| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2214 |
| Prevalence of Second Most Common Vertical Interval |
0.1813 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8189 |
| Vertical Unisons |
0.05989 |
| Vertical Minor Seconds |
0.009331 |
| Vertical Thirds |
0.2864 |
| Vertical Tritones |
0.01045 |
| Vertical Perfect Fourths |
0.1113 |
| Vertical Perfect Fifths |
0.1813 |
| Vertical Sixths |
0.1178 |
| Vertical Sevenths |
0.02577 |
| Vertical Octaves |
0.1616 |
| Perfect Vertical Intervals |
0.5141 |
| Vertical Dissonance Ratio |
0.08903 |
| Vertical Minor Third Prevalence |
0.6562 |
| Vertical Major Third Prevalence |
0.6724 |
| Chord Duration |
1.041 |
| Partial Chords |
0.1075 |
| Standard Triads |
0.5921 |
| Diminished and Augmented Triads |
0.02193 |
| Dominant Seventh Chords |
0.003289 |
| Seventh Chords |
0.03947 |
| Non-Standard Chords |
0.261 |
| Complex Chords |
0.01316 |
| Minor Major Triad Ratio |
0.3235 |
| Average Number of Simultaneous Pitch Classes |
3.011 |
| Variability of Number of Simultaneous Pitch Classes |
0.5926 |
| Average Number of Simultaneous Pitches |
4.041 |
| Variability of Number of Simultaneous Pitches |
0.9494 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2136 |
| Stepwise Motion |
0.6564 |
| Melodic Thirds |
0.1416 |
| Melodic Perfect Fourths |
0.07722 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.06178 |
| Melodic Sixths |
0.005148 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.02317 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.245 |
| Melodic Embellishments |
0.00894 |
| Direction of Melodic Motion |
0.5067 |
| Average Length of Melodic Arcs |
1.803 |
| Average Interval Spanned by Melodic Arcs |
5.055 |
| Melodic Pitch Variety |
5.961 |
| Mean Melodic Interval |
2.727 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4427 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4826 |
| Amount of Arpeggiation |
0.2613 |
| Repeated Notes |
0.03475 |
| Importance of Middle Register |
0.7458 |
| Importance of High Register |
0.01277 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.62 |
| Mean Pitch Class |
5.598 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.106 |
| Prevalence of Most Common Pitch Class |
0.2005 |
| Relative Prevalence of Top Pitches |
0.9639 |
| Relative Prevalence of Top Pitch Classes |
0.8471 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.146 |
| Pitch Class Variability |
3.648 |
| Pitch Class Variability After Folding |
1.955 |
| Pitch Skewness |
0.02252 |
| Pitch Class Skewness |
-0.3308 |
| Pitch Class Skewness After Folding |
1.088 |
| Pitch Kurtosis |
5.524 |
| Pitch Class Kurtosis |
4.812 |
| Pitch Class Kurtosis After Folding |
5.499 |
| Major or Minor |
0.0 |
| First Pitch |
50.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
20.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
8.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.2414 |
| Note Density per Quarter Note |
1.688 |
| Note Density per Quarter Note per Voice |
0.2812 |
| Note Density per Quarter Note Variability |
0.5537 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.005109 |
| Prevalence of Medium Rhythmic Values |
0.6577 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7458 |
| Prevalence of Very Long Rhythmic Values |
0.05875 |
| Prevalence of Dotted Notes |
0.04725 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.623 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4036 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6171 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.751 |
| Rhythmic Value Skewness |
1.068 |
| Rhythmic Value Kurtosis |
10.08 |
| Mean Rhythmic Value Run Length |
1.744 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.232 |
| Mean Rhythmic Value Offset |
0.05109 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.01 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.7908 |
| Average Rest Fraction Across Voices |
0.2407 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
45.2 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
10.64 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
5.318 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
11.15 |
| Variability Across Voices of Combined Rests |
35.39 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5931 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2083 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.848 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8013 |
| Rhythmic Variability - Tempo Standardized |
0.05163 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
783.0 |
| Initial Tempo |
120.0 |
| Average Variability of Time Between Attacks for Each Voice |
3.713 |
| Minimum Note Duration |
0.25 |
| Maximum Note Duration |
32.0 |
| Average Note Duration |
2.031 |
| Variability of Note Durations |
2.059 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
2.0 |
| Number of Moderate Rhythmic Pulses |
2.0 |
| Number of Relatively Strong Rhythmic Pulses |
2.0 |
| Mean Tempo |
89.74 |
| Strongest Rhythmic Pulse |
40.0 |
| Second Strongest Rhythmic Pulse |
80.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.7483 |
| Strength of Second Strongest Rhythmic Pulse |
0.2444 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
3.062 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9927 |
| Rhythmic Variability |
0.06192 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
30.0 |
| Duration in Seconds |
349.0 |
| Note Density |
2.244 |
| Note Density Variability |
1.152 |
| Average Time Between Attacks |
1.094 |
| Average Time Between Attacks for Each Voice |
2.54 |
| Variability of Time Between Attacks |
0.6098 |
| Maximum Number of Independent Voices |
6.0 |
| Relative Range of Loudest Voice |
0.5484 |
| Relative Range Isolation of Loudest Voice |
0.5535 |
| Relative Range of Highest Line |
0.5484 |
| Relative Note Density of Highest Line |
0.5211 |
| Relative Note Durations of Lowest Line |
1.005 |
| Relative Size of Melodic Intervals in Lowest Line |
0.9231 |
| Voice Overlap |
0.8352 |
| Voice Separation |
3.8 |
| Variability of Voice Separation |
3.564 |
| Parallel Motion |
0.03787 |
| Average Number of Independent Voices |
4.513 |
| Similar Motion |
0.1459 |
| Contrary Motion |
0.1529 |
| Oblique Motion |
0.6634 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.00561 |
| Variability of Number of Independent Voices |
1.067 |
| Voice Equality - Number of Notes |
19.56 |
| Voice Equality - Note Duration |
26.62 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.4082 |
| Voice Equality - Range |
0.5477 |
| Importance of Loudest Voice |
0.0 |