| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2846 |
| Prevalence of Second Most Common Vertical Interval |
0.2217 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7792 |
| Vertical Unisons |
0.08469 |
| Vertical Minor Seconds |
0.0 |
| Vertical Thirds |
0.2642 |
| Vertical Tritones |
0.001232 |
| Vertical Perfect Fourths |
0.1076 |
| Vertical Perfect Fifths |
0.2217 |
| Vertical Sixths |
0.1067 |
| Vertical Sevenths |
0.004466 |
| Vertical Octaves |
0.1999 |
| Perfect Vertical Intervals |
0.6139 |
| Vertical Dissonance Ratio |
0.01548 |
| Vertical Minor Third Prevalence |
0.6926 |
| Vertical Major Third Prevalence |
0.7204 |
| Chord Duration |
2.282 |
| Partial Chords |
0.1279 |
| Standard Triads |
0.7597 |
| Diminished and Augmented Triads |
0.0155 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.1124 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.08889 |
| Average Number of Simultaneous Pitch Classes |
2.8 |
| Variability of Number of Simultaneous Pitch Classes |
0.5207 |
| Average Number of Simultaneous Pitches |
4.404 |
| Variability of Number of Simultaneous Pitches |
1.569 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.09225 |
| Stepwise Motion |
0.286 |
| Melodic Thirds |
0.1107 |
| Melodic Perfect Fourths |
0.1089 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05904 |
| Melodic Sixths |
0.001845 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.005535 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
0.0 |
| Minor Major Melodic Third Ratio |
3.0 |
| Melodic Embellishments |
0.01452 |
| Direction of Melodic Motion |
0.5065 |
| Average Length of Melodic Arcs |
1.535 |
| Average Interval Spanned by Melodic Arcs |
4.832 |
| Melodic Pitch Variety |
2.878 |
| Mean Melodic Interval |
1.88 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.428 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4526 |
| Amount of Arpeggiation |
0.6033 |
| Repeated Notes |
0.428 |
| Importance of Middle Register |
0.735 |
| Importance of High Register |
0.02178 |
| Dominant Spread |
3.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
61.1 |
| Mean Pitch Class |
4.221 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.1434 |
| Prevalence of Most Common Pitch Class |
0.3212 |
| Relative Prevalence of Top Pitches |
0.9873 |
| Relative Prevalence of Top Pitch Classes |
0.8023 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.968 |
| Pitch Class Variability |
3.498 |
| Pitch Class Variability After Folding |
4.581 |
| Pitch Skewness |
-0.1722 |
| Pitch Class Skewness |
-0.6678 |
| Pitch Class Skewness After Folding |
0.8284 |
| Pitch Kurtosis |
5.31 |
| Pitch Class Kurtosis |
4.713 |
| Pitch Class Kurtosis After Folding |
4.643 |
| Major or Minor |
0.0 |
| First Pitch |
53.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
41.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
24.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
5.0 |
| Number of Common Pitch Classes |
2.0 |
| Range |
36.0 |
| Importance of Bass Register |
0.2432 |
| Note Density per Quarter Note |
2.041 |
| Note Density per Quarter Note per Voice |
0.2267 |
| Note Density per Quarter Note Variability |
1.649 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.00363 |
| Prevalence of Medium Rhythmic Values |
0.6788 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.804 |
| Prevalence of Very Long Rhythmic Values |
0.07078 |
| Prevalence of Dotted Notes |
0.06534 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.646 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4828 |
| Relative Prevalence of Most Common Rhythmic Values |
0.485 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.663 |
| Rhythmic Value Skewness |
1.165 |
| Rhythmic Value Kurtosis |
11.94 |
| Mean Rhythmic Value Run Length |
1.722 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.109 |
| Mean Rhythmic Value Offset |
0.01452 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.2408 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.6842 |
| Average Rest Fraction Across Voices |
0.385 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
92.37 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
18.34 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
3.553 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
26.15 |
| Variability Across Voices of Combined Rests |
38.15 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6381 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.199 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.207 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8371 |
| Rhythmic Variability - Tempo Standardized |
0.05396 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.5 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
551.0 |
| Initial Tempo |
120.0 |
| Average Variability of Time Between Attacks for Each Voice |
3.11 |
| Minimum Note Duration |
0.3333 |
| Maximum Note Duration |
8.0 |
| Average Note Duration |
1.527 |
| Variability of Note Durations |
0.9561 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
2.0 |
| Number of Moderate Rhythmic Pulses |
2.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
112.7 |
| Strongest Rhythmic Pulse |
54.0 |
| Second Strongest Rhythmic Pulse |
107.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.981 |
| Strength of Strongest Rhythmic Pulse |
0.7967 |
| Strength of Second Strongest Rhythmic Pulse |
0.1981 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
4.021 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9948 |
| Rhythmic Variability |
0.0646 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
29.77 |
| Duration in Seconds |
152.0 |
| Note Density |
3.625 |
| Note Density Variability |
2.608 |
| Average Time Between Attacks |
0.9855 |
| Average Time Between Attacks for Each Voice |
1.985 |
| Variability of Time Between Attacks |
0.4396 |
| Maximum Number of Independent Voices |
9.0 |
| Relative Range of Loudest Voice |
0.3333 |
| Relative Range Isolation of Loudest Voice |
0.04348 |
| Relative Range of Highest Line |
0.3333 |
| Relative Note Density of Highest Line |
1.16 |
| Relative Note Durations of Lowest Line |
1.053 |
| Relative Size of Melodic Intervals in Lowest Line |
0.75 |
| Voice Overlap |
0.9764 |
| Voice Separation |
2.875 |
| Variability of Voice Separation |
1.642 |
| Parallel Motion |
0.02778 |
| Average Number of Independent Voices |
5.43 |
| Similar Motion |
0.1944 |
| Contrary Motion |
0.1944 |
| Oblique Motion |
0.5833 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
2.526 |
| Voice Equality - Number of Notes |
11.53 |
| Voice Equality - Note Duration |
21.48 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
2.0 |
| Importance of Loudest Voice |
0.0 |