| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.204 |
| Prevalence of Second Most Common Vertical Interval |
0.1981 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9711 |
| Vertical Unisons |
0.043 |
| Vertical Minor Seconds |
0.0044 |
| Vertical Thirds |
0.3032 |
| Vertical Tritones |
0.01187 |
| Vertical Perfect Fourths |
0.1087 |
| Vertical Perfect Fifths |
0.1981 |
| Vertical Sixths |
0.1264 |
| Vertical Sevenths |
0.01797 |
| Vertical Octaves |
0.161 |
| Perfect Vertical Intervals |
0.5107 |
| Vertical Dissonance Ratio |
0.06353 |
| Vertical Minor Third Prevalence |
0.6035 |
| Vertical Major Third Prevalence |
0.5783 |
| Chord Duration |
1.13 |
| Partial Chords |
0.2149 |
| Standard Triads |
0.5701 |
| Diminished and Augmented Triads |
0.03143 |
| Dominant Seventh Chords |
0.002149 |
| Seventh Chords |
0.01908 |
| Non-Standard Chords |
0.1959 |
| Complex Chords |
0.002687 |
| Minor Major Triad Ratio |
1.496 |
| Average Number of Simultaneous Pitch Classes |
2.812 |
| Variability of Number of Simultaneous Pitch Classes |
0.5813 |
| Average Number of Simultaneous Pitches |
3.61 |
| Variability of Number of Simultaneous Pitches |
0.9049 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.23 |
| Stepwise Motion |
0.5812 |
| Melodic Thirds |
0.1199 |
| Melodic Perfect Fourths |
0.05977 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05345 |
| Melodic Sixths |
0.0007032 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01442 |
| Melodic Large Intervals |
0.0003516 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
3.608 |
| Melodic Embellishments |
0.01755 |
| Direction of Melodic Motion |
0.4962 |
| Average Length of Melodic Arcs |
1.854 |
| Average Interval Spanned by Melodic Arcs |
4.85 |
| Melodic Pitch Variety |
4.64 |
| Mean Melodic Interval |
2.177 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3513 |
| Relative Prevalence of Most Common Melodic Intervals |
0.6547 |
| Amount of Arpeggiation |
0.3579 |
| Repeated Notes |
0.1702 |
| Importance of Middle Register |
0.7831 |
| Importance of High Register |
0.008424 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.06 |
| Mean Pitch Class |
5.888 |
| Most Common Pitch |
64.0 |
| Most Common Pitch Class |
4.0 |
| Prevalence of Most Common Pitch |
0.1299 |
| Prevalence of Most Common Pitch Class |
0.218 |
| Relative Prevalence of Top Pitches |
0.9486 |
| Relative Prevalence of Top Pitch Classes |
0.9163 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.596 |
| Pitch Class Variability |
3.586 |
| Pitch Class Variability After Folding |
2.253 |
| Pitch Skewness |
0.2476 |
| Pitch Class Skewness |
-0.09396 |
| Pitch Class Skewness After Folding |
0.452 |
| Pitch Kurtosis |
5.639 |
| Pitch Class Kurtosis |
4.816 |
| Pitch Class Kurtosis After Folding |
7.573 |
| Major or Minor |
0.0 |
| First Pitch |
52.0 |
| First Pitch Class |
4.0 |
| Last Pitch |
45.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
27.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
34.0 |
| Importance of Bass Register |
0.2085 |
| Note Density per Quarter Note |
1.496 |
| Note Density per Quarter Note per Voice |
0.2993 |
| Note Density per Quarter Note Variability |
0.5428 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.01193 |
| Prevalence of Medium Rhythmic Values |
0.6883 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7803 |
| Prevalence of Very Long Rhythmic Values |
0.06002 |
| Prevalence of Dotted Notes |
0.09161 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.557 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4686 |
| Relative Prevalence of Most Common Rhythmic Values |
0.4434 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.702 |
| Rhythmic Value Skewness |
0.9813 |
| Rhythmic Value Kurtosis |
12.77 |
| Mean Rhythmic Value Run Length |
1.796 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.3 |
| Mean Rhythmic Value Offset |
0.01966 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.4736 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.7189 |
| Average Rest Fraction Across Voices |
0.2277 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
576.5 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
11.84 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
6.657 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
42.77 |
| Variability Across Voices of Combined Rests |
188.1 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5924 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2036 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.91 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7959 |
| Rhythmic Variability - Tempo Standardized |
0.05147 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
2849.0 |
| Initial Tempo |
120.0 |
| Average Variability of Time Between Attacks for Each Voice |
6.561 |
| Minimum Note Duration |
0.25 |
| Maximum Note Duration |
32.0 |
| Average Note Duration |
1.938 |
| Variability of Note Durations |
1.578 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
2.0 |
| Number of Moderate Rhythmic Pulses |
2.0 |
| Number of Relatively Strong Rhythmic Pulses |
2.0 |
| Mean Tempo |
89.87 |
| Strongest Rhythmic Pulse |
40.0 |
| Second Strongest Rhythmic Pulse |
80.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.7427 |
| Strength of Second Strongest Rhythmic Pulse |
0.2437 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
3.048 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9864 |
| Rhythmic Variability |
0.06149 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
30.0 |
| Duration in Seconds |
1430.0 |
| Note Density |
1.992 |
| Note Density Variability |
1.026 |
| Average Time Between Attacks |
1.132 |
| Average Time Between Attacks for Each Voice |
2.51 |
| Variability of Time Between Attacks |
0.6744 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.5 |
| Relative Range Isolation of Loudest Voice |
0.5879 |
| Relative Range of Highest Line |
0.5 |
| Relative Note Density of Highest Line |
0.1193 |
| Relative Note Durations of Lowest Line |
1.113 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5556 |
| Voice Overlap |
0.8424 |
| Voice Separation |
4.25 |
| Variability of Voice Separation |
3.096 |
| Parallel Motion |
0.04346 |
| Average Number of Independent Voices |
3.855 |
| Similar Motion |
0.1218 |
| Contrary Motion |
0.1577 |
| Oblique Motion |
0.677 |
| Parallel Fifths |
0.001873 |
| Parallel Octaves |
0.001873 |
| Variability of Number of Independent Voices |
0.9281 |
| Voice Equality - Number of Notes |
61.97 |
| Voice Equality - Note Duration |
141.3 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.4472 |
| Voice Equality - Range |
2.302 |
| Importance of Loudest Voice |
0.0 |