| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2521 |
| Prevalence of Second Most Common Vertical Interval |
0.1954 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7751 |
| Vertical Unisons |
0.0487 |
| Vertical Minor Seconds |
0.003564 |
| Vertical Thirds |
0.2867 |
| Vertical Tritones |
0.005016 |
| Vertical Perfect Fourths |
0.1085 |
| Vertical Perfect Fifths |
0.1954 |
| Vertical Sixths |
0.1184 |
| Vertical Sevenths |
0.01247 |
| Vertical Octaves |
0.2034 |
| Perfect Vertical Intervals |
0.556 |
| Vertical Dissonance Ratio |
0.04047 |
| Vertical Minor Third Prevalence |
0.7561 |
| Vertical Major Third Prevalence |
0.7963 |
| Chord Duration |
1.959 |
| Partial Chords |
0.05213 |
| Standard Triads |
0.7702 |
| Diminished and Augmented Triads |
0.02578 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.01906 |
| Non-Standard Chords |
0.1586 |
| Complex Chords |
0.0157 |
| Minor Major Triad Ratio |
0.2138 |
| Average Number of Simultaneous Pitch Classes |
3.02 |
| Variability of Number of Simultaneous Pitch Classes |
0.5083 |
| Average Number of Simultaneous Pitches |
4.847 |
| Variability of Number of Simultaneous Pitches |
1.563 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1758 |
| Stepwise Motion |
0.5216 |
| Melodic Thirds |
0.1303 |
| Melodic Perfect Fourths |
0.07756 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.06809 |
| Melodic Sixths |
0.00296 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01599 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.157 |
| Melodic Embellishments |
0.009428 |
| Direction of Melodic Motion |
0.504 |
| Average Length of Melodic Arcs |
1.667 |
| Average Interval Spanned by Melodic Arcs |
4.86 |
| Melodic Pitch Variety |
4.522 |
| Mean Melodic Interval |
2.399 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3458 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5308 |
| Amount of Arpeggiation |
0.3979 |
| Repeated Notes |
0.1835 |
| Importance of Middle Register |
0.7342 |
| Importance of High Register |
0.01414 |
| Dominant Spread |
4.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.85 |
| Mean Pitch Class |
5.05 |
| Most Common Pitch |
65.0 |
| Most Common Pitch Class |
5.0 |
| Prevalence of Most Common Pitch |
0.122 |
| Prevalence of Most Common Pitch Class |
0.2475 |
| Relative Prevalence of Top Pitches |
0.8889 |
| Relative Prevalence of Top Pitch Classes |
0.8595 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.973 |
| Pitch Class Variability |
3.502 |
| Pitch Class Variability After Folding |
4.54 |
| Pitch Skewness |
0.08825 |
| Pitch Class Skewness |
0.04291 |
| Pitch Class Skewness After Folding |
1.331 |
| Pitch Kurtosis |
5.444 |
| Pitch Class Kurtosis |
4.765 |
| Pitch Class Kurtosis After Folding |
4.348 |
| Major or Minor |
0.0 |
| First Pitch |
65.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
41.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
2.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.2516 |
| Note Density per Quarter Note |
1.849 |
| Note Density per Quarter Note per Voice |
0.2311 |
| Note Density per Quarter Note Variability |
0.8772 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.00825 |
| Prevalence of Medium Rhythmic Values |
0.6034 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8344 |
| Prevalence of Very Long Rhythmic Values |
0.08191 |
| Prevalence of Dotted Notes |
0.06718 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.897 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4378 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6245 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.866 |
| Rhythmic Value Skewness |
1.442 |
| Rhythmic Value Kurtosis |
10.23 |
| Mean Rhythmic Value Run Length |
1.773 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.268 |
| Mean Rhythmic Value Offset |
0.03064 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.7197 |
| Complete Rests Fraction |
0.01136 |
| Partial Rests Fraction |
0.6731 |
| Average Rest Fraction Across Voices |
0.3201 |
| Longest Complete Rest |
2.086 |
| Longest Partial Rest |
60.85 |
| Mean Complete Rest Duration |
2.086 |
| Mean Partial Rest Duration |
11.41 |
| Median Complete Rest Duration |
2.086 |
| Median Partial Rest Duration |
2.086 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
13.89 |
| Variability Across Voices of Combined Rests |
58.95 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6767 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1732 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.908 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8499 |
| Rhythmic Variability - Tempo Standardized |
0.05606 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1697.0 |
| Initial Tempo |
100.0 |
| Average Variability of Time Between Attacks for Each Voice |
3.836 |
| Minimum Note Duration |
0.2 |
| Maximum Note Duration |
24.0 |
| Average Note Duration |
1.692 |
| Variability of Note Durations |
1.278 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
2.0 |
| Number of Moderate Rhythmic Pulses |
2.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
106.4 |
| Strongest Rhythmic Pulse |
53.0 |
| Second Strongest Rhythmic Pulse |
105.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.981 |
| Strength of Strongest Rhythmic Pulse |
0.8184 |
| Strength of Second Strongest Rhythmic Pulse |
0.1759 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
4.652 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9943 |
| Rhythmic Variability |
0.06589 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
17.06 |
| Duration in Seconds |
528.0 |
| Note Density |
3.214 |
| Note Density Variability |
1.463 |
| Average Time Between Attacks |
0.9348 |
| Average Time Between Attacks for Each Voice |
2.421 |
| Variability of Time Between Attacks |
0.4888 |
| Maximum Number of Independent Voices |
8.0 |
| Relative Range of Loudest Voice |
0.4242 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.4242 |
| Relative Note Density of Highest Line |
0.3253 |
| Relative Note Durations of Lowest Line |
1.111 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5714 |
| Voice Overlap |
0.9694 |
| Voice Separation |
3.286 |
| Variability of Voice Separation |
2.138 |
| Parallel Motion |
0.03939 |
| Average Number of Independent Voices |
5.471 |
| Similar Motion |
0.1662 |
| Contrary Motion |
0.1862 |
| Oblique Motion |
0.6081 |
| Parallel Fifths |
0.0006676 |
| Parallel Octaves |
0.00534 |
| Variability of Number of Independent Voices |
1.97 |
| Voice Equality - Number of Notes |
28.21 |
| Voice Equality - Note Duration |
33.9 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.7071 |
| Voice Equality - Range |
2.204 |
| Importance of Loudest Voice |
0.0 |