| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2236 |
| Prevalence of Second Most Common Vertical Interval |
0.2146 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9597 |
| Vertical Unisons |
0.02762 |
| Vertical Minor Seconds |
0.001304 |
| Vertical Thirds |
0.2807 |
| Vertical Tritones |
0.007487 |
| Vertical Perfect Fourths |
0.1331 |
| Vertical Perfect Fifths |
0.2146 |
| Vertical Sixths |
0.1154 |
| Vertical Sevenths |
0.008621 |
| Vertical Octaves |
0.196 |
| Perfect Vertical Intervals |
0.5712 |
| Vertical Dissonance Ratio |
0.03377 |
| Vertical Minor Third Prevalence |
0.6839 |
| Vertical Major Third Prevalence |
0.7312 |
| Chord Duration |
1.523 |
| Partial Chords |
0.1071 |
| Standard Triads |
0.741 |
| Diminished and Augmented Triads |
0.02778 |
| Dominant Seventh Chords |
0.005376 |
| Seventh Chords |
0.008065 |
| Non-Standard Chords |
0.1438 |
| Complex Chords |
0.001792 |
| Minor Major Triad Ratio |
0.2288 |
| Average Number of Simultaneous Pitch Classes |
2.913 |
| Variability of Number of Simultaneous Pitch Classes |
0.3792 |
| Average Number of Simultaneous Pitches |
4.176 |
| Variability of Number of Simultaneous Pitches |
1.178 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1711 |
| Stepwise Motion |
0.4507 |
| Melodic Thirds |
0.08633 |
| Melodic Perfect Fourths |
0.07415 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05032 |
| Melodic Sixths |
0.001059 |
| Melodic Sevenths |
0.001059 |
| Melodic Octaves |
0.01377 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
0.0 |
| Minor Major Melodic Third Ratio |
1.672 |
| Melodic Embellishments |
0.01214 |
| Direction of Melodic Motion |
0.491 |
| Average Length of Melodic Arcs |
1.719 |
| Average Interval Spanned by Melodic Arcs |
4.868 |
| Melodic Pitch Variety |
4.147 |
| Mean Melodic Interval |
1.93 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3226 |
| Relative Prevalence of Most Common Melodic Intervals |
0.867 |
| Amount of Arpeggiation |
0.474 |
| Repeated Notes |
0.3226 |
| Importance of Middle Register |
0.7534 |
| Importance of High Register |
0.1526 |
| Dominant Spread |
5.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
64.69 |
| Mean Pitch Class |
5.175 |
| Most Common Pitch |
65.0 |
| Most Common Pitch Class |
5.0 |
| Prevalence of Most Common Pitch |
0.1156 |
| Prevalence of Most Common Pitch Class |
0.2012 |
| Relative Prevalence of Top Pitches |
0.7717 |
| Relative Prevalence of Top Pitch Classes |
0.8898 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.447 |
| Pitch Class Variability |
3.509 |
| Pitch Class Variability After Folding |
4.522 |
| Pitch Skewness |
0.009146 |
| Pitch Class Skewness |
0.1494 |
| Pitch Class Skewness After Folding |
1.668 |
| Pitch Kurtosis |
5.546 |
| Pitch Class Kurtosis |
4.748 |
| Pitch Class Kurtosis After Folding |
4.197 |
| Major or Minor |
0.0 |
| First Pitch |
53.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
53.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
34.0 |
| Importance of Bass Register |
0.09398 |
| Note Density per Quarter Note |
1.685 |
| Note Density per Quarter Note per Voice |
0.2808 |
| Note Density per Quarter Note Variability |
0.7103 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.00528 |
| Prevalence of Medium Rhythmic Values |
0.679 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8617 |
| Prevalence of Very Long Rhythmic Values |
0.04593 |
| Prevalence of Dotted Notes |
0.08553 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.589 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.5407 |
| Relative Prevalence of Most Common Rhythmic Values |
0.3867 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.448 |
| Rhythmic Value Skewness |
1.221 |
| Rhythmic Value Kurtosis |
11.98 |
| Mean Rhythmic Value Run Length |
1.837 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.476 |
| Mean Rhythmic Value Offset |
0.01056 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.3789 |
| Complete Rests Fraction |
0.002364 |
| Partial Rests Fraction |
0.682 |
| Average Rest Fraction Across Voices |
0.2638 |
| Longest Complete Rest |
1.329 |
| Longest Partial Rest |
381.3 |
| Mean Complete Rest Duration |
1.329 |
| Mean Partial Rest Duration |
14.7 |
| Median Complete Rest Duration |
1.329 |
| Median Partial Rest Duration |
6.643 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
46.21 |
| Variability Across Voices of Combined Rests |
162.9 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6775 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.178 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.806 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8555 |
| Rhythmic Variability - Tempo Standardized |
0.05615 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1894.0 |
| Initial Tempo |
100.0 |
| Average Variability of Time Between Attacks for Each Voice |
9.724 |
| Minimum Note Duration |
0.3 |
| Maximum Note Duration |
33.6 |
| Average Note Duration |
2.368 |
| Variability of Note Durations |
1.702 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
1.0 |
| Number of Moderate Rhythmic Pulses |
2.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
74.69 |
| Strongest Rhythmic Pulse |
67.0 |
| Second Strongest Rhythmic Pulse |
133.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.985 |
| Strength of Strongest Rhythmic Pulse |
0.9717 |
| Strength of Second Strongest Rhythmic Pulse |
0.02035 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
47.74 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.992 |
| Rhythmic Variability |
0.07658 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
24.93 |
| Duration in Seconds |
1015.0 |
| Note Density |
1.866 |
| Note Density Variability |
0.9693 |
| Average Time Between Attacks |
1.592 |
| Average Time Between Attacks for Each Voice |
3.323 |
| Variability of Time Between Attacks |
0.8571 |
| Maximum Number of Independent Voices |
6.0 |
| Relative Range of Loudest Voice |
0.3529 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.3529 |
| Relative Note Density of Highest Line |
0.2281 |
| Relative Note Durations of Lowest Line |
1.1 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6667 |
| Voice Overlap |
0.9688 |
| Voice Separation |
4.0 |
| Variability of Voice Separation |
2.449 |
| Parallel Motion |
0.05552 |
| Average Number of Independent Voices |
4.396 |
| Similar Motion |
0.181 |
| Contrary Motion |
0.1968 |
| Oblique Motion |
0.5667 |
| Parallel Fifths |
0.004326 |
| Parallel Octaves |
0.005768 |
| Variability of Number of Independent Voices |
1.226 |
| Voice Equality - Number of Notes |
67.93 |
| Voice Equality - Note Duration |
147.1 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.5477 |
| Voice Equality - Range |
3.204 |
| Importance of Loudest Voice |
0.0 |