Distance Between Two Most Common Vertical Intervals |
7.0 |
Prevalence of Most Common Vertical Interval |
0.2434 |
Prevalence of Second Most Common Vertical Interval |
0.2198 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.9031 |
Vertical Unisons |
0.02573 |
Vertical Minor Seconds |
0.001694 |
Vertical Thirds |
0.253 |
Vertical Tritones |
0.00502 |
Vertical Perfect Fourths |
0.1337 |
Vertical Perfect Fifths |
0.2198 |
Vertical Sixths |
0.116 |
Vertical Sevenths |
0.01356 |
Vertical Octaves |
0.2177 |
Perfect Vertical Intervals |
0.597 |
Vertical Dissonance Ratio |
0.03514 |
Vertical Minor Third Prevalence |
0.6889 |
Vertical Major Third Prevalence |
0.8181 |
Chord Duration |
2.81 |
Partial Chords |
0.01667 |
Standard Triads |
0.7806 |
Diminished and Augmented Triads |
0.02222 |
Dominant Seventh Chords |
0.002778 |
Seventh Chords |
0.02639 |
Non-Standard Chords |
0.1764 |
Complex Chords |
0.002778 |
Minor Major Triad Ratio |
0.4597 |
Average Number of Simultaneous Pitch Classes |
3.047 |
Variability of Number of Simultaneous Pitch Classes |
0.2896 |
Average Number of Simultaneous Pitches |
4.96 |
Variability of Number of Simultaneous Pitches |
0.9515 |
Most Common Vertical Interval |
0.0 |
Second Most Common Vertical Interval |
7.0 |
Dynamic Range |
0.0 |
Variation of Dynamics |
0.0 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
1.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
0.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
0.0 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
1.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.1413 |
Stepwise Motion |
0.4348 |
Melodic Thirds |
0.1325 |
Melodic Perfect Fourths |
0.06791 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.06791 |
Melodic Sixths |
0.003286 |
Melodic Sevenths |
0.0 |
Melodic Octaves |
0.01972 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
1.881 |
Melodic Embellishments |
0.037 |
Direction of Melodic Motion |
0.4962 |
Average Length of Melodic Arcs |
1.662 |
Average Interval Spanned by Melodic Arcs |
5.113 |
Melodic Pitch Variety |
4.027 |
Mean Melodic Interval |
2.253 |
Number of Common Melodic Intervals |
3.0 |
Distance Between Most Prevalent Melodic Intervals |
2.0 |
Prevalence of Most Common Melodic Interval |
0.2935 |
Relative Prevalence of Most Common Melodic Intervals |
0.9328 |
Amount of Arpeggiation |
0.494 |
Repeated Notes |
0.2738 |
Importance of Middle Register |
0.6703 |
Importance of High Register |
0.04461 |
Dominant Spread |
5.0 |
Strong Tonal Centres |
2.0 |
Mean Pitch |
59.7 |
Mean Pitch Class |
4.651 |
Most Common Pitch |
53.0 |
Most Common Pitch Class |
5.0 |
Prevalence of Most Common Pitch |
0.1099 |
Prevalence of Most Common Pitch Class |
0.2122 |
Relative Prevalence of Top Pitches |
0.8812 |
Relative Prevalence of Top Pitch Classes |
0.8667 |
Interval Between Most Prevalent Pitches |
7.0 |
Interval Between Most Prevalent Pitch Classes |
3.0 |
Pitch Variability |
8.077 |
Pitch Class Variability |
3.287 |
Pitch Class Variability After Folding |
4.155 |
Pitch Skewness |
0.02991 |
Pitch Class Skewness |
-0.3188 |
Pitch Class Skewness After Folding |
0.9844 |
Pitch Kurtosis |
5.29 |
Pitch Class Kurtosis |
4.83 |
Pitch Class Kurtosis After Folding |
4.888 |
Major or Minor |
0.0 |
First Pitch |
53.0 |
First Pitch Class |
5.0 |
Last Pitch |
41.0 |
Last Pitch Class |
5.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
27.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
11.0 |
Number of Common Pitches |
2.0 |
Number of Common Pitch Classes |
1.0 |
Range |
33.0 |
Importance of Bass Register |
0.2851 |
Note Density per Quarter Note |
1.276 |
Note Density per Quarter Note per Voice |
0.2127 |
Note Density per Quarter Note Variability |
0.4622 |
Range of Rhythmic Values |
9.0 |
Number of Different Rhythmic Values Present |
8.0 |
Number of Common Rhythmic Values Present |
3.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.002176 |
Prevalence of Medium Rhythmic Values |
0.432 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.926 |
Prevalence of Very Long Rhythmic Values |
0.2633 |
Prevalence of Dotted Notes |
0.1012 |
Shortest Rhythmic Value |
0.5 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
4.063 |
Most Common Rhythmic Value |
2.0 |
Prevalence of Most Common Rhythmic Value |
0.358 |
Relative Prevalence of Most Common Rhythmic Values |
0.7568 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
2.592 |
Rhythmic Value Skewness |
0.07303 |
Rhythmic Value Kurtosis |
6.103 |
Mean Rhythmic Value Run Length |
1.644 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
1.233 |
Mean Rhythmic Value Offset |
0.04788 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.6313 |
Complete Rests Fraction |
0.0 |
Partial Rests Fraction |
0.4583 |
Average Rest Fraction Across Voices |
0.1255 |
Longest Complete Rest |
0.0 |
Longest Partial Rest |
30.0 |
Mean Complete Rest Duration |
0.0 |
Mean Partial Rest Duration |
7.324 |
Median Complete Rest Duration |
0.0 |
Median Partial Rest Duration |
4.0 |
Duple Initial Meter |
0.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
6.607 |
Variability Across Voices of Combined Rests |
39.22 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.7684 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1262 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
6.088 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8946 |
Rhythmic Variability - Tempo Standardized |
0.06178 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
1.0 |
Quadruple Initial Meter |
1.0 |
Metrical Diversity |
1.0 |
Total Number of Notes |
919.0 |
Initial Tempo |
100.0 |
Average Variability of Time Between Attacks for Each Voice |
2.473 |
Minimum Note Duration |
0.3 |
Maximum Note Duration |
14.4 |
Average Note Duration |
2.467 |
Variability of Note Durations |
1.684 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
2.0 |
Number of Moderate Rhythmic Pulses |
2.0 |
Number of Relatively Strong Rhythmic Pulses |
1.0 |
Mean Tempo |
100.0 |
Strongest Rhythmic Pulse |
50.0 |
Second Strongest Rhythmic Pulse |
100.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
Strength of Strongest Rhythmic Pulse |
0.8777 |
Strength of Second Strongest Rhythmic Pulse |
0.1175 |
Strength Ratio of Two Strongest Rhythmic Pulses |
7.471 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.9951 |
Rhythmic Variability |
0.06973 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
1.0 |
Tempo Variability |
0.0 |
Duration in Seconds |
432.0 |
Note Density |
2.127 |
Note Density Variability |
0.7783 |
Average Time Between Attacks |
1.263 |
Average Time Between Attacks for Each Voice |
2.834 |
Variability of Time Between Attacks |
0.6452 |
Maximum Number of Independent Voices |
6.0 |
Relative Range of Loudest Voice |
0.3636 |
Relative Range Isolation of Loudest Voice |
0.268 |
Relative Range of Highest Line |
0.3636 |
Relative Note Density of Highest Line |
0.457 |
Relative Note Durations of Lowest Line |
1.04 |
Relative Size of Melodic Intervals in Lowest Line |
0.6 |
Voice Overlap |
0.9195 |
Voice Separation |
4.4 |
Variability of Voice Separation |
2.702 |
Parallel Motion |
0.02645 |
Average Number of Independent Voices |
5.247 |
Similar Motion |
0.1211 |
Contrary Motion |
0.1495 |
Oblique Motion |
0.703 |
Parallel Fifths |
0.004069 |
Parallel Octaves |
0.007121 |
Variability of Number of Independent Voices |
0.9501 |
Voice Equality - Number of Notes |
22.53 |
Voice Equality - Note Duration |
23.53 |
Voice Equality - Dynamics |
0.0 |
Voice Equality - Melodic Leaps |
0.8165 |
Voice Equality - Range |
3.728 |
Importance of Loudest Voice |
0.0 |