| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.3221 |
| Prevalence of Second Most Common Vertical Interval |
0.1769 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.5493 |
| Vertical Unisons |
0.1981 |
| Vertical Minor Seconds |
0.002304 |
| Vertical Thirds |
0.2482 |
| Vertical Tritones |
0.01067 |
| Vertical Perfect Fourths |
0.08817 |
| Vertical Perfect Fifths |
0.1769 |
| Vertical Sixths |
0.1156 |
| Vertical Sevenths |
0.01934 |
| Vertical Octaves |
0.124 |
| Perfect Vertical Intervals |
0.5872 |
| Vertical Dissonance Ratio |
0.05149 |
| Vertical Minor Third Prevalence |
0.4976 |
| Vertical Major Third Prevalence |
0.4343 |
| Chord Duration |
2.184 |
| Partial Chords |
0.3157 |
| Standard Triads |
0.5063 |
| Diminished and Augmented Triads |
0.02922 |
| Dominant Seventh Chords |
0.001744 |
| Seventh Chords |
0.01483 |
| Non-Standard Chords |
0.1631 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.497 |
| Average Number of Simultaneous Pitch Classes |
2.611 |
| Variability of Number of Simultaneous Pitch Classes |
0.6621 |
| Average Number of Simultaneous Pitches |
3.168 |
| Variability of Number of Simultaneous Pitches |
0.8372 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
27.0 |
| Variation of Dynamics |
1.305 |
| Variation of Dynamics In Each Voice |
0.5043 |
| Average Note to Note Change in Dynamics |
0.01264 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2225 |
| Stepwise Motion |
0.6103 |
| Melodic Thirds |
0.1347 |
| Melodic Perfect Fourths |
0.05728 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.02958 |
| Melodic Sixths |
0.0004695 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01268 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.986 |
| Melodic Embellishments |
0.01639 |
| Direction of Melodic Motion |
0.4672 |
| Average Length of Melodic Arcs |
1.927 |
| Average Interval Spanned by Melodic Arcs |
4.731 |
| Melodic Pitch Variety |
4.658 |
| Mean Melodic Interval |
2.086 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3878 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5738 |
| Amount of Arpeggiation |
0.3319 |
| Repeated Notes |
0.1549 |
| Importance of Middle Register |
0.7931 |
| Importance of High Register |
0.1648 |
| Dominant Spread |
4.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
64.27 |
| Mean Pitch Class |
5.194 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1189 |
| Prevalence of Most Common Pitch Class |
0.2392 |
| Relative Prevalence of Top Pitches |
0.9685 |
| Relative Prevalence of Top Pitch Classes |
0.8337 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.831 |
| Pitch Class Variability |
3.343 |
| Pitch Class Variability After Folding |
3.754 |
| Pitch Skewness |
-0.1271 |
| Pitch Class Skewness |
0.1739 |
| Pitch Class Skewness After Folding |
1.542 |
| Pitch Kurtosis |
5.218 |
| Pitch Class Kurtosis |
4.656 |
| Pitch Class Kurtosis After Folding |
5.277 |
| Major or Minor |
0.0 |
| First Pitch |
70.0 |
| First Pitch Class |
10.0 |
| Last Pitch |
55.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
31.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
34.0 |
| Importance of Bass Register |
0.04213 |
| Note Density per Quarter Note |
1.737 |
| Note Density per Quarter Note per Voice |
0.2894 |
| Note Density per Quarter Note Variability |
0.8488 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.009363 |
| Prevalence of Medium Rhythmic Values |
0.6695 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8226 |
| Prevalence of Very Long Rhythmic Values |
0.05712 |
| Prevalence of Dotted Notes |
0.08708 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.603 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.492 |
| Relative Prevalence of Most Common Rhythmic Values |
0.431 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.548 |
| Rhythmic Value Skewness |
1.169 |
| Rhythmic Value Kurtosis |
10.52 |
| Mean Rhythmic Value Run Length |
1.823 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.358 |
| Mean Rhythmic Value Offset |
0.009363 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.4327 |
| Complete Rests Fraction |
0.004008 |
| Partial Rests Fraction |
0.67 |
| Average Rest Fraction Across Voices |
0.2432 |
| Longest Complete Rest |
2.465 |
| Longest Partial Rest |
315.5 |
| Mean Complete Rest Duration |
2.465 |
| Mean Partial Rest Duration |
12.46 |
| Median Complete Rest Duration |
2.465 |
| Median Partial Rest Duration |
4.93 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
32.95 |
| Variability Across Voices of Combined Rests |
123.0 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6357 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1848 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.44 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8206 |
| Rhythmic Variability - Tempo Standardized |
0.05369 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
2136.0 |
| Initial Tempo |
120.0 |
| Average Variability of Time Between Attacks for Each Voice |
3.429 |
| Minimum Note Duration |
0.1667 |
| Maximum Note Duration |
10.67 |
| Average Note Duration |
1.061 |
| Variability of Note Durations |
0.7023 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
3.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
154.1 |
| Strongest Rhythmic Pulse |
74.0 |
| Second Strongest Rhythmic Pulse |
50.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.48 |
| Strength of Strongest Rhythmic Pulse |
0.6332 |
| Strength of Second Strongest Rhythmic Pulse |
0.1841 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
3.44 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.8172 |
| Rhythmic Variability |
0.05347 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
29.91 |
| Duration in Seconds |
499.0 |
| Note Density |
4.281 |
| Note Density Variability |
1.813 |
| Average Time Between Attacks |
0.6587 |
| Average Time Between Attacks for Each Voice |
1.389 |
| Variability of Time Between Attacks |
0.3517 |
| Maximum Number of Independent Voices |
6.0 |
| Relative Range of Loudest Voice |
0.4118 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.4118 |
| Relative Note Density of Highest Line |
0.2022 |
| Relative Note Durations of Lowest Line |
0.9781 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6 |
| Voice Overlap |
0.9757 |
| Voice Separation |
3.4 |
| Variability of Voice Separation |
3.13 |
| Parallel Motion |
0.06543 |
| Average Number of Independent Voices |
4.551 |
| Similar Motion |
0.124 |
| Contrary Motion |
0.1729 |
| Oblique Motion |
0.6377 |
| Parallel Fifths |
0.002755 |
| Parallel Octaves |
0.002066 |
| Variability of Number of Independent Voices |
1.381 |
| Voice Equality - Number of Notes |
55.05 |
| Voice Equality - Note Duration |
49.88 |
| Voice Equality - Dynamics |
0.4082 |
| Voice Equality - Melodic Leaps |
0.5164 |
| Voice Equality - Range |
2.28 |
| Importance of Loudest Voice |
0.2 |