| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.198 |
| Prevalence of Second Most Common Vertical Interval |
0.188 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9492 |
| Vertical Unisons |
0.02463 |
| Vertical Minor Seconds |
0.00557 |
| Vertical Thirds |
0.2937 |
| Vertical Tritones |
0.0178 |
| Vertical Perfect Fourths |
0.1144 |
| Vertical Perfect Fifths |
0.188 |
| Vertical Sixths |
0.1272 |
| Vertical Sevenths |
0.02302 |
| Vertical Octaves |
0.1734 |
| Perfect Vertical Intervals |
0.5003 |
| Vertical Dissonance Ratio |
0.08555 |
| Vertical Minor Third Prevalence |
0.5841 |
| Vertical Major Third Prevalence |
0.6544 |
| Chord Duration |
1.642 |
| Partial Chords |
0.0892 |
| Standard Triads |
0.611 |
| Diminished and Augmented Triads |
0.05765 |
| Dominant Seventh Chords |
0.006675 |
| Seventh Chords |
0.03398 |
| Non-Standard Chords |
0.2658 |
| Complex Chords |
0.007282 |
| Minor Major Triad Ratio |
0.2295 |
| Average Number of Simultaneous Pitch Classes |
3.011 |
| Variability of Number of Simultaneous Pitch Classes |
0.51 |
| Average Number of Simultaneous Pitches |
4.038 |
| Variability of Number of Simultaneous Pitches |
0.8718 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2222 |
| Stepwise Motion |
0.6821 |
| Melodic Thirds |
0.09165 |
| Melodic Perfect Fourths |
0.06732 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04136 |
| Melodic Sixths |
0.001622 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01298 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.69 |
| Melodic Embellishments |
0.021 |
| Direction of Melodic Motion |
0.472 |
| Average Length of Melodic Arcs |
1.996 |
| Average Interval Spanned by Melodic Arcs |
4.969 |
| Melodic Pitch Variety |
4.842 |
| Mean Melodic Interval |
2.247 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4599 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4832 |
| Amount of Arpeggiation |
0.249 |
| Repeated Notes |
0.103 |
| Importance of Middle Register |
0.7407 |
| Importance of High Register |
0.001616 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.49 |
| Mean Pitch Class |
5.168 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
5.0 |
| Prevalence of Most Common Pitch |
0.1317 |
| Prevalence of Most Common Pitch Class |
0.1979 |
| Relative Prevalence of Top Pitches |
0.7239 |
| Relative Prevalence of Top Pitch Classes |
0.9551 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.096 |
| Pitch Class Variability |
3.472 |
| Pitch Class Variability After Folding |
4.303 |
| Pitch Skewness |
-0.4993 |
| Pitch Class Skewness |
0.1452 |
| Pitch Class Skewness After Folding |
1.126 |
| Pitch Kurtosis |
5.697 |
| Pitch Class Kurtosis |
4.779 |
| Pitch Class Kurtosis After Folding |
4.604 |
| Major or Minor |
0.0 |
| First Pitch |
60.0 |
| First Pitch Class |
0.0 |
| Last Pitch |
41.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.2577 |
| Note Density per Quarter Note |
1.488 |
| Note Density per Quarter Note per Voice |
0.2976 |
| Note Density per Quarter Note Variability |
0.5596 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.03069 |
| Prevalence of Medium Rhythmic Values |
0.5889 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.731 |
| Prevalence of Very Long Rhythmic Values |
0.07431 |
| Prevalence of Dotted Notes |
0.1066 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.787 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3199 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8106 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.03 |
| Rhythmic Value Skewness |
1.163 |
| Rhythmic Value Kurtosis |
11.51 |
| Mean Rhythmic Value Run Length |
1.731 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.256 |
| Mean Rhythmic Value Offset |
0.042 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.6905 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.5409 |
| Average Rest Fraction Across Voices |
0.1582 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
40.0 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
8.123 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
9.101 |
| Variability Across Voices of Combined Rests |
28.47 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
5.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5337 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2235 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.389 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7572 |
| Rhythmic Variability - Tempo Standardized |
0.04851 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
1238.0 |
| Initial Tempo |
120.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.799 |
| Minimum Note Duration |
0.25 |
| Maximum Note Duration |
14.0 |
| Average Note Duration |
1.414 |
| Variability of Note Durations |
1.159 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
120.0 |
| Strongest Rhythmic Pulse |
60.0 |
| Second Strongest Rhythmic Pulse |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.5337 |
| Strength of Second Strongest Rhythmic Pulse |
0.2235 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
2.389 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.7572 |
| Rhythmic Variability |
0.04851 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
416.0 |
| Note Density |
2.976 |
| Note Density Variability |
1.168 |
| Average Time Between Attacks |
0.7508 |
| Average Time Between Attacks for Each Voice |
1.64 |
| Variability of Time Between Attacks |
0.4425 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.4242 |
| Relative Range Isolation of Loudest Voice |
0.5597 |
| Relative Range of Highest Line |
0.4242 |
| Relative Note Density of Highest Line |
0.2746 |
| Relative Note Durations of Lowest Line |
1.252 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5556 |
| Voice Overlap |
0.8312 |
| Voice Separation |
5.25 |
| Variability of Voice Separation |
3.775 |
| Parallel Motion |
0.03601 |
| Average Number of Independent Voices |
4.209 |
| Similar Motion |
0.1314 |
| Contrary Motion |
0.1605 |
| Oblique Motion |
0.6721 |
| Parallel Fifths |
0.002527 |
| Parallel Octaves |
0.002527 |
| Variability of Number of Independent Voices |
0.8754 |
| Voice Equality - Number of Notes |
35.98 |
| Voice Equality - Note Duration |
14.24 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.4472 |
| Voice Equality - Range |
1.342 |
| Importance of Loudest Voice |
0.0 |