| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.1943 |
| Prevalence of Second Most Common Vertical Interval |
0.1829 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.941 |
| Vertical Unisons |
0.03621 |
| Vertical Minor Seconds |
0.003621 |
| Vertical Thirds |
0.3126 |
| Vertical Tritones |
0.02987 |
| Vertical Perfect Fourths |
0.1104 |
| Vertical Perfect Fifths |
0.1943 |
| Vertical Sixths |
0.1249 |
| Vertical Sevenths |
0.02323 |
| Vertical Octaves |
0.1467 |
| Perfect Vertical Intervals |
0.4876 |
| Vertical Dissonance Ratio |
0.08089 |
| Vertical Minor Third Prevalence |
0.5133 |
| Vertical Major Third Prevalence |
0.4947 |
| Chord Duration |
1.485 |
| Partial Chords |
0.2331 |
| Standard Triads |
0.5253 |
| Diminished and Augmented Triads |
0.07022 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.01264 |
| Non-Standard Chords |
0.2289 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.2808 |
| Average Number of Simultaneous Pitch Classes |
2.697 |
| Variability of Number of Simultaneous Pitch Classes |
0.6046 |
| Average Number of Simultaneous Pitches |
3.298 |
| Variability of Number of Simultaneous Pitches |
0.8099 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2478 |
| Stepwise Motion |
0.7168 |
| Melodic Thirds |
0.07965 |
| Melodic Perfect Fourths |
0.04425 |
| Melodic Tritones |
0.00295 |
| Melodic Perfect Fifths |
0.06195 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.00885 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.25 |
| Melodic Embellishments |
0.02915 |
| Direction of Melodic Motion |
0.4839 |
| Average Length of Melodic Arcs |
1.856 |
| Average Interval Spanned by Melodic Arcs |
4.461 |
| Melodic Pitch Variety |
4.622 |
| Mean Melodic Interval |
2.239 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.469 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5283 |
| Amount of Arpeggiation |
0.236 |
| Repeated Notes |
0.08555 |
| Importance of Middle Register |
0.8601 |
| Importance of High Register |
0.002915 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
3.0 |
| Mean Pitch |
60.57 |
| Mean Pitch Class |
4.974 |
| Most Common Pitch |
65.0 |
| Most Common Pitch Class |
5.0 |
| Prevalence of Most Common Pitch |
0.1429 |
| Prevalence of Most Common Pitch Class |
0.2216 |
| Relative Prevalence of Top Pitches |
0.9184 |
| Relative Prevalence of Top Pitch Classes |
0.7763 |
| Interval Between Most Prevalent Pitches |
1.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
5.72 |
| Pitch Class Variability |
3.338 |
| Pitch Class Variability After Folding |
4.31 |
| Pitch Skewness |
-0.4587 |
| Pitch Class Skewness |
-0.02358 |
| Pitch Class Skewness After Folding |
1.349 |
| Pitch Kurtosis |
5.935 |
| Pitch Class Kurtosis |
4.973 |
| Pitch Class Kurtosis After Folding |
4.546 |
| Major or Minor |
0.0 |
| First Pitch |
65.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
53.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
21.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
28.0 |
| Importance of Bass Register |
0.137 |
| Note Density per Quarter Note |
0.9122 |
| Note Density per Quarter Note per Voice |
0.2281 |
| Note Density per Quarter Note Variability |
0.3789 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
4.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.005831 |
| Prevalence of Medium Rhythmic Values |
0.4606 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8251 |
| Prevalence of Very Long Rhythmic Values |
0.2274 |
| Prevalence of Dotted Notes |
0.1195 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.72 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.2857 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8776 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.56 |
| Rhythmic Value Skewness |
0.844 |
| Rhythmic Value Kurtosis |
6.328 |
| Mean Rhythmic Value Run Length |
1.618 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.123 |
| Mean Rhythmic Value Offset |
0.06997 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.101 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.3816 |
| Average Rest Fraction Across Voices |
0.121 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
94.33 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
8.668 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
2.657 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
20.11 |
| Variability Across Voices of Combined Rests |
44.12 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6008 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.223 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.695 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8238 |
| Rhythmic Variability - Tempo Standardized |
0.05209 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.5 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
343.0 |
| Initial Tempo |
120.0 |
| Average Variability of Time Between Attacks for Each Voice |
4.66 |
| Minimum Note Duration |
0.5 |
| Maximum Note Duration |
32.0 |
| Average Note Duration |
2.901 |
| Variability of Note Durations |
2.82 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
2.0 |
| Number of Moderate Rhythmic Pulses |
2.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
89.68 |
| Strongest Rhythmic Pulse |
40.0 |
| Second Strongest Rhythmic Pulse |
80.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.7719 |
| Strength of Second Strongest Rhythmic Pulse |
0.2213 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
3.488 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9931 |
| Rhythmic Variability |
0.06318 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
30.0 |
| Duration in Seconds |
283.0 |
| Note Density |
1.212 |
| Note Density Variability |
0.7487 |
| Average Time Between Attacks |
1.507 |
| Average Time Between Attacks for Each Voice |
3.614 |
| Variability of Time Between Attacks |
1.048 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4286 |
| Relative Range Isolation of Loudest Voice |
0.2794 |
| Relative Range of Highest Line |
0.4286 |
| Relative Note Density of Highest Line |
0.7813 |
| Relative Note Durations of Lowest Line |
1.49 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8863 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
1.528 |
| Parallel Motion |
0.03491 |
| Average Number of Independent Voices |
3.457 |
| Similar Motion |
0.1372 |
| Contrary Motion |
0.1222 |
| Oblique Motion |
0.7057 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.002494 |
| Variability of Number of Independent Voices |
0.7602 |
| Voice Equality - Number of Notes |
34.51 |
| Voice Equality - Note Duration |
33.21 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.8165 |
| Voice Equality - Range |
1.155 |
| Importance of Loudest Voice |
0.0 |