| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2725 |
| Prevalence of Second Most Common Vertical Interval |
0.1802 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.6613 |
| Vertical Unisons |
0.1435 |
| Vertical Minor Seconds |
0.004873 |
| Vertical Thirds |
0.2855 |
| Vertical Tritones |
0.007854 |
| Vertical Perfect Fourths |
0.0744 |
| Vertical Perfect Fifths |
0.1802 |
| Vertical Sixths |
0.1351 |
| Vertical Sevenths |
0.01711 |
| Vertical Octaves |
0.1289 |
| Perfect Vertical Intervals |
0.527 |
| Vertical Dissonance Ratio |
0.05528 |
| Vertical Minor Third Prevalence |
0.4582 |
| Vertical Major Third Prevalence |
0.5773 |
| Chord Duration |
1.234 |
| Partial Chords |
0.2857 |
| Standard Triads |
0.549 |
| Diminished and Augmented Triads |
0.02581 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.006124 |
| Non-Standard Chords |
0.1592 |
| Complex Chords |
0.0035 |
| Minor Major Triad Ratio |
0.5688 |
| Average Number of Simultaneous Pitch Classes |
2.673 |
| Variability of Number of Simultaneous Pitch Classes |
0.6197 |
| Average Number of Simultaneous Pitches |
3.278 |
| Variability of Number of Simultaneous Pitches |
0.9026 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1901 |
| Stepwise Motion |
0.5523 |
| Melodic Thirds |
0.1438 |
| Melodic Perfect Fourths |
0.0512 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04412 |
| Melodic Sixths |
0.0005447 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01961 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.129 |
| Melodic Embellishments |
0.01141 |
| Direction of Melodic Motion |
0.4859 |
| Average Length of Melodic Arcs |
1.778 |
| Average Interval Spanned by Melodic Arcs |
4.844 |
| Melodic Pitch Variety |
4.521 |
| Mean Melodic Interval |
2.218 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3622 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5248 |
| Amount of Arpeggiation |
0.396 |
| Repeated Notes |
0.1885 |
| Importance of Middle Register |
0.6317 |
| Importance of High Register |
0.0005432 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
56.34 |
| Mean Pitch Class |
5.326 |
| Most Common Pitch |
53.0 |
| Most Common Pitch Class |
5.0 |
| Prevalence of Most Common Pitch |
0.145 |
| Prevalence of Most Common Pitch Class |
0.2281 |
| Relative Prevalence of Top Pitches |
0.8839 |
| Relative Prevalence of Top Pitch Classes |
0.8333 |
| Interval Between Most Prevalent Pitches |
4.0 |
| Interval Between Most Prevalent Pitch Classes |
4.0 |
| Pitch Variability |
6.454 |
| Pitch Class Variability |
3.307 |
| Pitch Class Variability After Folding |
4.265 |
| Pitch Skewness |
-0.06565 |
| Pitch Class Skewness |
0.2957 |
| Pitch Class Skewness After Folding |
1.34 |
| Pitch Kurtosis |
5.663 |
| Pitch Class Kurtosis |
4.829 |
| Pitch Class Kurtosis After Folding |
4.535 |
| Major or Minor |
0.0 |
| First Pitch |
53.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
41.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
24.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.3677 |
| Note Density per Quarter Note |
1.534 |
| Note Density per Quarter Note per Voice |
0.3068 |
| Note Density per Quarter Note Variability |
0.6325 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.02173 |
| Prevalence of Medium Rhythmic Values |
0.6806 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7865 |
| Prevalence of Very Long Rhythmic Values |
0.08039 |
| Prevalence of Dotted Notes |
0.0793 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.674 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4671 |
| Relative Prevalence of Most Common Rhythmic Values |
0.4105 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.887 |
| Rhythmic Value Skewness |
1.071 |
| Rhythmic Value Kurtosis |
11.12 |
| Mean Rhythmic Value Run Length |
1.904 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.405 |
| Mean Rhythmic Value Offset |
0.03259 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.6781 |
| Complete Rests Fraction |
0.002215 |
| Partial Rests Fraction |
0.5127 |
| Average Rest Fraction Across Voices |
0.1539 |
| Longest Complete Rest |
1.329 |
| Longest Partial Rest |
224.5 |
| Mean Complete Rest Duration |
1.329 |
| Mean Partial Rest Duration |
7.696 |
| Median Complete Rest Duration |
1.329 |
| Median Partial Rest Duration |
2.658 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
21.33 |
| Variability Across Voices of Combined Rests |
112.0 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6131 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.188 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.262 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.801 |
| Rhythmic Variability - Tempo Standardized |
0.05234 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.5 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
1841.0 |
| Initial Tempo |
120.0 |
| Average Variability of Time Between Attacks for Each Voice |
4.656 |
| Minimum Note Duration |
0.25 |
| Maximum Note Duration |
24.0 |
| Average Note Duration |
2.075 |
| Variability of Note Durations |
1.96 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
2.0 |
| Number of Moderate Rhythmic Pulses |
3.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
89.7 |
| Strongest Rhythmic Pulse |
40.0 |
| Second Strongest Rhythmic Pulse |
80.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.7519 |
| Strength of Second Strongest Rhythmic Pulse |
0.2233 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
3.368 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9751 |
| Rhythmic Variability |
0.06171 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
30.0 |
| Duration in Seconds |
903.0 |
| Note Density |
2.039 |
| Note Density Variability |
1.116 |
| Average Time Between Attacks |
1.225 |
| Average Time Between Attacks for Each Voice |
2.502 |
| Variability of Time Between Attacks |
0.8416 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.3636 |
| Relative Range Isolation of Loudest Voice |
0.678 |
| Relative Range of Highest Line |
0.3636 |
| Relative Note Density of Highest Line |
0.182 |
| Relative Note Durations of Lowest Line |
0.9877 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5556 |
| Voice Overlap |
0.8772 |
| Voice Separation |
4.5 |
| Variability of Voice Separation |
3.109 |
| Parallel Motion |
0.02742 |
| Average Number of Independent Voices |
4.166 |
| Similar Motion |
0.1254 |
| Contrary Motion |
0.1652 |
| Oblique Motion |
0.682 |
| Parallel Fifths |
0.0006854 |
| Parallel Octaves |
0.002056 |
| Variability of Number of Independent Voices |
0.9473 |
| Voice Equality - Number of Notes |
76.85 |
| Voice Equality - Note Duration |
84.26 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.4472 |
| Voice Equality - Range |
3.194 |
| Importance of Loudest Voice |
0.0 |