Distance Between Two Most Common Vertical Intervals |
7.0 |
Prevalence of Most Common Vertical Interval |
0.218 |
Prevalence of Second Most Common Vertical Interval |
0.1793 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.8225 |
Vertical Unisons |
0.04177 |
Vertical Minor Seconds |
0.005967 |
Vertical Thirds |
0.2894 |
Vertical Tritones |
0.007988 |
Vertical Perfect Fourths |
0.1207 |
Vertical Perfect Fifths |
0.1793 |
Vertical Sixths |
0.1218 |
Vertical Sevenths |
0.02209 |
Vertical Octaves |
0.1762 |
Perfect Vertical Intervals |
0.5179 |
Vertical Dissonance Ratio |
0.07629 |
Vertical Minor Third Prevalence |
0.6461 |
Vertical Major Third Prevalence |
0.7589 |
Chord Duration |
1.738 |
Partial Chords |
0.1088 |
Standard Triads |
0.6477 |
Diminished and Augmented Triads |
0.02597 |
Dominant Seventh Chords |
0.01299 |
Seventh Chords |
0.02597 |
Non-Standard Chords |
0.2175 |
Complex Chords |
0.0276 |
Minor Major Triad Ratio |
0.2018 |
Average Number of Simultaneous Pitch Classes |
3.05 |
Variability of Number of Simultaneous Pitch Classes |
0.5661 |
Average Number of Simultaneous Pitches |
4.268 |
Variability of Number of Simultaneous Pitches |
1.025 |
Most Common Vertical Interval |
0.0 |
Second Most Common Vertical Interval |
7.0 |
Dynamic Range |
0.0 |
Variation of Dynamics |
0.0 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
1.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
0.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
0.0 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
1.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.19 |
Stepwise Motion |
0.5776 |
Melodic Thirds |
0.09219 |
Melodic Perfect Fourths |
0.08184 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.04892 |
Melodic Sixths |
0.001881 |
Melodic Sevenths |
0.0 |
Melodic Octaves |
0.0207 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
1.649 |
Melodic Embellishments |
0.03368 |
Direction of Melodic Motion |
0.44 |
Average Length of Melodic Arcs |
1.927 |
Average Interval Spanned by Melodic Arcs |
5.326 |
Melodic Pitch Variety |
4.849 |
Mean Melodic Interval |
2.293 |
Number of Common Melodic Intervals |
3.0 |
Distance Between Most Prevalent Melodic Intervals |
1.0 |
Prevalence of Most Common Melodic Interval |
0.3876 |
Relative Prevalence of Most Common Melodic Intervals |
0.4903 |
Amount of Arpeggiation |
0.3387 |
Repeated Notes |
0.1769 |
Importance of Middle Register |
0.695 |
Importance of High Register |
0.003742 |
Dominant Spread |
7.0 |
Strong Tonal Centres |
2.0 |
Mean Pitch |
57.48 |
Mean Pitch Class |
4.975 |
Most Common Pitch |
60.0 |
Most Common Pitch Class |
5.0 |
Prevalence of Most Common Pitch |
0.1123 |
Prevalence of Most Common Pitch Class |
0.2058 |
Relative Prevalence of Top Pitches |
0.9167 |
Relative Prevalence of Top Pitch Classes |
0.8909 |
Interval Between Most Prevalent Pitches |
7.0 |
Interval Between Most Prevalent Pitch Classes |
5.0 |
Pitch Variability |
7.165 |
Pitch Class Variability |
3.366 |
Pitch Class Variability After Folding |
4.28 |
Pitch Skewness |
0.03917 |
Pitch Class Skewness |
-0.02251 |
Pitch Class Skewness After Folding |
1.054 |
Pitch Kurtosis |
5.531 |
Pitch Class Kurtosis |
4.842 |
Pitch Class Kurtosis After Folding |
4.686 |
Major or Minor |
0.0 |
First Pitch |
53.0 |
First Pitch Class |
5.0 |
Last Pitch |
41.0 |
Last Pitch Class |
5.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
25.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
11.0 |
Number of Common Pitches |
2.0 |
Number of Common Pitch Classes |
1.0 |
Range |
33.0 |
Importance of Bass Register |
0.3012 |
Note Density per Quarter Note |
1.735 |
Note Density per Quarter Note per Voice |
0.2892 |
Note Density per Quarter Note Variability |
0.7521 |
Range of Rhythmic Values |
9.0 |
Number of Different Rhythmic Values Present |
8.0 |
Number of Common Rhythmic Values Present |
3.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.01684 |
Prevalence of Medium Rhythmic Values |
0.6137 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.7119 |
Prevalence of Very Long Rhythmic Values |
0.06455 |
Prevalence of Dotted Notes |
0.1413 |
Shortest Rhythmic Value |
0.5 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
2.616 |
Most Common Rhythmic Value |
2.0 |
Prevalence of Most Common Rhythmic Value |
0.3255 |
Relative Prevalence of Most Common Rhythmic Values |
0.8333 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
1.83 |
Rhythmic Value Skewness |
1.009 |
Rhythmic Value Kurtosis |
12.11 |
Mean Rhythmic Value Run Length |
1.577 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
1.049 |
Mean Rhythmic Value Offset |
0.04864 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.7429 |
Complete Rests Fraction |
0.0 |
Partial Rests Fraction |
0.6623 |
Average Rest Fraction Across Voices |
0.2294 |
Longest Complete Rest |
0.0 |
Longest Partial Rest |
52.0 |
Mean Complete Rest Duration |
0.0 |
Mean Partial Rest Duration |
14.88 |
Median Complete Rest Duration |
0.0 |
Median Partial Rest Duration |
6.0 |
Duple Initial Meter |
0.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
15.04 |
Variability Across Voices of Combined Rests |
29.41 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.4882 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2591 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.884 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7473 |
Rhythmic Variability - Tempo Standardized |
0.04717 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
0.6667 |
Quadruple Initial Meter |
1.0 |
Metrical Diversity |
1.0 |
Total Number of Notes |
1069.0 |
Initial Tempo |
120.0 |
Average Variability of Time Between Attacks for Each Voice |
2.514 |
Minimum Note Duration |
0.25 |
Maximum Note Duration |
14.0 |
Average Note Duration |
1.332 |
Variability of Note Durations |
1.097 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
3.0 |
Number of Moderate Rhythmic Pulses |
3.0 |
Number of Relatively Strong Rhythmic Pulses |
3.0 |
Mean Tempo |
120.0 |
Strongest Rhythmic Pulse |
60.0 |
Second Strongest Rhythmic Pulse |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
Strength of Strongest Rhythmic Pulse |
0.4882 |
Strength of Second Strongest Rhythmic Pulse |
0.2591 |
Strength Ratio of Two Strongest Rhythmic Pulses |
1.884 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.7473 |
Rhythmic Variability |
0.04717 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
0.6667 |
Tempo Variability |
0.0 |
Duration in Seconds |
308.0 |
Note Density |
3.471 |
Note Density Variability |
1.451 |
Average Time Between Attacks |
0.7159 |
Average Time Between Attacks for Each Voice |
1.63 |
Variability of Time Between Attacks |
0.381 |
Maximum Number of Independent Voices |
6.0 |
Relative Range of Loudest Voice |
0.4242 |
Relative Range Isolation of Loudest Voice |
0.5758 |
Relative Range of Highest Line |
0.4242 |
Relative Note Density of Highest Line |
0.3817 |
Relative Note Durations of Lowest Line |
1.015 |
Relative Size of Melodic Intervals in Lowest Line |
0.6 |
Voice Overlap |
0.8466 |
Voice Separation |
4.2 |
Variability of Voice Separation |
3.033 |
Parallel Motion |
0.04766 |
Average Number of Independent Voices |
4.623 |
Similar Motion |
0.1395 |
Contrary Motion |
0.1542 |
Oblique Motion |
0.6586 |
Parallel Fifths |
0.004333 |
Parallel Octaves |
0.004333 |
Variability of Number of Independent Voices |
1.16 |
Voice Equality - Number of Notes |
12.53 |
Voice Equality - Note Duration |
14.71 |
Voice Equality - Dynamics |
0.0 |
Voice Equality - Melodic Leaps |
0.5164 |
Voice Equality - Range |
0.0 |
Importance of Loudest Voice |
0.0 |