| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2907 |
| Prevalence of Second Most Common Vertical Interval |
0.204 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7018 |
| Vertical Unisons |
0.07546 |
| Vertical Minor Seconds |
0.003149 |
| Vertical Thirds |
0.2612 |
| Vertical Tritones |
0.002729 |
| Vertical Perfect Fourths |
0.108 |
| Vertical Perfect Fifths |
0.204 |
| Vertical Sixths |
0.1115 |
| Vertical Sevenths |
0.008501 |
| Vertical Octaves |
0.2153 |
| Perfect Vertical Intervals |
0.6028 |
| Vertical Dissonance Ratio |
0.02518 |
| Vertical Minor Third Prevalence |
0.7609 |
| Vertical Major Third Prevalence |
0.7717 |
| Chord Duration |
1.493 |
| Partial Chords |
0.08442 |
| Standard Triads |
0.7922 |
| Diminished and Augmented Triads |
0.01299 |
| Dominant Seventh Chords |
0.006494 |
| Seventh Chords |
0.01623 |
| Non-Standard Chords |
0.1071 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.06087 |
| Average Number of Simultaneous Pitch Classes |
2.904 |
| Variability of Number of Simultaneous Pitch Classes |
0.5629 |
| Average Number of Simultaneous Pitches |
4.857 |
| Variability of Number of Simultaneous Pitches |
1.828 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1408 |
| Stepwise Motion |
0.3952 |
| Melodic Thirds |
0.1232 |
| Melodic Perfect Fourths |
0.1072 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.0608 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.0128 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
0.0 |
| Minor Major Melodic Third Ratio |
3.053 |
| Melodic Embellishments |
0.006309 |
| Direction of Melodic Motion |
0.4943 |
| Average Length of Melodic Arcs |
1.566 |
| Average Interval Spanned by Melodic Arcs |
4.695 |
| Melodic Pitch Variety |
3.629 |
| Mean Melodic Interval |
2.165 |
| Number of Common Melodic Intervals |
5.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3008 |
| Relative Prevalence of Most Common Melodic Intervals |
0.8457 |
| Amount of Arpeggiation |
0.4976 |
| Repeated Notes |
0.3008 |
| Importance of Middle Register |
0.7208 |
| Importance of High Register |
0.03312 |
| Dominant Spread |
5.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
60.38 |
| Mean Pitch Class |
4.475 |
| Most Common Pitch |
65.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.1136 |
| Prevalence of Most Common Pitch Class |
0.265 |
| Relative Prevalence of Top Pitches |
0.9306 |
| Relative Prevalence of Top Pitch Classes |
0.8274 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
8.287 |
| Pitch Class Variability |
3.49 |
| Pitch Class Variability After Folding |
4.419 |
| Pitch Skewness |
-0.3649 |
| Pitch Class Skewness |
-0.4515 |
| Pitch Class Skewness After Folding |
0.8662 |
| Pitch Kurtosis |
5.323 |
| Pitch Class Kurtosis |
4.781 |
| Pitch Class Kurtosis After Folding |
4.712 |
| Major or Minor |
0.0 |
| First Pitch |
72.0 |
| First Pitch Class |
0.0 |
| Last Pitch |
41.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
2.0 |
| Range |
37.0 |
| Importance of Bass Register |
0.2461 |
| Note Density per Quarter Note |
1.969 |
| Note Density per Quarter Note per Voice |
0.2188 |
| Note Density per Quarter Note Variability |
1.159 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.003155 |
| Prevalence of Medium Rhythmic Values |
0.5615 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9006 |
| Prevalence of Very Long Rhythmic Values |
0.08517 |
| Prevalence of Dotted Notes |
0.06782 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.041 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4621 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6758 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.763 |
| Rhythmic Value Skewness |
1.771 |
| Rhythmic Value Kurtosis |
9.292 |
| Mean Rhythmic Value Run Length |
1.686 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.075 |
| Mean Rhythmic Value Offset |
0.006309 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.1589 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.6506 |
| Average Rest Fraction Across Voices |
0.3234 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
59.85 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
17.04 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
7.182 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
16.4 |
| Variability Across Voices of Combined Rests |
25.1 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.7348 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1492 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.925 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.884 |
| Rhythmic Variability - Tempo Standardized |
0.0596 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
634.0 |
| Initial Tempo |
180.0 |
| Average Variability of Time Between Attacks for Each Voice |
4.079 |
| Minimum Note Duration |
0.3333 |
| Maximum Note Duration |
10.67 |
| Average Note Duration |
1.722 |
| Variability of Note Durations |
1.168 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
2.0 |
| Number of Moderate Rhythmic Pulses |
2.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
114.8 |
| Strongest Rhythmic Pulse |
54.0 |
| Second Strongest Rhythmic Pulse |
108.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.8637 |
| Strength of Second Strongest Rhythmic Pulse |
0.1299 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
6.647 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9936 |
| Rhythmic Variability |
0.06877 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
32.17 |
| Duration in Seconds |
179.3 |
| Note Density |
3.535 |
| Note Density Variability |
1.927 |
| Average Time Between Attacks |
1.03 |
| Average Time Between Attacks for Each Voice |
2.403 |
| Variability of Time Between Attacks |
0.4114 |
| Maximum Number of Independent Voices |
9.0 |
| Relative Range of Loudest Voice |
0.2162 |
| Relative Range Isolation of Loudest Voice |
0.01493 |
| Relative Range of Highest Line |
0.2162 |
| Relative Note Density of Highest Line |
1.008 |
| Relative Note Durations of Lowest Line |
1.144 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5625 |
| Voice Overlap |
0.9968 |
| Voice Separation |
2.75 |
| Variability of Voice Separation |
1.488 |
| Parallel Motion |
0.03125 |
| Average Number of Independent Voices |
6.0 |
| Similar Motion |
0.2188 |
| Contrary Motion |
0.1392 |
| Oblique Motion |
0.6108 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.005682 |
| Variability of Number of Independent Voices |
2.546 |
| Voice Equality - Number of Notes |
11.68 |
| Voice Equality - Note Duration |
13.98 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.6667 |
| Voice Equality - Range |
3.734 |
| Importance of Loudest Voice |
0.0 |