| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.1995 |
| Prevalence of Second Most Common Vertical Interval |
0.1819 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.912 |
| Vertical Unisons |
0.04325 |
| Vertical Minor Seconds |
0.004456 |
| Vertical Thirds |
0.3301 |
| Vertical Tritones |
0.01206 |
| Vertical Perfect Fourths |
0.08637 |
| Vertical Perfect Fifths |
0.1819 |
| Vertical Sixths |
0.1368 |
| Vertical Sevenths |
0.01678 |
| Vertical Octaves |
0.1562 |
| Perfect Vertical Intervals |
0.4678 |
| Vertical Dissonance Ratio |
0.06983 |
| Vertical Minor Third Prevalence |
0.4498 |
| Vertical Major Third Prevalence |
0.4545 |
| Chord Duration |
1.851 |
| Partial Chords |
0.4409 |
| Standard Triads |
0.4108 |
| Diminished and Augmented Triads |
0.02204 |
| Dominant Seventh Chords |
0.003006 |
| Seventh Chords |
0.01202 |
| Non-Standard Chords |
0.1363 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.3946 |
| Average Number of Simultaneous Pitch Classes |
2.495 |
| Variability of Number of Simultaneous Pitch Classes |
0.6351 |
| Average Number of Simultaneous Pitches |
3.009 |
| Variability of Number of Simultaneous Pitches |
0.7983 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2467 |
| Stepwise Motion |
0.6797 |
| Melodic Thirds |
0.1585 |
| Melodic Perfect Fourths |
0.05229 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04085 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01634 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.129 |
| Melodic Embellishments |
0.00487 |
| Direction of Melodic Motion |
0.5069 |
| Average Length of Melodic Arcs |
1.908 |
| Average Interval Spanned by Melodic Arcs |
4.743 |
| Melodic Pitch Variety |
4.736 |
| Mean Melodic Interval |
2.382 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.433 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5698 |
| Amount of Arpeggiation |
0.268 |
| Repeated Notes |
0.05229 |
| Importance of Middle Register |
0.8019 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.2 |
| Mean Pitch Class |
5.468 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1104 |
| Prevalence of Most Common Pitch Class |
0.1883 |
| Relative Prevalence of Top Pitches |
0.8529 |
| Relative Prevalence of Top Pitch Classes |
0.8276 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.547 |
| Pitch Class Variability |
3.597 |
| Pitch Class Variability After Folding |
2.956 |
| Pitch Skewness |
-0.2083 |
| Pitch Class Skewness |
0.3899 |
| Pitch Class Skewness After Folding |
0.1911 |
| Pitch Kurtosis |
5.594 |
| Pitch Class Kurtosis |
4.852 |
| Pitch Class Kurtosis After Folding |
7.528 |
| Major or Minor |
0.0 |
| First Pitch |
67.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
29.0 |
| Importance of Bass Register |
0.1981 |
| Note Density per Quarter Note |
1.167 |
| Note Density per Quarter Note per Voice |
0.2917 |
| Note Density per Quarter Note Variability |
0.4202 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.01299 |
| Prevalence of Medium Rhythmic Values |
0.6331 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8409 |
| Prevalence of Very Long Rhythmic Values |
0.05357 |
| Prevalence of Dotted Notes |
0.05519 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.718 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.474 |
| Relative Prevalence of Most Common Rhythmic Values |
0.5856 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.577 |
| Rhythmic Value Skewness |
1.365 |
| Rhythmic Value Kurtosis |
10.07 |
| Mean Rhythmic Value Run Length |
2.169 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.656 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.6212 |
| Average Rest Fraction Across Voices |
0.2074 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
30.0 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
9.733 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
10.0 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
6.83 |
| Variability Across Voices of Combined Rests |
38.79 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6943 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1563 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.441 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8506 |
| Rhythmic Variability - Tempo Standardized |
0.057 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
616.0 |
| Initial Tempo |
100.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.188 |
| Minimum Note Duration |
0.3 |
| Maximum Note Duration |
7.2 |
| Average Note Duration |
1.631 |
| Variability of Note Durations |
0.946 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
2.0 |
| Number of Moderate Rhythmic Pulses |
2.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
100.0 |
| Strongest Rhythmic Pulse |
50.0 |
| Second Strongest Rhythmic Pulse |
100.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.8156 |
| Strength of Second Strongest Rhythmic Pulse |
0.1646 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
4.955 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9803 |
| Rhythmic Variability |
0.06549 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
316.8 |
| Note Density |
1.944 |
| Note Density Variability |
0.7156 |
| Average Time Between Attacks |
1.049 |
| Average Time Between Attacks for Each Voice |
2.044 |
| Variability of Time Between Attacks |
0.4706 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4138 |
| Relative Range Isolation of Loudest Voice |
0.2086 |
| Relative Range of Highest Line |
0.4138 |
| Relative Note Density of Highest Line |
0.4351 |
| Relative Note Durations of Lowest Line |
0.9907 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.914 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
1.155 |
| Parallel Motion |
0.05253 |
| Average Number of Independent Voices |
3.17 |
| Similar Motion |
0.1434 |
| Contrary Motion |
0.2283 |
| Oblique Motion |
0.5758 |
| Parallel Fifths |
0.00202 |
| Parallel Octaves |
0.00202 |
| Variability of Number of Independent Voices |
0.7817 |
| Voice Equality - Number of Notes |
30.67 |
| Voice Equality - Note Duration |
23.28 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
2.944 |
| Importance of Loudest Voice |
0.0 |