| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2766 |
| Prevalence of Second Most Common Vertical Interval |
0.1949 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7045 |
| Vertical Unisons |
0.1438 |
| Vertical Minor Seconds |
0.006152 |
| Vertical Thirds |
0.2943 |
| Vertical Tritones |
0.008103 |
| Vertical Perfect Fourths |
0.07581 |
| Vertical Perfect Fifths |
0.1949 |
| Vertical Sixths |
0.1056 |
| Vertical Sevenths |
0.01816 |
| Vertical Octaves |
0.1328 |
| Perfect Vertical Intervals |
0.5473 |
| Vertical Dissonance Ratio |
0.05568 |
| Vertical Minor Third Prevalence |
0.4865 |
| Vertical Major Third Prevalence |
0.5614 |
| Chord Duration |
1.293 |
| Partial Chords |
0.3005 |
| Standard Triads |
0.5346 |
| Diminished and Augmented Triads |
0.0129 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.001843 |
| Non-Standard Chords |
0.1631 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.3876 |
| Average Number of Simultaneous Pitch Classes |
2.635 |
| Variability of Number of Simultaneous Pitch Classes |
0.6323 |
| Average Number of Simultaneous Pitches |
3.239 |
| Variability of Number of Simultaneous Pitches |
0.8838 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1952 |
| Stepwise Motion |
0.4985 |
| Melodic Thirds |
0.1597 |
| Melodic Perfect Fourths |
0.04021 |
| Melodic Tritones |
0.001183 |
| Melodic Perfect Fifths |
0.03312 |
| Melodic Sixths |
0.002957 |
| Melodic Sevenths |
0.001183 |
| Melodic Octaves |
0.01478 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.913 |
| Melodic Embellishments |
0.01356 |
| Direction of Melodic Motion |
0.5382 |
| Average Length of Melodic Arcs |
1.711 |
| Average Interval Spanned by Melodic Arcs |
4.479 |
| Melodic Pitch Variety |
4.21 |
| Mean Melodic Interval |
1.975 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3034 |
| Relative Prevalence of Most Common Melodic Intervals |
0.8187 |
| Amount of Arpeggiation |
0.4571 |
| Repeated Notes |
0.2484 |
| Importance of Middle Register |
0.8048 |
| Importance of High Register |
0.006486 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.45 |
| Mean Pitch Class |
5.051 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1551 |
| Prevalence of Most Common Pitch Class |
0.2152 |
| Relative Prevalence of Top Pitches |
0.8935 |
| Relative Prevalence of Top Pitch Classes |
0.9562 |
| Interval Between Most Prevalent Pitches |
3.0 |
| Interval Between Most Prevalent Pitch Classes |
9.0 |
| Pitch Variability |
6.117 |
| Pitch Class Variability |
3.604 |
| Pitch Class Variability After Folding |
3.603 |
| Pitch Skewness |
-0.02111 |
| Pitch Class Skewness |
0.0427 |
| Pitch Class Skewness After Folding |
0.5975 |
| Pitch Kurtosis |
5.596 |
| Pitch Class Kurtosis |
4.727 |
| Pitch Class Kurtosis After Folding |
5.947 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
45.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
28.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
2.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.1887 |
| Note Density per Quarter Note |
1.472 |
| Note Density per Quarter Note per Voice |
0.2944 |
| Note Density per Quarter Note Variability |
0.5937 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.005896 |
| Prevalence of Medium Rhythmic Values |
0.6692 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8072 |
| Prevalence of Very Long Rhythmic Values |
0.07547 |
| Prevalence of Dotted Notes |
0.07193 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.718 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4764 |
| Relative Prevalence of Most Common Rhythmic Values |
0.4567 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.849 |
| Rhythmic Value Skewness |
1.165 |
| Rhythmic Value Kurtosis |
12.23 |
| Mean Rhythmic Value Run Length |
1.876 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.324 |
| Mean Rhythmic Value Offset |
0.05896 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.8505 |
| Complete Rests Fraction |
0.002307 |
| Partial Rests Fraction |
0.5352 |
| Average Rest Fraction Across Voices |
0.1656 |
| Longest Complete Rest |
1.329 |
| Longest Partial Rest |
198.0 |
| Mean Complete Rest Duration |
1.329 |
| Mean Partial Rest Duration |
7.694 |
| Median Complete Rest Duration |
1.329 |
| Median Partial Rest Duration |
2.657 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
18.77 |
| Variability Across Voices of Combined Rests |
107.8 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6452 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1824 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.538 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8276 |
| Rhythmic Variability - Tempo Standardized |
0.0543 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
1696.0 |
| Initial Tempo |
120.0 |
| Average Variability of Time Between Attacks for Each Voice |
4.35 |
| Minimum Note Duration |
0.25 |
| Maximum Note Duration |
32.0 |
| Average Note Duration |
2.133 |
| Variability of Note Durations |
2.042 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
2.0 |
| Number of Moderate Rhythmic Pulses |
2.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
89.69 |
| Strongest Rhythmic Pulse |
40.0 |
| Second Strongest Rhythmic Pulse |
80.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.7878 |
| Strength of Second Strongest Rhythmic Pulse |
0.2056 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
3.833 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9933 |
| Rhythmic Variability |
0.06406 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
30.0 |
| Duration in Seconds |
867.0 |
| Note Density |
1.956 |
| Note Density Variability |
1.011 |
| Average Time Between Attacks |
1.264 |
| Average Time Between Attacks for Each Voice |
2.578 |
| Variability of Time Between Attacks |
0.829 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.4848 |
| Relative Range Isolation of Loudest Voice |
0.2626 |
| Relative Range of Highest Line |
0.4848 |
| Relative Note Density of Highest Line |
0.2005 |
| Relative Note Durations of Lowest Line |
1.189 |
| Relative Size of Melodic Intervals in Lowest Line |
0.7143 |
| Voice Overlap |
0.9322 |
| Voice Separation |
4.25 |
| Variability of Voice Separation |
3.096 |
| Parallel Motion |
0.03226 |
| Average Number of Independent Voices |
4.103 |
| Similar Motion |
0.134 |
| Contrary Motion |
0.1456 |
| Oblique Motion |
0.6882 |
| Parallel Fifths |
0.001654 |
| Parallel Octaves |
0.001654 |
| Variability of Number of Independent Voices |
1.02 |
| Voice Equality - Number of Notes |
67.33 |
| Voice Equality - Note Duration |
81.11 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.5477 |
| Voice Equality - Range |
0.5477 |
| Importance of Loudest Voice |
0.0 |