Distance Between Two Most Common Vertical Intervals |
7.0 |
Prevalence of Most Common Vertical Interval |
0.2063 |
Prevalence of Second Most Common Vertical Interval |
0.1976 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.9576 |
Vertical Unisons |
0.05145 |
Vertical Minor Seconds |
0.005831 |
Vertical Thirds |
0.3106 |
Vertical Tritones |
0.009261 |
Vertical Perfect Fourths |
0.1012 |
Vertical Perfect Fifths |
0.1976 |
Vertical Sixths |
0.1188 |
Vertical Sevenths |
0.02058 |
Vertical Octaves |
0.1549 |
Perfect Vertical Intervals |
0.5051 |
Vertical Dissonance Ratio |
0.0701 |
Vertical Minor Third Prevalence |
0.6231 |
Vertical Major Third Prevalence |
0.5985 |
Chord Duration |
1.641 |
Partial Chords |
0.1851 |
Standard Triads |
0.5775 |
Diminished and Augmented Triads |
0.03018 |
Dominant Seventh Chords |
0.004024 |
Seventh Chords |
0.02817 |
Non-Standard Chords |
0.2093 |
Complex Chords |
0.0 |
Minor Major Triad Ratio |
1.99 |
Average Number of Simultaneous Pitch Classes |
2.788 |
Variability of Number of Simultaneous Pitch Classes |
0.6661 |
Average Number of Simultaneous Pitches |
3.515 |
Variability of Number of Simultaneous Pitches |
0.9923 |
Most Common Vertical Interval |
0.0 |
Second Most Common Vertical Interval |
7.0 |
Dynamic Range |
0.0 |
Variation of Dynamics |
0.0 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
1.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
0.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
0.0 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
1.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.2409 |
Stepwise Motion |
0.6008 |
Melodic Thirds |
0.1367 |
Melodic Perfect Fourths |
0.06901 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.0406 |
Melodic Sixths |
0.001353 |
Melodic Sevenths |
0.0 |
Melodic Octaves |
0.02165 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
6.769 |
Melodic Embellishments |
0.01478 |
Direction of Melodic Motion |
0.5023 |
Average Length of Melodic Arcs |
1.796 |
Average Interval Spanned by Melodic Arcs |
4.668 |
Melodic Pitch Variety |
4.816 |
Mean Melodic Interval |
2.29 |
Number of Common Melodic Intervals |
4.0 |
Distance Between Most Prevalent Melodic Intervals |
1.0 |
Prevalence of Most Common Melodic Interval |
0.3599 |
Relative Prevalence of Most Common Melodic Intervals |
0.6692 |
Amount of Arpeggiation |
0.3288 |
Repeated Notes |
0.1299 |
Importance of Middle Register |
0.8199 |
Importance of High Register |
0.0 |
Dominant Spread |
3.0 |
Strong Tonal Centres |
2.0 |
Mean Pitch |
59.08 |
Mean Pitch Class |
6.013 |
Most Common Pitch |
57.0 |
Most Common Pitch Class |
4.0 |
Prevalence of Most Common Pitch |
0.1478 |
Prevalence of Most Common Pitch Class |
0.2272 |
Relative Prevalence of Top Pitches |
0.8909 |
Relative Prevalence of Top Pitch Classes |
0.9586 |
Interval Between Most Prevalent Pitches |
7.0 |
Interval Between Most Prevalent Pitch Classes |
5.0 |
Pitch Variability |
6.046 |
Pitch Class Variability |
3.561 |
Pitch Class Variability After Folding |
2.192 |
Pitch Skewness |
0.3668 |
Pitch Class Skewness |
0.01132 |
Pitch Class Skewness After Folding |
0.5703 |
Pitch Kurtosis |
5.725 |
Pitch Class Kurtosis |
4.864 |
Pitch Class Kurtosis After Folding |
7.48 |
Major or Minor |
0.0 |
First Pitch |
52.0 |
First Pitch Class |
4.0 |
Last Pitch |
45.0 |
Last Pitch Class |
9.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
24.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
11.0 |
Number of Common Pitches |
5.0 |
Number of Common Pitch Classes |
2.0 |
Range |
29.0 |
Importance of Bass Register |
0.1801 |
Note Density per Quarter Note |
1.409 |
Note Density per Quarter Note per Voice |
0.2818 |
Note Density per Quarter Note Variability |
0.5447 |
Range of Rhythmic Values |
9.0 |
Number of Different Rhythmic Values Present |
8.0 |
Number of Common Rhythmic Values Present |
3.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.005376 |
Prevalence of Medium Rhythmic Values |
0.6989 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.7581 |
Prevalence of Very Long Rhythmic Values |
0.08602 |
Prevalence of Dotted Notes |
0.09409 |
Shortest Rhythmic Value |
0.5 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
2.632 |
Most Common Rhythmic Value |
2.0 |
Prevalence of Most Common Rhythmic Value |
0.457 |
Relative Prevalence of Most Common Rhythmic Values |
0.5176 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
1.942 |
Rhythmic Value Skewness |
0.9759 |
Rhythmic Value Kurtosis |
11.7 |
Mean Rhythmic Value Run Length |
1.828 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
1.324 |
Mean Rhythmic Value Offset |
0.06452 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.9713 |
Complete Rests Fraction |
0.0 |
Partial Rests Fraction |
0.7218 |
Average Rest Fraction Across Voices |
0.2383 |
Longest Complete Rest |
0.0 |
Longest Partial Rest |
174.7 |
Mean Complete Rest Duration |
0.0 |
Mean Partial Rest Duration |
12.58 |
Median Complete Rest Duration |
0.0 |
Median Partial Rest Duration |
5.955 |
Duple Initial Meter |
0.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
25.03 |
Variability Across Voices of Combined Rests |
80.78 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5753 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2141 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.687 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7894 |
Rhythmic Variability - Tempo Standardized |
0.05078 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
0.6667 |
Quadruple Initial Meter |
1.0 |
Metrical Diversity |
1.0 |
Total Number of Notes |
744.0 |
Initial Tempo |
120.0 |
Average Variability of Time Between Attacks for Each Voice |
3.852 |
Minimum Note Duration |
0.25 |
Maximum Note Duration |
16.0 |
Average Note Duration |
1.362 |
Variability of Note Durations |
1.25 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
3.0 |
Number of Moderate Rhythmic Pulses |
3.0 |
Number of Relatively Strong Rhythmic Pulses |
3.0 |
Mean Tempo |
119.5 |
Strongest Rhythmic Pulse |
60.0 |
Second Strongest Rhythmic Pulse |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
Strength of Strongest Rhythmic Pulse |
0.5753 |
Strength of Second Strongest Rhythmic Pulse |
0.2141 |
Strength Ratio of Two Strongest Rhythmic Pulses |
2.687 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.7894 |
Rhythmic Variability |
0.05078 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
0.6667 |
Tempo Variability |
5.203 |
Duration in Seconds |
266.0 |
Note Density |
2.797 |
Note Density Variability |
1.099 |
Average Time Between Attacks |
0.754 |
Average Time Between Attacks for Each Voice |
1.896 |
Variability of Time Between Attacks |
0.3643 |
Maximum Number of Independent Voices |
5.0 |
Relative Range of Loudest Voice |
0.5172 |
Relative Range Isolation of Loudest Voice |
0.5845 |
Relative Range of Highest Line |
0.5172 |
Relative Note Density of Highest Line |
0.4503 |
Relative Note Durations of Lowest Line |
1.307 |
Relative Size of Melodic Intervals in Lowest Line |
0.625 |
Voice Overlap |
0.8562 |
Voice Separation |
4.25 |
Variability of Voice Separation |
3.096 |
Parallel Motion |
0.03698 |
Average Number of Independent Voices |
3.799 |
Similar Motion |
0.1053 |
Contrary Motion |
0.1337 |
Oblique Motion |
0.724 |
Parallel Fifths |
0.002845 |
Parallel Octaves |
0.002845 |
Variability of Number of Independent Voices |
1.031 |
Voice Equality - Number of Notes |
44.52 |
Voice Equality - Note Duration |
40.7 |
Voice Equality - Dynamics |
0.0 |
Voice Equality - Melodic Leaps |
0.5477 |
Voice Equality - Range |
0.5477 |
Importance of Loudest Voice |
0.0 |