File

Last modified on: April 13, 2020, 5 p.m.

F164_22_Festa_Ben_mi_OMRcorrIL.mid


Source
Florence, Italy, Biblioteca Nazionale Centrale, MS Magliabechi XIX.164-167
Musical Work
Ben mi credea passar mio tempo homai
File Type
Symbolic Music
File Format
midi
File Size
11.3 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 4.0
Prevalence of Most Common Vertical Interval 0.1977
Prevalence of Second Most Common Vertical Interval 0.1798
Prevalence Ratio of Two Most Common Vertical Intervals 0.9092
Vertical Unisons 0.01955
Vertical Minor Seconds 0.004363
Vertical Thirds 0.3448
Vertical Tritones 0.005463
Vertical Perfect Fourths 0.1272
Vertical Perfect Fifths 0.1977
Vertical Sixths 0.0985
Vertical Sevenths 0.02105
Vertical Octaves 0.1597
Perfect Vertical Intervals 0.5042
Vertical Dissonance Ratio 0.05546
Vertical Minor Third Prevalence 0.5784
Vertical Major Third Prevalence 0.5401
Chord Duration 2.156
Partial Chords 0.2671
Standard Triads 0.574
Diminished and Augmented Triads 0.005609
Dominant Seventh Chords 0.003739
Seventh Chords 0.01309
Non-Standard Chords 0.1458
Complex Chords 0.0
Minor Major Triad Ratio 1.117
Average Number of Simultaneous Pitch Classes 2.741
Variability of Number of Simultaneous Pitch Classes 0.5819
Average Number of Simultaneous Pitches 3.458
Variability of Number of Simultaneous Pitches 0.8112
Most Common Vertical Interval 7.0
Second Most Common Vertical Interval 3.0
Dynamic Range 4.0
Variation of Dynamics 1.806
Variation of Dynamics In Each Voice 1.812
Average Note to Note Change in Dynamics 2.006
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1439
Stepwise Motion 0.5489
Melodic Thirds 0.08799
Melodic Perfect Fourths 0.06844
Melodic Tritones 0.0
Melodic Perfect Fifths 0.03073
Melodic Sixths 0.00419
Melodic Sevenths 0.0
Melodic Octaves 0.006983
Melodic Large Intervals 0.001397
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 4.727
Melodic Embellishments 0.005556
Direction of Melodic Motion 0.4832
Average Length of Melodic Arcs 1.793
Average Interval Spanned by Melodic Arcs 4.575
Melodic Pitch Variety 3.816
Mean Melodic Interval 1.93
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 2.0
Prevalence of Most Common Melodic Interval 0.405
Relative Prevalence of Most Common Melodic Intervals 0.6207
Amount of Arpeggiation 0.3785
Repeated Notes 0.2514
Importance of Middle Register 0.7056
Importance of High Register 0.0
Dominant Spread 6.0
Strong Tonal Centres 2.0
Mean Pitch 56.98
Mean Pitch Class 4.925
Most Common Pitch 57.0
Most Common Pitch Class 2.0
Prevalence of Most Common Pitch 0.125
Prevalence of Most Common Pitch Class 0.1931
Relative Prevalence of Top Pitches 0.9444
Relative Prevalence of Top Pitch Classes 0.9856
Interval Between Most Prevalent Pitches 3.0
Interval Between Most Prevalent Pitch Classes 7.0
Pitch Variability 6.662
Pitch Class Variability 3.413
Pitch Class Variability After Folding 3.407
Pitch Skewness -0.7243
Pitch Class Skewness -0.06593
Pitch Class Skewness After Folding 0.4329
Pitch Kurtosis 5.493
Pitch Class Kurtosis 4.825
Pitch Class Kurtosis After Folding 6.647
Major or Minor 0.0
First Pitch 65.0
First Pitch Class 5.0
Last Pitch 38.0
Last Pitch Class 2.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 21.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 8.0
Number of Common Pitches 3.0
Number of Common Pitch Classes 0.0
Range 32.0
Importance of Bass Register 0.2944
Note Density per Quarter Note 1.304
Note Density per Quarter Note per Voice 0.3261
Note Density per Quarter Note Variability 0.6609
Range of Rhythmic Values 7.0
Number of Different Rhythmic Values Present 7.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.0
Prevalence of Medium Rhythmic Values 0.7097
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.8458
Prevalence of Very Long Rhythmic Values 0.06944
Prevalence of Dotted Notes 0.04861
Shortest Rhythmic Value 1.0
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.669
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.5556
Relative Prevalence of Most Common Rhythmic Values 0.33
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.763
Rhythmic Value Skewness 1.139
Rhythmic Value Kurtosis 11.52
Mean Rhythmic Value Run Length 2.323
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 2.376
Mean Rhythmic Value Offset 0.03354
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.5157
Complete Rests Fraction 0.007248
Partial Rests Fraction 0.2681
Average Rest Fraction Across Voices 0.1187
Longest Complete Rest 2.0
Longest Partial Rest 34.0
Mean Complete Rest Duration 2.0
Mean Partial Rest Duration 7.281
Median Complete Rest Duration 2.0
Median Partial Rest Duration 2.0
Duple Initial Meter 1.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 9.38
Variability Across Voices of Combined Rests 18.7
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 1.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.6968
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.1692
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 4.119
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.866
Rhythmic Variability - Tempo Standardized 0.05733
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 1.0
Quadruple Initial Meter 0.0
Metrical Diversity 1.0
Total Number of Notes 720.0
Initial Tempo 320.0
Average Variability of Time Between Attacks for Each Voice 0.5695
Minimum Note Duration 0.1779
Maximum Note Duration 3.75
Average Note Duration 0.5067
Variability of Note Durations 0.3749
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 4.0
Number of Moderate Rhythmic Pulses 7.0
Number of Relatively Strong Rhythmic Pulses 4.0
Mean Tempo 320.0
Strongest Rhythmic Pulse 80.0
Second Strongest Rhythmic Pulse 40.0
Harmonicity of Two Strongest Rhythmic Pulses 2.0
Strength of Strongest Rhythmic Pulse 0.2252
Strength of Second Strongest Rhythmic Pulse 0.2193
Strength Ratio of Two Strongest Rhythmic Pulses 1.027
Combined Strength of Two Strongest Rhythmic Pulses 0.4445
Rhythmic Variability 0.0337
Rhythmic Looseness 0.0
Polyrhythms 0.75
Tempo Variability 0.0
Duration in Seconds 103.5
Note Density 6.957
Note Density Variability 2.796
Average Time Between Attacks 0.3734
Average Time Between Attacks for Each Voice 0.5569
Variability of Time Between Attacks 0.2522
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.4688
Relative Range Isolation of Loudest Voice 0.2421
Relative Range of Highest Line 0.4688
Relative Note Density of Highest Line 0.35
Relative Note Durations of Lowest Line 1.157
Relative Size of Melodic Intervals in Lowest Line 0.8
Voice Overlap 0.8486
Voice Separation 5.333
Variability of Voice Separation 5.508
Parallel Motion 0.07487
Average Number of Independent Voices 3.551
Similar Motion 0.2126
Contrary Motion 0.1965
Oblique Motion 0.516
Parallel Fifths 0.002674
Parallel Octaves 0.002674
Variability of Number of Independent Voices 0.7971
Voice Equality - Number of Notes 21.12
Voice Equality - Note Duration 3.507
Voice Equality - Dynamics 0.0
Voice Equality - Melodic Leaps 0.5
Voice Equality - Range 1.915
Importance of Loudest Voice 0.0