| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2149 |
| Prevalence of Second Most Common Vertical Interval |
0.1736 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8077 |
| Vertical Unisons |
0.03497 |
| Vertical Minor Seconds |
0.006005 |
| Vertical Thirds |
0.3137 |
| Vertical Tritones |
0.006711 |
| Vertical Perfect Fourths |
0.106 |
| Vertical Perfect Fifths |
0.2149 |
| Vertical Sixths |
0.1402 |
| Vertical Sevenths |
0.01484 |
| Vertical Octaves |
0.1386 |
| Perfect Vertical Intervals |
0.4945 |
| Vertical Dissonance Ratio |
0.05438 |
| Vertical Minor Third Prevalence |
0.5253 |
| Vertical Major Third Prevalence |
0.5 |
| Chord Duration |
1.225 |
| Partial Chords |
0.304 |
| Standard Triads |
0.534 |
| Diminished and Augmented Triads |
0.01543 |
| Dominant Seventh Chords |
0.001543 |
| Seventh Chords |
0.0108 |
| Non-Standard Chords |
0.1512 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.7835 |
| Average Number of Simultaneous Pitch Classes |
2.683 |
| Variability of Number of Simultaneous Pitch Classes |
0.619 |
| Average Number of Simultaneous Pitches |
3.234 |
| Variability of Number of Simultaneous Pitches |
0.8021 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.3017 |
| Stepwise Motion |
0.6545 |
| Melodic Thirds |
0.1192 |
| Melodic Perfect Fourths |
0.07786 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.0365 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01703 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.769 |
| Melodic Embellishments |
0.01446 |
| Direction of Melodic Motion |
0.4892 |
| Average Length of Melodic Arcs |
1.738 |
| Average Interval Spanned by Melodic Arcs |
4.271 |
| Melodic Pitch Variety |
4.802 |
| Mean Melodic Interval |
2.246 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3528 |
| Relative Prevalence of Most Common Melodic Intervals |
0.8552 |
| Amount of Arpeggiation |
0.2676 |
| Repeated Notes |
0.09489 |
| Importance of Middle Register |
0.7976 |
| Importance of High Register |
0.009639 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.81 |
| Mean Pitch Class |
5.737 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1446 |
| Prevalence of Most Common Pitch Class |
0.212 |
| Relative Prevalence of Top Pitches |
0.85 |
| Relative Prevalence of Top Pitch Classes |
0.9432 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.121 |
| Pitch Class Variability |
3.495 |
| Pitch Class Variability After Folding |
2.833 |
| Pitch Skewness |
0.2693 |
| Pitch Class Skewness |
0.633 |
| Pitch Class Skewness After Folding |
0.8931 |
| Pitch Kurtosis |
5.768 |
| Pitch Class Kurtosis |
4.835 |
| Pitch Class Kurtosis After Folding |
6.999 |
| Major or Minor |
0.0 |
| First Pitch |
64.0 |
| First Pitch Class |
4.0 |
| Last Pitch |
45.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.1928 |
| Note Density per Quarter Note |
1.235 |
| Note Density per Quarter Note per Voice |
0.3088 |
| Note Density per Quarter Note Variability |
0.5197 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.009639 |
| Prevalence of Medium Rhythmic Values |
0.7084 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8361 |
| Prevalence of Very Long Rhythmic Values |
0.07711 |
| Prevalence of Dotted Notes |
0.07229 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.67 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.5446 |
| Relative Prevalence of Most Common Rhythmic Values |
0.3319 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.818 |
| Rhythmic Value Skewness |
1.105 |
| Rhythmic Value Kurtosis |
13.24 |
| Mean Rhythmic Value Run Length |
1.958 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.455 |
| Mean Rhythmic Value Offset |
0.06747 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.8542 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.3715 |
| Average Rest Fraction Across Voices |
0.1294 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
23.91 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
7.564 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
2.656 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
7.224 |
| Variability Across Voices of Combined Rests |
19.77 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6922 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1555 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.453 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8476 |
| Rhythmic Variability - Tempo Standardized |
0.05699 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
415.0 |
| Initial Tempo |
120.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.493 |
| Minimum Note Duration |
0.25 |
| Maximum Note Duration |
24.0 |
| Average Note Duration |
2.123 |
| Variability of Note Durations |
2.037 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
2.0 |
| Number of Moderate Rhythmic Pulses |
2.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
89.64 |
| Strongest Rhythmic Pulse |
40.0 |
| Second Strongest Rhythmic Pulse |
80.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.8166 |
| Strength of Second Strongest Rhythmic Pulse |
0.177 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
4.613 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9936 |
| Rhythmic Variability |
0.06576 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
30.0 |
| Duration in Seconds |
253.0 |
| Note Density |
1.64 |
| Note Density Variability |
0.8252 |
| Average Time Between Attacks |
1.295 |
| Average Time Between Attacks for Each Voice |
2.283 |
| Variability of Time Between Attacks |
0.5917 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5161 |
| Relative Range Isolation of Loudest Voice |
0.1827 |
| Relative Range of Highest Line |
0.5161 |
| Relative Note Density of Highest Line |
0.6361 |
| Relative Note Durations of Lowest Line |
1.097 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8771 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
1.732 |
| Parallel Motion |
0.05211 |
| Average Number of Independent Voices |
3.381 |
| Similar Motion |
0.1092 |
| Contrary Motion |
0.1811 |
| Oblique Motion |
0.6576 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.002481 |
| Variability of Number of Independent Voices |
0.8004 |
| Voice Equality - Number of Notes |
11.27 |
| Voice Equality - Note Duration |
14.89 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
2.062 |
| Importance of Loudest Voice |
0.0 |