| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2035 |
| Prevalence of Second Most Common Vertical Interval |
0.196 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9632 |
| Vertical Unisons |
0.01998 |
| Vertical Minor Seconds |
0.01124 |
| Vertical Thirds |
0.3134 |
| Vertical Tritones |
0.01623 |
| Vertical Perfect Fourths |
0.05743 |
| Vertical Perfect Fifths |
0.2035 |
| Vertical Sixths |
0.1848 |
| Vertical Sevenths |
0.03496 |
| Vertical Octaves |
0.1273 |
| Perfect Vertical Intervals |
0.4082 |
| Vertical Dissonance Ratio |
0.1033 |
| Vertical Minor Third Prevalence |
0.2391 |
| Vertical Major Third Prevalence |
0.3587 |
| Chord Duration |
1.519 |
| Partial Chords |
0.5741 |
| Standard Triads |
0.2747 |
| Diminished and Augmented Triads |
0.0 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.1512 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.543 |
| Average Number of Simultaneous Pitch Classes |
2.255 |
| Variability of Number of Simultaneous Pitch Classes |
0.6552 |
| Average Number of Simultaneous Pitches |
2.527 |
| Variability of Number of Simultaneous Pitches |
0.6073 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
4.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2559 |
| Stepwise Motion |
0.7299 |
| Melodic Thirds |
0.1564 |
| Melodic Perfect Fourths |
0.01896 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.0237 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.0 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.75 |
| Melodic Embellishments |
0.02336 |
| Direction of Melodic Motion |
0.4898 |
| Average Length of Melodic Arcs |
2.154 |
| Average Interval Spanned by Melodic Arcs |
4.495 |
| Melodic Pitch Variety |
4.674 |
| Mean Melodic Interval |
1.991 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4739 |
| Relative Prevalence of Most Common Melodic Intervals |
0.54 |
| Amount of Arpeggiation |
0.2512 |
| Repeated Notes |
0.07109 |
| Importance of Middle Register |
0.8785 |
| Importance of High Register |
0.009346 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
60.74 |
| Mean Pitch Class |
5.71 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1168 |
| Prevalence of Most Common Pitch Class |
0.1963 |
| Relative Prevalence of Top Pitches |
1.0 |
| Relative Prevalence of Top Pitch Classes |
0.8095 |
| Interval Between Most Prevalent Pitches |
3.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
5.695 |
| Pitch Class Variability |
3.708 |
| Pitch Class Variability After Folding |
3.012 |
| Pitch Skewness |
0.704 |
| Pitch Class Skewness |
0.5747 |
| Pitch Class Skewness After Folding |
0.5772 |
| Pitch Kurtosis |
5.406 |
| Pitch Class Kurtosis |
4.814 |
| Pitch Class Kurtosis After Folding |
7.243 |
| Major or Minor |
0.0 |
| First Pitch |
64.0 |
| First Pitch Class |
4.0 |
| Last Pitch |
52.0 |
| Last Pitch Class |
4.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
17.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
8.0 |
| Number of Common Pitches |
5.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
24.0 |
| Importance of Bass Register |
0.1121 |
| Note Density per Quarter Note |
1.163 |
| Note Density per Quarter Note per Voice |
0.3877 |
| Note Density per Quarter Note Variability |
0.5537 |
| Range of Rhythmic Values |
8.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.02804 |
| Prevalence of Medium Rhythmic Values |
0.7243 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.5888 |
| Prevalence of Very Long Rhythmic Values |
0.04206 |
| Prevalence of Dotted Notes |
0.07477 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
8.0 |
| Mean Rhythmic Value |
2.21 |
| Most Common Rhythmic Value |
1.0 |
| Prevalence of Most Common Rhythmic Value |
0.3832 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8171 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.574 |
| Rhythmic Value Skewness |
0.4007 |
| Rhythmic Value Kurtosis |
10.02 |
| Mean Rhythmic Value Run Length |
1.798 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.109 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.375 |
| Average Rest Fraction Across Voices |
0.1431 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
24.0 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
7.9 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
8.774 |
| Variability Across Voices of Combined Rests |
21.73 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
4.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.4461 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2711 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.646 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7171 |
| Rhythmic Variability - Tempo Standardized |
0.04576 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
214.0 |
| Initial Tempo |
120.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.175 |
| Minimum Note Duration |
0.25 |
| Maximum Note Duration |
4.0 |
| Average Note Duration |
1.105 |
| Variability of Note Durations |
0.7872 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
4.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
120.0 |
| Strongest Rhythmic Pulse |
60.0 |
| Second Strongest Rhythmic Pulse |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.4461 |
| Strength of Second Strongest Rhythmic Pulse |
0.2711 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.646 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.7171 |
| Rhythmic Variability |
0.04576 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
92.0 |
| Note Density |
2.326 |
| Note Density Variability |
1.007 |
| Average Time Between Attacks |
0.7086 |
| Average Time Between Attacks for Each Voice |
1.229 |
| Variability of Time Between Attacks |
0.4293 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.5833 |
| Relative Range Isolation of Loudest Voice |
0.6981 |
| Relative Range of Highest Line |
0.5833 |
| Relative Note Density of Highest Line |
0.9533 |
| Relative Note Durations of Lowest Line |
0.9789 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6 |
| Voice Overlap |
0.715 |
| Voice Separation |
6.5 |
| Variability of Voice Separation |
0.7071 |
| Parallel Motion |
0.05236 |
| Average Number of Independent Voices |
2.571 |
| Similar Motion |
0.09948 |
| Contrary Motion |
0.2251 |
| Oblique Motion |
0.623 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.5947 |
| Voice Equality - Number of Notes |
18.5 |
| Voice Equality - Note Duration |
10.87 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
1.155 |
| Importance of Loudest Voice |
0.0 |