.857 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4848 |
| Relative Range Isolation of Loudest Voice |
0.56 |
| Relative Range of Highest Line |
0.4848 |
| Relative Note Density of Highest Line |
0.3886 |
| Relative Note Durations of Lowest Line |
1.183 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5714 |
| Voice Overlap |
0.8029 |
| Voice Separation |
5.667 |
| Variability of Voice Separation |
0.5774 |
| Parallel Motion |
0.043 |
| Average Number of Independent Voices |
3.72 |
| Similar Motion |
0.1268 |
| Contrary Motion |
0.1433 |
| Oblique Motion |
0.6869 |
| Parallel Fifths |
0.001103 |
| Parallel Octaves |
0.002205 |
| Variability of Number of Independent Voices |
0.581 |
| Voice Equality - Number of Notes |
18.78 |
| Voice Equality - Note Duration |
14.45 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
2.217 |
| Importance of Loudest Voice |
0.0 |