| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2774 |
| Prevalence of Second Most Common Vertical Interval |
0.2083 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7507 |
| Vertical Unisons |
0.06873 |
| Vertical Minor Seconds |
0.002286 |
| Vertical Thirds |
0.2628 |
| Vertical Tritones |
0.00322 |
| Vertical Perfect Fourths |
0.1129 |
| Vertical Perfect Fifths |
0.2083 |
| Vertical Sixths |
0.1138 |
| Vertical Sevenths |
0.008073 |
| Vertical Octaves |
0.2087 |
| Perfect Vertical Intervals |
0.5985 |
| Vertical Dissonance Ratio |
0.02553 |
| Vertical Minor Third Prevalence |
0.6913 |
| Vertical Major Third Prevalence |
0.778 |
| Chord Duration |
2.004 |
| Partial Chords |
0.1216 |
| Standard Triads |
0.7463 |
| Diminished and Augmented Triads |
0.01528 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.011 |
| Non-Standard Chords |
0.121 |
| Complex Chords |
0.008557 |
| Minor Major Triad Ratio |
0.1327 |
| Average Number of Simultaneous Pitch Classes |
2.91 |
| Variability of Number of Simultaneous Pitch Classes |
0.5018 |
| Average Number of Simultaneous Pitches |
4.639 |
| Variability of Number of Simultaneous Pitches |
1.646 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1154 |
| Stepwise Motion |
0.3276 |
| Melodic Thirds |
0.08887 |
| Melodic Perfect Fourths |
0.08451 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.0503 |
| Melodic Sixths |
0.001006 |
| Melodic Sevenths |
0.0003353 |
| Melodic Octaves |
0.007713 |
| Melodic Large Intervals |
0.0003353 |
| Most Common Melodic Interval |
0.0 |
| Minor Major Melodic Third Ratio |
1.88 |
| Melodic Embellishments |
0.01304 |
| Direction of Melodic Motion |
0.5054 |
| Average Length of Melodic Arcs |
1.548 |
| Average Interval Spanned by Melodic Arcs |
4.723 |
| Melodic Pitch Variety |
3.259 |
| Mean Melodic Interval |
1.721 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.4393 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4832 |
| Amount of Arpeggiation |
0.5865 |
| Repeated Notes |
0.4393 |
| Importance of Middle Register |
0.7255 |
| Importance of High Register |
0.02909 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
60.21 |
| Mean Pitch Class |
4.692 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.1214 |
| Prevalence of Most Common Pitch Class |
0.238 |
| Relative Prevalence of Top Pitches |
0.8843 |
| Relative Prevalence of Top Pitch Classes |
0.9522 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.971 |
| Pitch Class Variability |
3.473 |
| Pitch Class Variability After Folding |
4.469 |
| Pitch Skewness |
0.2408 |
| Pitch Class Skewness |
-0.266 |
| Pitch Class Skewness After Folding |
1.047 |
| Pitch Kurtosis |
5.405 |
| Pitch Class Kurtosis |
4.757 |
| Pitch Class Kurtosis After Folding |
4.523 |
| Major or Minor |
0.0 |
| First Pitch |
60.0 |
| First Pitch Class |
0.0 |
| Last Pitch |
41.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
30.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
2.0 |
| Range |
37.0 |
| Importance of Bass Register |
0.2454 |
| Note Density per Quarter Note |
1.8 |
| Note Density per Quarter Note per Voice |
0.2 |
| Note Density per Quarter Note Variability |
1.452 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.6212 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.784 |
| Prevalence of Very Long Rhythmic Values |
0.09395 |
| Prevalence of Dotted Notes |
0.08191 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.921 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4052 |
| Relative Prevalence of Most Common Rhythmic Values |
0.5809 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.179 |
| Rhythmic Value Skewness |
1.268 |
| Rhythmic Value Kurtosis |
10.98 |
| Mean Rhythmic Value Run Length |
1.806 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.415 |
| Mean Rhythmic Value Offset |
0.1645 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.569 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.709 |
| Average Rest Fraction Across Voices |
0.3856 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
418.4 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
21.28 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
8.368 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
56.72 |
| Variability Across Voices of Combined Rests |
200.3 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5477 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2339 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.341 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7816 |
| Rhythmic Variability - Tempo Standardized |
0.04976 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
2991.0 |
| Initial Tempo |
180.0 |
| Average Variability of Time Between Attacks for Each Voice |
8.846 |
| Minimum Note Duration |
0.3333 |
| Maximum Note Duration |
16.83 |
| Average Note Duration |
1.469 |
| Variability of Note Durations |
1.478 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
3.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
127.9 |
| Strongest Rhythmic Pulse |
63.0 |
| Second Strongest Rhythmic Pulse |
42.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.5477 |
| Strength of Second Strongest Rhythmic Pulse |
0.2339 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
2.341 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.7816 |
| Rhythmic Variability |
0.04976 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
20.29 |
| Duration in Seconds |
794.5 |
| Note Density |
3.765 |
| Note Density Variability |
2.678 |
| Average Time Between Attacks |
0.9232 |
| Average Time Between Attacks for Each Voice |
2.426 |
| Variability of Time Between Attacks |
0.5724 |
| Maximum Number of Independent Voices |
9.0 |
| Relative Range of Loudest Voice |
0.3514 |
| Relative Range Isolation of Loudest Voice |
0.01718 |
| Relative Range of Highest Line |
0.3514 |
| Relative Note Density of Highest Line |
0.2136 |
| Relative Note Durations of Lowest Line |
0.9976 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8182 |
| Voice Overlap |
0.998 |
| Voice Separation |
2.875 |
| Variability of Voice Separation |
2.232 |
| Parallel Motion |
0.03365 |
| Average Number of Independent Voices |
5.554 |
| Similar Motion |
0.1959 |
| Contrary Motion |
0.1803 |
| Oblique Motion |
0.5901 |
| Parallel Fifths |
0.001202 |
| Parallel Octaves |
0.006611 |
| Variability of Number of Independent Voices |
2.525 |
| Voice Equality - Number of Notes |
64.09 |
| Voice Equality - Note Duration |
95.76 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.441 |
| Voice Equality - Range |
3.346 |
| Importance of Loudest Voice |
0.0 |