| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2134 |
| Prevalence of Second Most Common Vertical Interval |
0.1936 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9072 |
| Vertical Unisons |
0.03376 |
| Vertical Minor Seconds |
0.004762 |
| Vertical Thirds |
0.2797 |
| Vertical Tritones |
0.01778 |
| Vertical Perfect Fourths |
0.1288 |
| Vertical Perfect Fifths |
0.1936 |
| Vertical Sixths |
0.1152 |
| Vertical Sevenths |
0.01966 |
| Vertical Octaves |
0.1797 |
| Perfect Vertical Intervals |
0.5359 |
| Vertical Dissonance Ratio |
0.07431 |
| Vertical Minor Third Prevalence |
0.6863 |
| Vertical Major Third Prevalence |
0.7543 |
| Chord Duration |
1.756 |
| Partial Chords |
0.06797 |
| Standard Triads |
0.6586 |
| Diminished and Augmented Triads |
0.06094 |
| Dominant Seventh Chords |
0.01016 |
| Seventh Chords |
0.02773 |
| Non-Standard Chords |
0.2457 |
| Complex Chords |
0.01172 |
| Minor Major Triad Ratio |
0.1354 |
| Average Number of Simultaneous Pitch Classes |
3.037 |
| Variability of Number of Simultaneous Pitch Classes |
0.4417 |
| Average Number of Simultaneous Pitches |
4.278 |
| Variability of Number of Simultaneous Pitches |
1.066 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1994 |
| Stepwise Motion |
0.5826 |
| Melodic Thirds |
0.08171 |
| Melodic Perfect Fourths |
0.07504 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04973 |
| Melodic Sixths |
0.001332 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01599 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.667 |
| Melodic Embellishments |
0.01816 |
| Direction of Melodic Motion |
0.5055 |
| Average Length of Melodic Arcs |
1.928 |
| Average Interval Spanned by Melodic Arcs |
5.163 |
| Melodic Pitch Variety |
4.703 |
| Mean Melodic Interval |
2.168 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3832 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5203 |
| Amount of Arpeggiation |
0.341 |
| Repeated Notes |
0.1936 |
| Importance of Middle Register |
0.7852 |
| Importance of High Register |
0.09787 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
63.12 |
| Mean Pitch Class |
5.236 |
| Most Common Pitch |
65.0 |
| Most Common Pitch Class |
5.0 |
| Prevalence of Most Common Pitch |
0.1178 |
| Prevalence of Most Common Pitch Class |
0.1975 |
| Relative Prevalence of Top Pitches |
0.718 |
| Relative Prevalence of Top Pitch Classes |
0.8924 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.297 |
| Pitch Class Variability |
3.541 |
| Pitch Class Variability After Folding |
4.489 |
| Pitch Skewness |
-0.5233 |
| Pitch Class Skewness |
0.2004 |
| Pitch Class Skewness After Folding |
1.651 |
| Pitch Kurtosis |
5.387 |
| Pitch Class Kurtosis |
4.703 |
| Pitch Class Kurtosis After Folding |
4.216 |
| Major or Minor |
0.0 |
| First Pitch |
65.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
53.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
27.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.1169 |
| Note Density per Quarter Note |
1.764 |
| Note Density per Quarter Note per Voice |
0.294 |
| Note Density per Quarter Note Variability |
0.5977 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.007972 |
| Prevalence of Medium Rhythmic Values |
0.6661 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7449 |
| Prevalence of Very Long Rhythmic Values |
0.06112 |
| Prevalence of Dotted Notes |
0.1262 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.544 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.411 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6013 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.744 |
| Rhythmic Value Skewness |
0.9354 |
| Rhythmic Value Kurtosis |
13.09 |
| Mean Rhythmic Value Run Length |
1.654 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.201 |
| Mean Rhythmic Value Offset |
0.04074 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.9329 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.7051 |
| Average Rest Fraction Across Voices |
0.2397 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
77.88 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
13.95 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
9.984 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
14.68 |
| Variability Across Voices of Combined Rests |
72.74 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5273 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2543 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.074 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7816 |
| Rhythmic Variability - Tempo Standardized |
0.04884 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
2258.0 |
| Initial Tempo |
100.0 |
| Average Variability of Time Between Attacks for Each Voice |
3.284 |
| Minimum Note Duration |
0.3 |
| Maximum Note Duration |
21.6 |
| Average Note Duration |
1.554 |
| Variability of Note Durations |
1.303 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
2.0 |
| Number of Moderate Rhythmic Pulses |
2.0 |
| Number of Relatively Strong Rhythmic Pulses |
2.0 |
| Mean Tempo |
99.92 |
| Strongest Rhythmic Pulse |
50.0 |
| Second Strongest Rhythmic Pulse |
100.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.7029 |
| Strength of Second Strongest Rhythmic Pulse |
0.2831 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
2.483 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.986 |
| Rhythmic Variability |
0.05959 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
1.975 |
| Duration in Seconds |
769.2 |
| Note Density |
2.936 |
| Note Density Variability |
1.005 |
| Average Time Between Attacks |
0.9098 |
| Average Time Between Attacks for Each Voice |
2.008 |
| Variability of Time Between Attacks |
0.4082 |
| Maximum Number of Independent Voices |
6.0 |
| Relative Range of Loudest Voice |
0.4194 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.4194 |
| Relative Note Density of Highest Line |
0.1887 |
| Relative Note Durations of Lowest Line |
1.048 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6667 |
| Voice Overlap |
1.0 |
| Voice Separation |
3.8 |
| Variability of Voice Separation |
2.683 |
| Parallel Motion |
0.04548 |
| Average Number of Independent Voices |
4.559 |
| Similar Motion |
0.1527 |
| Contrary Motion |
0.1522 |
| Oblique Motion |
0.6496 |
| Parallel Fifths |
0.001915 |
| Parallel Octaves |
0.00383 |
| Variability of Number of Independent Voices |
1.108 |
| Voice Equality - Number of Notes |
35.27 |
| Voice Equality - Note Duration |
43.71 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.5477 |
| Voice Equality - Range |
3.92 |
| Importance of Loudest Voice |
0.0 |