Distance Between Two Most Common Vertical Intervals |
3.0 |
Prevalence of Most Common Vertical Interval |
0.2478 |
Prevalence of Second Most Common Vertical Interval |
0.2185 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.8816 |
Vertical Unisons |
0.01413 |
Vertical Minor Seconds |
0.001736 |
Vertical Thirds |
0.3644 |
Vertical Tritones |
0.00777 |
Vertical Perfect Fourths |
0.1018 |
Vertical Perfect Fifths |
0.2185 |
Vertical Sixths |
0.1142 |
Vertical Sevenths |
0.007605 |
Vertical Octaves |
0.1599 |
Perfect Vertical Intervals |
0.4942 |
Vertical Dissonance Ratio |
0.02787 |
Vertical Minor Third Prevalence |
0.4663 |
Vertical Major Third Prevalence |
0.6837 |
Chord Duration |
2.879 |
Partial Chords |
0.2051 |
Standard Triads |
0.7057 |
Diminished and Augmented Triads |
0.02538 |
Dominant Seventh Chords |
0.001637 |
Seventh Chords |
0.004093 |
Non-Standard Chords |
0.08514 |
Complex Chords |
0.0 |
Minor Major Triad Ratio |
0.0953 |
Average Number of Simultaneous Pitch Classes |
2.656 |
Variability of Number of Simultaneous Pitch Classes |
0.6469 |
Average Number of Simultaneous Pitches |
3.363 |
Variability of Number of Simultaneous Pitches |
0.955 |
Most Common Vertical Interval |
4.0 |
Second Most Common Vertical Interval |
7.0 |
Dynamic Range |
0.0 |
Variation of Dynamics |
0.0 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
1.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
0.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
0.0 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
1.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.1706 |
Stepwise Motion |
0.4381 |
Melodic Thirds |
0.09097 |
Melodic Perfect Fourths |
0.06823 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.04013 |
Melodic Sixths |
0.0 |
Melodic Sevenths |
0.0 |
Melodic Octaves |
0.002676 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
0.0 |
Minor Major Melodic Third Ratio |
2.487 |
Melodic Embellishments |
0.02268 |
Direction of Melodic Motion |
0.5026 |
Average Length of Melodic Arcs |
1.559 |
Average Interval Spanned by Melodic Arcs |
4.008 |
Melodic Pitch Variety |
3.485 |
Mean Melodic Interval |
1.659 |
Number of Common Melodic Intervals |
3.0 |
Distance Between Most Prevalent Melodic Intervals |
2.0 |
Prevalence of Most Common Melodic Interval |
0.3599 |
Relative Prevalence of Most Common Melodic Intervals |
0.7435 |
Amount of Arpeggiation |
0.4936 |
Repeated Notes |
0.3599 |
Importance of Middle Register |
0.8212 |
Importance of High Register |
0.01401 |
Dominant Spread |
5.0 |
Strong Tonal Centres |
2.0 |
Mean Pitch |
61.83 |
Mean Pitch Class |
4.853 |
Most Common Pitch |
65.0 |
Most Common Pitch Class |
5.0 |
Prevalence of Most Common Pitch |
0.1614 |
Prevalence of Most Common Pitch Class |
0.2675 |
Relative Prevalence of Top Pitches |
0.8182 |
Relative Prevalence of Top Pitch Classes |
0.8329 |
Interval Between Most Prevalent Pitches |
5.0 |
Interval Between Most Prevalent Pitch Classes |
5.0 |
Pitch Variability |
6.57 |
Pitch Class Variability |
3.496 |
Pitch Class Variability After Folding |
4.51 |
Pitch Skewness |
-0.7621 |
Pitch Class Skewness |
-0.1265 |
Pitch Class Skewness After Folding |
1.254 |
Pitch Kurtosis |
5.473 |
Pitch Class Kurtosis |
4.806 |
Pitch Class Kurtosis After Folding |
4.433 |
Major or Minor |
0.0 |
First Pitch |
53.0 |
First Pitch Class |
5.0 |
Last Pitch |
48.0 |
Last Pitch Class |
0.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
22.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
10.0 |
Number of Common Pitches |
4.0 |
Number of Common Pitch Classes |
2.0 |
Range |
28.0 |
Importance of Bass Register |
0.1648 |
Note Density per Quarter Note |
1.11 |
Note Density per Quarter Note per Voice |
0.2776 |
Note Density per Quarter Note Variability |
0.5741 |
Range of Rhythmic Values |
9.0 |
Number of Different Rhythmic Values Present |
8.0 |
Number of Common Rhythmic Values Present |
2.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.002668 |
Prevalence of Medium Rhythmic Values |
0.5951 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.8906 |
Prevalence of Very Long Rhythmic Values |
0.09473 |
Prevalence of Dotted Notes |
0.1001 |
Shortest Rhythmic Value |
0.5 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
3.05 |
Most Common Rhythmic Value |
2.0 |
Prevalence of Most Common Rhythmic Value |
0.4857 |
Relative Prevalence of Most Common Rhythmic Values |
0.5234 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
2.059 |
Rhythmic Value Skewness |
1.53 |
Rhythmic Value Kurtosis |
11.9 |
Mean Rhythmic Value Run Length |
1.655 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
1.129 |
Mean Rhythmic Value Offset |
0.0 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.0 |
Complete Rests Fraction |
0.01185 |
Partial Rests Fraction |
0.3378 |
Average Rest Fraction Across Voices |
0.1533 |
Longest Complete Rest |
2.0 |
Longest Partial Rest |
108.0 |
Mean Complete Rest Duration |
2.0 |
Mean Partial Rest Duration |
8.716 |
Median Complete Rest Duration |
2.0 |
Median Partial Rest Duration |
2.0 |
Duple Initial Meter |
0.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
22.54 |
Variability Across Voices of Combined Rests |
91.95 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.7074 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1644 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.304 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8718 |
Rhythmic Variability - Tempo Standardized |
0.05795 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
1.0 |
Quadruple Initial Meter |
1.0 |
Metrical Diversity |
2.0 |
Total Number of Notes |
1499.0 |
Initial Tempo |
120.0 |
Average Variability of Time Between Attacks for Each Voice |
3.198 |
Minimum Note Duration |
0.25 |
Maximum Note Duration |
6.0 |
Average Note Duration |
1.525 |
Variability of Note Durations |
1.03 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
3.0 |
Number of Moderate Rhythmic Pulses |
3.0 |
Number of Relatively Strong Rhythmic Pulses |
1.0 |
Mean Tempo |
120.0 |
Strongest Rhythmic Pulse |
60.0 |
Second Strongest Rhythmic Pulse |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
Strength of Strongest Rhythmic Pulse |
0.7074 |
Strength of Second Strongest Rhythmic Pulse |
0.1644 |
Strength Ratio of Two Strongest Rhythmic Pulses |
4.304 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.8718 |
Rhythmic Variability |
0.05795 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
1.0 |
Tempo Variability |
0.0 |
Duration in Seconds |
675.0 |
Note Density |
2.221 |
Note Density Variability |
1.031 |
Average Time Between Attacks |
1.14 |
Average Time Between Attacks for Each Voice |
1.801 |
Variability of Time Between Attacks |
0.8741 |
Maximum Number of Independent Voices |
4.0 |
Relative Range of Loudest Voice |
0.4286 |
Relative Range Isolation of Loudest Voice |
0.0 |
Relative Range of Highest Line |
0.4286 |
Relative Note Density of Highest Line |
0.1841 |
Relative Note Durations of Lowest Line |
1.002 |
Relative Size of Melodic Intervals in Lowest Line |
0.8 |
Voice Overlap |
0.9413 |
Voice Separation |
5.667 |
Variability of Voice Separation |
2.082 |
Parallel Motion |
0.0307 |
Average Number of Independent Voices |
3.427 |
Similar Motion |
0.2198 |
Contrary Motion |
0.2156 |
Oblique Motion |
0.5338 |
Parallel Fifths |
0.001396 |
Parallel Octaves |
0.002094 |
Variability of Number of Independent Voices |
0.9124 |
Voice Equality - Number of Notes |
26.16 |
Voice Equality - Note Duration |
45.97 |
Voice Equality - Dynamics |
0.0 |
Voice Equality - Melodic Leaps |
0.5 |
Voice Equality - Range |
1.155 |
Importance of Loudest Voice |
0.0 |