| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2109 |
| Prevalence of Second Most Common Vertical Interval |
0.2027 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9612 |
| Vertical Unisons |
0.03064 |
| Vertical Minor Seconds |
0.001734 |
| Vertical Thirds |
0.3114 |
| Vertical Tritones |
0.008506 |
| Vertical Perfect Fourths |
0.1153 |
| Vertical Perfect Fifths |
0.2109 |
| Vertical Sixths |
0.1115 |
| Vertical Sevenths |
0.01495 |
| Vertical Octaves |
0.1721 |
| Perfect Vertical Intervals |
0.5289 |
| Vertical Dissonance Ratio |
0.05067 |
| Vertical Minor Third Prevalence |
0.6648 |
| Vertical Major Third Prevalence |
0.6521 |
| Chord Duration |
1.268 |
| Partial Chords |
0.09697 |
| Standard Triads |
0.6979 |
| Diminished and Augmented Triads |
0.02242 |
| Dominant Seventh Chords |
0.002242 |
| Seventh Chords |
0.02915 |
| Non-Standard Chords |
0.176 |
| Complex Chords |
0.001121 |
| Minor Major Triad Ratio |
0.8499 |
| Average Number of Simultaneous Pitch Classes |
2.95 |
| Variability of Number of Simultaneous Pitch Classes |
0.4694 |
| Average Number of Simultaneous Pitches |
3.968 |
| Variability of Number of Simultaneous Pitches |
0.8292 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2525 |
| Stepwise Motion |
0.5486 |
| Melodic Thirds |
0.1197 |
| Melodic Perfect Fourths |
0.06749 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.06096 |
| Melodic Sixths |
0.001451 |
| Melodic Sevenths |
0.0007257 |
| Melodic Octaves |
0.01887 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.511 |
| Melodic Embellishments |
0.0376 |
| Direction of Melodic Motion |
0.4942 |
| Average Length of Melodic Arcs |
1.766 |
| Average Interval Spanned by Melodic Arcs |
4.837 |
| Melodic Pitch Variety |
4.599 |
| Mean Melodic Interval |
2.247 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.2961 |
| Relative Prevalence of Most Common Melodic Intervals |
0.8529 |
| Amount of Arpeggiation |
0.3824 |
| Repeated Notes |
0.1821 |
| Importance of Middle Register |
0.8178 |
| Importance of High Register |
0.02242 |
| Dominant Spread |
3.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
61.84 |
| Mean Pitch Class |
6.14 |
| Most Common Pitch |
64.0 |
| Most Common Pitch Class |
4.0 |
| Prevalence of Most Common Pitch |
0.1497 |
| Prevalence of Most Common Pitch Class |
0.2162 |
| Relative Prevalence of Top Pitches |
0.6522 |
| Relative Prevalence of Top Pitch Classes |
0.8428 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.243 |
| Pitch Class Variability |
3.521 |
| Pitch Class Variability After Folding |
2.273 |
| Pitch Skewness |
-0.6984 |
| Pitch Class Skewness |
0.1195 |
| Pitch Class Skewness After Folding |
-0.4618 |
| Pitch Kurtosis |
5.531 |
| Pitch Class Kurtosis |
4.898 |
| Pitch Class Kurtosis After Folding |
6.566 |
| Major or Minor |
0.0 |
| First Pitch |
71.0 |
| First Pitch Class |
11.0 |
| Last Pitch |
45.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
27.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.1598 |
| Note Density per Quarter Note |
1.516 |
| Note Density per Quarter Note per Voice |
0.3033 |
| Note Density per Quarter Note Variability |
0.5224 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.007231 |
| Prevalence of Medium Rhythmic Values |
0.6305 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8228 |
| Prevalence of Very Long Rhythmic Values |
0.06146 |
| Prevalence of Dotted Notes |
0.1005 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.7 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4534 |
| Relative Prevalence of Most Common Rhythmic Values |
0.5231 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.644 |
| Rhythmic Value Skewness |
1.277 |
| Rhythmic Value Kurtosis |
11.67 |
| Mean Rhythmic Value Run Length |
1.621 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.205 |
| Mean Rhythmic Value Offset |
0.02892 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.7131 |
| Complete Rests Fraction |
0.008759 |
| Partial Rests Fraction |
0.6175 |
| Average Rest Fraction Across Voices |
0.1644 |
| Longest Complete Rest |
5.326 |
| Longest Partial Rest |
53.26 |
| Mean Complete Rest Duration |
3.994 |
| Mean Partial Rest Duration |
7.571 |
| Median Complete Rest Duration |
5.326 |
| Median Partial Rest Duration |
2.663 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
1.883 |
| Variability of Partial Rest Durations |
9.431 |
| Variability Across Voices of Combined Rests |
97.71 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6307 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1919 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.286 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8226 |
| Rhythmic Variability - Tempo Standardized |
0.05348 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.5 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
1383.0 |
| Initial Tempo |
120.0 |
| Average Variability of Time Between Attacks for Each Voice |
3.065 |
| Minimum Note Duration |
0.25 |
| Maximum Note Duration |
31.0 |
| Average Note Duration |
2.069 |
| Variability of Note Durations |
1.823 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
2.0 |
| Number of Moderate Rhythmic Pulses |
2.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
89.87 |
| Strongest Rhythmic Pulse |
40.0 |
| Second Strongest Rhythmic Pulse |
80.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.7806 |
| Strength of Second Strongest Rhythmic Pulse |
0.2117 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
3.688 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9923 |
| Rhythmic Variability |
0.06364 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
30.0 |
| Duration in Seconds |
685.0 |
| Note Density |
2.019 |
| Note Density Variability |
1.062 |
| Average Time Between Attacks |
1.208 |
| Average Time Between Attacks for Each Voice |
2.476 |
| Variability of Time Between Attacks |
0.8255 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.5484 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.5484 |
| Relative Note Density of Highest Line |
0.2458 |
| Relative Note Durations of Lowest Line |
1.148 |
| Relative Size of Melodic Intervals in Lowest Line |
0.625 |
| Voice Overlap |
0.9436 |
| Voice Separation |
4.5 |
| Variability of Voice Separation |
3.109 |
| Parallel Motion |
0.04584 |
| Average Number of Independent Voices |
4.175 |
| Similar Motion |
0.1241 |
| Contrary Motion |
0.189 |
| Oblique Motion |
0.641 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.002116 |
| Variability of Number of Independent Voices |
0.819 |
| Voice Equality - Number of Notes |
50.13 |
| Voice Equality - Note Duration |
73.39 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.5477 |
| Voice Equality - Range |
1.14 |
| Importance of Loudest Voice |
0.0 |