| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.3002 |
| Prevalence of Second Most Common Vertical Interval |
0.1816 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.6048 |
| Vertical Unisons |
0.1264 |
| Vertical Minor Seconds |
0.001736 |
| Vertical Thirds |
0.2355 |
| Vertical Tritones |
0.006367 |
| Vertical Perfect Fourths |
0.1266 |
| Vertical Perfect Fifths |
0.1816 |
| Vertical Sixths |
0.1114 |
| Vertical Sevenths |
0.01717 |
| Vertical Octaves |
0.1738 |
| Perfect Vertical Intervals |
0.6083 |
| Vertical Dissonance Ratio |
0.04686 |
| Vertical Minor Third Prevalence |
0.289 |
| Vertical Major Third Prevalence |
0.3783 |
| Chord Duration |
2.459 |
| Partial Chords |
0.08 |
| Standard Triads |
0.7017 |
| Diminished and Augmented Triads |
0.01333 |
| Dominant Seventh Chords |
0.01 |
| Seventh Chords |
0.03333 |
| Non-Standard Chords |
0.185 |
| Complex Chords |
0.006667 |
| Minor Major Triad Ratio |
0.2758 |
| Average Number of Simultaneous Pitch Classes |
2.048 |
| Variability of Number of Simultaneous Pitch Classes |
1.04 |
| Average Number of Simultaneous Pitches |
2.721 |
| Variability of Number of Simultaneous Pitches |
1.72 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1938 |
| Stepwise Motion |
0.6125 |
| Melodic Thirds |
0.11 |
| Melodic Perfect Fourths |
0.04598 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03448 |
| Melodic Sixths |
0.001642 |
| Melodic Sevenths |
0.001642 |
| Melodic Octaves |
0.003284 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.045 |
| Melodic Embellishments |
0.001629 |
| Direction of Melodic Motion |
0.4888 |
| Average Length of Melodic Arcs |
1.677 |
| Average Interval Spanned by Melodic Arcs |
3.966 |
| Melodic Pitch Variety |
3.951 |
| Mean Melodic Interval |
1.939 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4187 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4627 |
| Amount of Arpeggiation |
0.3399 |
| Repeated Notes |
0.1905 |
| Importance of Middle Register |
0.8257 |
| Importance of High Register |
0.1238 |
| Dominant Spread |
3.0 |
| Strong Tonal Centres |
3.0 |
| Mean Pitch |
66.85 |
| Mean Pitch Class |
5.604 |
| Most Common Pitch |
69.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1938 |
| Prevalence of Most Common Pitch Class |
0.2182 |
| Relative Prevalence of Top Pitches |
0.8235 |
| Relative Prevalence of Top Pitch Classes |
0.9179 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
9.0 |
| Pitch Variability |
6.171 |
| Pitch Class Variability |
3.714 |
| Pitch Class Variability After Folding |
3.118 |
| Pitch Skewness |
-0.7102 |
| Pitch Class Skewness |
-1.127 |
| Pitch Class Skewness After Folding |
0.07053 |
| Pitch Kurtosis |
7.035 |
| Pitch Class Kurtosis |
4.798 |
| Pitch Class Kurtosis After Folding |
7.416 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
55.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
24.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
2.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.05049 |
| Note Density per Quarter Note |
1.066 |
| Note Density per Quarter Note per Voice |
0.2132 |
| Note Density per Quarter Note Variability |
0.4844 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.006515 |
| Prevalence of Medium Rhythmic Values |
0.6498 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.943 |
| Prevalence of Very Long Rhythmic Values |
0.1238 |
| Prevalence of Dotted Notes |
0.0684 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.039 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.5928 |
| Relative Prevalence of Most Common Rhythmic Values |
0.3462 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.902 |
| Rhythmic Value Skewness |
1.639 |
| Rhythmic Value Kurtosis |
8.636 |
| Mean Rhythmic Value Run Length |
2.558 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
4.301 |
| Mean Rhythmic Value Offset |
0.02606 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.5102 |
| Complete Rests Fraction |
0.008681 |
| Partial Rests Fraction |
0.7014 |
| Average Rest Fraction Across Voices |
0.3465 |
| Longest Complete Rest |
2.0 |
| Longest Partial Rest |
288.0 |
| Mean Complete Rest Duration |
1.667 |
| Mean Partial Rest Duration |
38.38 |
| Median Complete Rest Duration |
2.0 |
| Median Partial Rest Duration |
6.0 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.5774 |
| Variability of Partial Rest Durations |
64.12 |
| Variability Across Voices of Combined Rests |
162.7 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.8264 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.08508 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
9.713 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.9114 |
| Rhythmic Variability - Tempo Standardized |
0.06569 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
614.0 |
| Initial Tempo |
120.0 |
| Average Variability of Time Between Attacks for Each Voice |
8.588 |
| Minimum Note Duration |
0.25 |
| Maximum Note Duration |
12.0 |
| Average Note Duration |
1.533 |
| Variability of Note Durations |
1.042 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
1.0 |
| Number of Moderate Rhythmic Pulses |
3.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
120.0 |
| Strongest Rhythmic Pulse |
60.0 |
| Second Strongest Rhythmic Pulse |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.8264 |
| Strength of Second Strongest Rhythmic Pulse |
0.08508 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
9.713 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9114 |
| Rhythmic Variability |
0.06569 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
288.0 |
| Note Density |
2.132 |
| Note Density Variability |
0.8931 |
| Average Time Between Attacks |
1.021 |
| Average Time Between Attacks for Each Voice |
3.171 |
| Variability of Time Between Attacks |
0.4659 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.2903 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.4516 |
| Relative Note Density of Highest Line |
0.5782 |
| Relative Note Durations of Lowest Line |
1.294 |
| Relative Size of Melodic Intervals in Lowest Line |
0.7143 |
| Voice Overlap |
0.9039 |
| Voice Separation |
4.5 |
| Variability of Voice Separation |
2.38 |
| Parallel Motion |
0.02088 |
| Average Number of Independent Voices |
3.296 |
| Similar Motion |
0.1086 |
| Contrary Motion |
0.1378 |
| Oblique Motion |
0.7328 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
1.345 |
| Voice Equality - Number of Notes |
73.88 |
| Voice Equality - Note Duration |
81.36 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.5477 |
| Voice Equality - Range |
2.608 |
| Importance of Loudest Voice |
0.0 |