| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2569 |
| Prevalence of Second Most Common Vertical Interval |
0.2095 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8157 |
| Vertical Unisons |
0.05402 |
| Vertical Minor Seconds |
0.001221 |
| Vertical Thirds |
0.2851 |
| Vertical Tritones |
0.003752 |
| Vertical Perfect Fourths |
0.105 |
| Vertical Perfect Fifths |
0.2095 |
| Vertical Sixths |
0.1161 |
| Vertical Sevenths |
0.0108 |
| Vertical Octaves |
0.2029 |
| Perfect Vertical Intervals |
0.5714 |
| Vertical Dissonance Ratio |
0.02817 |
| Vertical Minor Third Prevalence |
0.6762 |
| Vertical Major Third Prevalence |
0.7514 |
| Chord Duration |
2.08 |
| Partial Chords |
0.09345 |
| Standard Triads |
0.7606 |
| Diminished and Augmented Triads |
0.0183 |
| Dominant Seventh Chords |
0.001927 |
| Seventh Chords |
0.01252 |
| Non-Standard Chords |
0.1334 |
| Complex Chords |
0.001927 |
| Minor Major Triad Ratio |
0.1653 |
| Average Number of Simultaneous Pitch Classes |
2.907 |
| Variability of Number of Simultaneous Pitch Classes |
0.4812 |
| Average Number of Simultaneous Pitches |
4.377 |
| Variability of Number of Simultaneous Pitches |
1.562 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1439 |
| Stepwise Motion |
0.396 |
| Melodic Thirds |
0.09878 |
| Melodic Perfect Fourths |
0.07668 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05864 |
| Melodic Sixths |
0.002255 |
| Melodic Sevenths |
0.0009021 |
| Melodic Octaves |
0.01669 |
| Melodic Large Intervals |
0.0009021 |
| Most Common Melodic Interval |
0.0 |
| Minor Major Melodic Third Ratio |
1.607 |
| Melodic Embellishments |
0.006742 |
| Direction of Melodic Motion |
0.4948 |
| Average Length of Melodic Arcs |
1.632 |
| Average Interval Spanned by Melodic Arcs |
5.028 |
| Melodic Pitch Variety |
3.925 |
| Mean Melodic Interval |
2.02 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3491 |
| Relative Prevalence of Most Common Melodic Intervals |
0.7222 |
| Amount of Arpeggiation |
0.5241 |
| Repeated Notes |
0.3491 |
| Importance of Middle Register |
0.738 |
| Importance of High Register |
0.05708 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
60.37 |
| Mean Pitch Class |
5.8 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.116 |
| Prevalence of Most Common Pitch Class |
0.2351 |
| Relative Prevalence of Top Pitches |
0.7907 |
| Relative Prevalence of Top Pitch Classes |
0.8432 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.781 |
| Pitch Class Variability |
3.338 |
| Pitch Class Variability After Folding |
1.934 |
| Pitch Skewness |
-0.4228 |
| Pitch Class Skewness |
-0.1794 |
| Pitch Class Skewness After Folding |
0.8302 |
| Pitch Kurtosis |
5.601 |
| Pitch Class Kurtosis |
4.673 |
| Pitch Class Kurtosis After Folding |
5.445 |
| Major or Minor |
0.0 |
| First Pitch |
57.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
38.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
29.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
38.0 |
| Importance of Bass Register |
0.2049 |
| Note Density per Quarter Note |
2.091 |
| Note Density per Quarter Note per Voice |
0.2614 |
| Note Density per Quarter Note Variability |
1.2 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.01438 |
| Prevalence of Medium Rhythmic Values |
0.7452 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.6971 |
| Prevalence of Very Long Rhythmic Values |
0.04 |
| Prevalence of Dotted Notes |
0.07281 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.332 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4422 |
| Relative Prevalence of Most Common Rhythmic Values |
0.628 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.638 |
| Rhythmic Value Skewness |
0.6082 |
| Rhythmic Value Kurtosis |
15.99 |
| Mean Rhythmic Value Run Length |
1.876 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.378 |
| Mean Rhythmic Value Offset |
0.03416 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.9922 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.7097 |
| Average Rest Fraction Across Voices |
0.381 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
330.8 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
15.59 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
5.978 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
44.75 |
| Variability Across Voices of Combined Rests |
173.5 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
5.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5078 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2293 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.215 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7371 |
| Rhythmic Variability - Tempo Standardized |
0.04724 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
2225.0 |
| Initial Tempo |
100.0 |
| Average Variability of Time Between Attacks for Each Voice |
8.527 |
| Minimum Note Duration |
0.3 |
| Maximum Note Duration |
26.4 |
| Average Note Duration |
1.426 |
| Variability of Note Durations |
1.252 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
2.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
2.0 |
| Mean Tempo |
99.81 |
| Strongest Rhythmic Pulse |
50.0 |
| Second Strongest Rhythmic Pulse |
100.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.6485 |
| Strength of Second Strongest Rhythmic Pulse |
0.2927 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
2.215 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9412 |
| Rhythmic Variability |
0.05597 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
3.06 |
| Duration in Seconds |
640.8 |
| Note Density |
3.472 |
| Note Density Variability |
2.015 |
| Average Time Between Attacks |
0.9466 |
| Average Time Between Attacks for Each Voice |
2.42 |
| Variability of Time Between Attacks |
0.4364 |
| Maximum Number of Independent Voices |
8.0 |
| Relative Range of Loudest Voice |
0.3684 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.3684 |
| Relative Note Density of Highest Line |
0.2481 |
| Relative Note Durations of Lowest Line |
1.013 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6667 |
| Voice Overlap |
1.0 |
| Voice Separation |
2.857 |
| Variability of Voice Separation |
2.734 |
| Parallel Motion |
0.04683 |
| Average Number of Independent Voices |
4.948 |
| Similar Motion |
0.1788 |
| Contrary Motion |
0.1966 |
| Oblique Motion |
0.5778 |
| Parallel Fifths |
0.002639 |
| Parallel Octaves |
0.005937 |
| Variability of Number of Independent Voices |
2.076 |
| Voice Equality - Number of Notes |
80.7 |
| Voice Equality - Note Duration |
104.5 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.9258 |
| Voice Equality - Range |
2.9 |
| Importance of Loudest Voice |
0.0 |