| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2376 |
| Prevalence of Second Most Common Vertical Interval |
0.175 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7365 |
| Vertical Unisons |
0.1018 |
| Vertical Minor Seconds |
0.002559 |
| Vertical Thirds |
0.325 |
| Vertical Tritones |
0.008661 |
| Vertical Perfect Fourths |
0.0874 |
| Vertical Perfect Fifths |
0.175 |
| Vertical Sixths |
0.1297 |
| Vertical Sevenths |
0.01811 |
| Vertical Octaves |
0.1358 |
| Perfect Vertical Intervals |
0.5 |
| Vertical Dissonance Ratio |
0.04742 |
| Vertical Minor Third Prevalence |
0.6529 |
| Vertical Major Third Prevalence |
0.6019 |
| Chord Duration |
2.375 |
| Partial Chords |
0.2323 |
| Standard Triads |
0.5783 |
| Diminished and Augmented Triads |
0.02778 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0303 |
| Non-Standard Chords |
0.1591 |
| Complex Chords |
0.002525 |
| Minor Major Triad Ratio |
1.936 |
| Average Number of Simultaneous Pitch Classes |
2.755 |
| Variability of Number of Simultaneous Pitch Classes |
0.6158 |
| Average Number of Simultaneous Pitches |
3.434 |
| Variability of Number of Simultaneous Pitches |
0.972 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2348 |
| Stepwise Motion |
0.647 |
| Melodic Thirds |
0.1518 |
| Melodic Perfect Fourths |
0.05431 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04952 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.007987 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.519 |
| Melodic Embellishments |
0.02212 |
| Direction of Melodic Motion |
0.5018 |
| Average Length of Melodic Arcs |
1.839 |
| Average Interval Spanned by Melodic Arcs |
4.519 |
| Melodic Pitch Variety |
5.06 |
| Mean Melodic Interval |
2.272 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4121 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5698 |
| Amount of Arpeggiation |
0.2987 |
| Repeated Notes |
0.08946 |
| Importance of Middle Register |
0.8041 |
| Importance of High Register |
0.1722 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
65.73 |
| Mean Pitch Class |
5.18 |
| Most Common Pitch |
67.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1406 |
| Prevalence of Most Common Pitch Class |
0.2291 |
| Relative Prevalence of Top Pitches |
0.809 |
| Relative Prevalence of Top Pitch Classes |
0.869 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.309 |
| Pitch Class Variability |
3.328 |
| Pitch Class Variability After Folding |
3.785 |
| Pitch Skewness |
-0.4237 |
| Pitch Class Skewness |
0.1623 |
| Pitch Class Skewness After Folding |
1.521 |
| Pitch Kurtosis |
5.71 |
| Pitch Class Kurtosis |
4.689 |
| Pitch Class Kurtosis After Folding |
5.266 |
| Major or Minor |
0.0 |
| First Pitch |
74.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
55.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
24.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.0237 |
| Note Density per Quarter Note |
1.536 |
| Note Density per Quarter Note per Voice |
0.2195 |
| Note Density per Quarter Note Variability |
0.6753 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.6572 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8673 |
| Prevalence of Very Long Rhythmic Values |
0.04265 |
| Prevalence of Dotted Notes |
0.07741 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.654 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.5245 |
| Relative Prevalence of Most Common Rhythmic Values |
0.4639 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.504 |
| Rhythmic Value Skewness |
1.305 |
| Rhythmic Value Kurtosis |
14.5 |
| Mean Rhythmic Value Run Length |
1.644 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.135 |
| Mean Rhythmic Value Offset |
0.006319 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.159 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.9118 |
| Average Rest Fraction Across Voices |
0.4334 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
297.7 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
22.72 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
5.193 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
65.82 |
| Variability Across Voices of Combined Rests |
133.8 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.7087 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1558 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.549 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8645 |
| Rhythmic Variability - Tempo Standardized |
0.05802 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
633.0 |
| Initial Tempo |
120.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.166 |
| Minimum Note Duration |
0.3333 |
| Maximum Note Duration |
8.0 |
| Average Note Duration |
0.9942 |
| Variability of Note Durations |
0.6879 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
3.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
161.4 |
| Strongest Rhythmic Pulse |
78.0 |
| Second Strongest Rhythmic Pulse |
52.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.7087 |
| Strength of Second Strongest Rhythmic Pulse |
0.1558 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
4.549 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.8645 |
| Rhythmic Variability |
0.05802 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
27.77 |
| Duration in Seconds |
158.7 |
| Note Density |
3.989 |
| Note Density Variability |
2.126 |
| Average Time Between Attacks |
0.6575 |
| Average Time Between Attacks for Each Voice |
1.147 |
| Variability of Time Between Attacks |
0.3586 |
| Maximum Number of Independent Voices |
7.0 |
| Relative Range of Loudest Voice |
0.4516 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.4516 |
| Relative Note Density of Highest Line |
0.7962 |
| Relative Note Durations of Lowest Line |
0.8056 |
| Relative Size of Melodic Intervals in Lowest Line |
1.077 |
| Voice Overlap |
0.9763 |
| Voice Separation |
3.0 |
| Variability of Voice Separation |
2.191 |
| Parallel Motion |
0.05602 |
| Average Number of Independent Voices |
4.087 |
| Similar Motion |
0.1411 |
| Contrary Motion |
0.222 |
| Oblique Motion |
0.5809 |
| Parallel Fifths |
0.004149 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
1.418 |
| Voice Equality - Number of Notes |
48.41 |
| Voice Equality - Note Duration |
51.52 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.378 |
| Voice Equality - Range |
2.149 |
| Importance of Loudest Voice |
0.0 |