| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.214 |
| Prevalence of Second Most Common Vertical Interval |
0.1756 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8205 |
| Vertical Unisons |
0.01381 |
| Vertical Minor Seconds |
0.002478 |
| Vertical Thirds |
0.2996 |
| Vertical Tritones |
0.003894 |
| Vertical Perfect Fourths |
0.1242 |
| Vertical Perfect Fifths |
0.214 |
| Vertical Sixths |
0.1396 |
| Vertical Sevenths |
0.01858 |
| Vertical Octaves |
0.1618 |
| Perfect Vertical Intervals |
0.5138 |
| Vertical Dissonance Ratio |
0.04921 |
| Vertical Minor Third Prevalence |
0.476 |
| Vertical Major Third Prevalence |
0.5613 |
| Chord Duration |
1.965 |
| Partial Chords |
0.2093 |
| Standard Triads |
0.6055 |
| Diminished and Augmented Triads |
0.02067 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.01723 |
| Non-Standard Chords |
0.168 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.9051 |
| Average Number of Simultaneous Pitch Classes |
2.754 |
| Variability of Number of Simultaneous Pitch Classes |
0.574 |
| Average Number of Simultaneous Pitches |
3.465 |
| Variability of Number of Simultaneous Pitches |
0.7484 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2493 |
| Stepwise Motion |
0.5963 |
| Melodic Thirds |
0.08707 |
| Melodic Perfect Fourths |
0.07124 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.0343 |
| Melodic Sixths |
0.003958 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01055 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.143 |
| Melodic Embellishments |
0.01837 |
| Direction of Melodic Motion |
0.4548 |
| Average Length of Melodic Arcs |
1.891 |
| Average Interval Spanned by Melodic Arcs |
4.637 |
| Melodic Pitch Variety |
4.523 |
| Mean Melodic Interval |
1.987 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.347 |
| Relative Prevalence of Most Common Melodic Intervals |
0.7186 |
| Amount of Arpeggiation |
0.3285 |
| Repeated Notes |
0.1966 |
| Importance of Middle Register |
0.7375 |
| Importance of High Register |
0.06693 |
| Dominant Spread |
4.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
61.26 |
| Mean Pitch Class |
6.395 |
| Most Common Pitch |
59.0 |
| Most Common Pitch Class |
11.0 |
| Prevalence of Most Common Pitch |
0.1194 |
| Prevalence of Most Common Pitch Class |
0.2244 |
| Relative Prevalence of Top Pitches |
0.8901 |
| Relative Prevalence of Top Pitch Classes |
0.848 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.017 |
| Pitch Class Variability |
3.504 |
| Pitch Class Variability After Folding |
2.226 |
| Pitch Skewness |
0.2934 |
| Pitch Class Skewness |
0.3382 |
| Pitch Class Skewness After Folding |
-0.1468 |
| Pitch Kurtosis |
5.293 |
| Pitch Class Kurtosis |
4.706 |
| Pitch Class Kurtosis After Folding |
5.91 |
| Major or Minor |
0.0 |
| First Pitch |
59.0 |
| First Pitch Class |
11.0 |
| Last Pitch |
54.0 |
| Last Pitch Class |
6.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
28.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.1955 |
| Note Density per Quarter Note |
1.253 |
| Note Density per Quarter Note per Voice |
0.3133 |
| Note Density per Quarter Note Variability |
0.4383 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.005249 |
| Prevalence of Medium Rhythmic Values |
0.6693 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.815 |
| Prevalence of Very Long Rhythmic Values |
0.08661 |
| Prevalence of Dotted Notes |
0.1115 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.735 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4843 |
| Relative Prevalence of Most Common Rhythmic Values |
0.3821 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.904 |
| Rhythmic Value Skewness |
1.158 |
| Rhythmic Value Kurtosis |
12.97 |
| Mean Rhythmic Value Run Length |
1.785 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.251 |
| Mean Rhythmic Value Offset |
0.06299 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.246 |
| Complete Rests Fraction |
0.006579 |
| Partial Rests Fraction |
0.352 |
| Average Rest Fraction Across Voices |
0.1234 |
| Longest Complete Rest |
4.0 |
| Longest Partial Rest |
56.0 |
| Mean Complete Rest Duration |
4.0 |
| Mean Partial Rest Duration |
5.556 |
| Median Complete Rest Duration |
4.0 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
9.273 |
| Variability Across Voices of Combined Rests |
26.81 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6388 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1837 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.477 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8225 |
| Rhythmic Variability - Tempo Standardized |
0.05397 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
762.0 |
| Initial Tempo |
100.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.596 |
| Minimum Note Duration |
0.3 |
| Maximum Note Duration |
26.4 |
| Average Note Duration |
1.679 |
| Variability of Note Durations |
1.512 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
2.0 |
| Number of Moderate Rhythmic Pulses |
2.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
100.0 |
| Strongest Rhythmic Pulse |
50.0 |
| Second Strongest Rhythmic Pulse |
100.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.7794 |
| Strength of Second Strongest Rhythmic Pulse |
0.213 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
3.659 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9924 |
| Rhythmic Variability |
0.06357 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
364.8 |
| Note Density |
2.089 |
| Note Density Variability |
0.8045 |
| Average Time Between Attacks |
1.024 |
| Average Time Between Attacks for Each Voice |
1.79 |
| Variability of Time Between Attacks |
0.4962 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4848 |
| Relative Range Isolation of Loudest Voice |
0.2772 |
| Relative Range of Highest Line |
0.4848 |
| Relative Note Density of Highest Line |
0.3675 |
| Relative Note Durations of Lowest Line |
1.032 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8 |
| Voice Overlap |
0.874 |
| Voice Separation |
6.0 |
| Variability of Voice Separation |
1.0 |
| Parallel Motion |
0.06722 |
| Average Number of Independent Voices |
3.53 |
| Similar Motion |
0.1156 |
| Contrary Motion |
0.1899 |
| Oblique Motion |
0.6274 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.7397 |
| Voice Equality - Number of Notes |
18.88 |
| Voice Equality - Note Duration |
16.08 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
1.5 |
| Importance of Loudest Voice |
0.0 |