| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.21 |
| Prevalence of Second Most Common Vertical Interval |
0.1772 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8436 |
| Vertical Unisons |
0.0267 |
| Vertical Minor Seconds |
0.001804 |
| Vertical Thirds |
0.3105 |
| Vertical Tritones |
0.01046 |
| Vertical Perfect Fourths |
0.1187 |
| Vertical Perfect Fifths |
0.21 |
| Vertical Sixths |
0.1288 |
| Vertical Sevenths |
0.01912 |
| Vertical Octaves |
0.1505 |
| Perfect Vertical Intervals |
0.5059 |
| Vertical Dissonance Ratio |
0.05803 |
| Vertical Minor Third Prevalence |
0.4984 |
| Vertical Major Third Prevalence |
0.5475 |
| Chord Duration |
1.698 |
| Partial Chords |
0.2538 |
| Standard Triads |
0.5714 |
| Diminished and Augmented Triads |
0.01345 |
| Dominant Seventh Chords |
0.005042 |
| Seventh Chords |
0.02017 |
| Non-Standard Chords |
0.1546 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.8785 |
| Average Number of Simultaneous Pitch Classes |
2.695 |
| Variability of Number of Simultaneous Pitch Classes |
0.6561 |
| Average Number of Simultaneous Pitches |
3.304 |
| Variability of Number of Simultaneous Pitches |
0.8454 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2554 |
| Stepwise Motion |
0.6506 |
| Melodic Thirds |
0.0988 |
| Melodic Perfect Fourths |
0.07229 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.06988 |
| Melodic Sixths |
0.004819 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.02169 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
0.9524 |
| Melodic Embellishments |
0.00716 |
| Direction of Melodic Motion |
0.4488 |
| Average Length of Melodic Arcs |
1.756 |
| Average Interval Spanned by Melodic Arcs |
4.797 |
| Melodic Pitch Variety |
5.293 |
| Mean Melodic Interval |
2.542 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3952 |
| Relative Prevalence of Most Common Melodic Intervals |
0.6463 |
| Amount of Arpeggiation |
0.2723 |
| Repeated Notes |
0.08193 |
| Importance of Middle Register |
0.778 |
| Importance of High Register |
0.0358 |
| Dominant Spread |
4.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.8 |
| Mean Pitch Class |
5.131 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1217 |
| Prevalence of Most Common Pitch Class |
0.2029 |
| Relative Prevalence of Top Pitches |
0.7255 |
| Relative Prevalence of Top Pitch Classes |
0.8706 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.275 |
| Pitch Class Variability |
3.571 |
| Pitch Class Variability After Folding |
3.813 |
| Pitch Skewness |
0.1437 |
| Pitch Class Skewness |
0.1103 |
| Pitch Class Skewness After Folding |
1.472 |
| Pitch Kurtosis |
5.497 |
| Pitch Class Kurtosis |
4.626 |
| Pitch Class Kurtosis After Folding |
5.223 |
| Major or Minor |
0.0 |
| First Pitch |
69.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
28.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
32.0 |
| Importance of Bass Register |
0.1862 |
| Note Density per Quarter Note |
1.326 |
| Note Density per Quarter Note per Voice |
0.3315 |
| Note Density per Quarter Note Variability |
0.5493 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.04296 |
| Prevalence of Medium Rhythmic Values |
0.6945 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7971 |
| Prevalence of Very Long Rhythmic Values |
0.06205 |
| Prevalence of Dotted Notes |
0.08592 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.58 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4916 |
| Relative Prevalence of Most Common Rhythmic Values |
0.4029 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.786 |
| Rhythmic Value Skewness |
0.9741 |
| Rhythmic Value Kurtosis |
14.92 |
| Mean Rhythmic Value Run Length |
1.871 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.469 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.3968 |
| Average Rest Fraction Across Voices |
0.1494 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
39.39 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
7.869 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
2.188 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
10.66 |
| Variability Across Voices of Combined Rests |
19.56 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
5.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6228 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1806 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.448 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8035 |
| Rhythmic Variability - Tempo Standardized |
0.05256 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
419.0 |
| Initial Tempo |
100.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.768 |
| Minimum Note Duration |
0.2 |
| Maximum Note Duration |
8.0 |
| Average Note Duration |
1.563 |
| Variability of Note Durations |
1.112 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
2.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
101.1 |
| Strongest Rhythmic Pulse |
50.0 |
| Second Strongest Rhythmic Pulse |
99.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.98 |
| Strength of Strongest Rhythmic Pulse |
0.7389 |
| Strength of Second Strongest Rhythmic Pulse |
0.1954 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
3.782 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9343 |
| Rhythmic Variability |
0.06018 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
18.93 |
| Duration in Seconds |
192.5 |
| Note Density |
2.176 |
| Note Density Variability |
0.9076 |
| Average Time Between Attacks |
0.9321 |
| Average Time Between Attacks for Each Voice |
1.712 |
| Variability of Time Between Attacks |
0.4863 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4062 |
| Relative Range Isolation of Loudest Voice |
0.4261 |
| Relative Range of Highest Line |
0.4062 |
| Relative Note Density of Highest Line |
0.6492 |
| Relative Note Durations of Lowest Line |
1.072 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8889 |
| Voice Overlap |
0.8663 |
| Voice Separation |
6.0 |
| Variability of Voice Separation |
1.0 |
| Parallel Motion |
0.04858 |
| Average Number of Independent Voices |
3.421 |
| Similar Motion |
0.1377 |
| Contrary Motion |
0.1943 |
| Oblique Motion |
0.6194 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.8363 |
| Voice Equality - Number of Notes |
11.9 |
| Voice Equality - Note Duration |
11.92 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
1.258 |
| Importance of Loudest Voice |
0.0 |