| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2986 |
| Prevalence of Second Most Common Vertical Interval |
0.1886 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.6316 |
| Vertical Unisons |
0.08959 |
| Vertical Minor Seconds |
0.003233 |
| Vertical Thirds |
0.2693 |
| Vertical Tritones |
0.003318 |
| Vertical Perfect Fourths |
0.09775 |
| Vertical Perfect Fifths |
0.1886 |
| Vertical Sixths |
0.1088 |
| Vertical Sevenths |
0.01191 |
| Vertical Octaves |
0.209 |
| Perfect Vertical Intervals |
0.585 |
| Vertical Dissonance Ratio |
0.03834 |
| Vertical Minor Third Prevalence |
0.8772 |
| Vertical Major Third Prevalence |
0.8772 |
| Chord Duration |
1.912 |
| Partial Chords |
0.01786 |
| Standard Triads |
0.7545 |
| Diminished and Augmented Triads |
0.02679 |
| Dominant Seventh Chords |
0.008929 |
| Seventh Chords |
0.02679 |
| Non-Standard Chords |
0.2009 |
| Complex Chords |
0.03125 |
| Minor Major Triad Ratio |
0.06962 |
| Average Number of Simultaneous Pitch Classes |
3.163 |
| Variability of Number of Simultaneous Pitch Classes |
0.4844 |
| Average Number of Simultaneous Pitches |
6.065 |
| Variability of Number of Simultaneous Pitches |
1.526 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1131 |
| Stepwise Motion |
0.3615 |
| Melodic Thirds |
0.08917 |
| Melodic Perfect Fourths |
0.08439 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05732 |
| Melodic Sixths |
0.004777 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01911 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
0.0 |
| Minor Major Melodic Third Ratio |
1.545 |
| Melodic Embellishments |
0.01406 |
| Direction of Melodic Motion |
0.4729 |
| Average Length of Melodic Arcs |
1.879 |
| Average Interval Spanned by Melodic Arcs |
5.83 |
| Melodic Pitch Variety |
3.852 |
| Mean Melodic Interval |
2.006 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3838 |
| Relative Prevalence of Most Common Melodic Intervals |
0.6473 |
| Amount of Arpeggiation |
0.5494 |
| Repeated Notes |
0.3838 |
| Importance of Middle Register |
0.7484 |
| Importance of High Register |
0.09063 |
| Dominant Spread |
3.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
61.5 |
| Mean Pitch Class |
5.717 |
| Most Common Pitch |
67.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1344 |
| Prevalence of Most Common Pitch Class |
0.2781 |
| Relative Prevalence of Top Pitches |
0.7791 |
| Relative Prevalence of Top Pitch Classes |
0.8483 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
8.368 |
| Pitch Class Variability |
3.471 |
| Pitch Class Variability After Folding |
1.843 |
| Pitch Skewness |
0.001681 |
| Pitch Class Skewness |
-1.109 |
| Pitch Class Skewness After Folding |
0.9386 |
| Pitch Kurtosis |
5.491 |
| Pitch Class Kurtosis |
4.872 |
| Pitch Class Kurtosis After Folding |
5.267 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
23.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
2.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.1609 |
| Note Density per Quarter Note |
2.857 |
| Note Density per Quarter Note per Voice |
0.2381 |
| Note Density per Quarter Note Variability |
1.464 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.00625 |
| Prevalence of Medium Rhythmic Values |
0.6078 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7719 |
| Prevalence of Very Long Rhythmic Values |
0.08594 |
| Prevalence of Dotted Notes |
0.08594 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.873 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3797 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6626 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.079 |
| Rhythmic Value Skewness |
1.26 |
| Rhythmic Value Kurtosis |
11.2 |
| Mean Rhythmic Value Run Length |
1.702 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.015 |
| Mean Rhythmic Value Offset |
0.1313 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.144 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.6071 |
| Average Rest Fraction Across Voices |
0.2846 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
44.0 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
10.48 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
8.0 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
11.5 |
| Variability Across Voices of Combined Rests |
11.91 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5934 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2142 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.771 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8076 |
| Rhythmic Variability - Tempo Standardized |
0.05163 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
640.0 |
| Initial Tempo |
120.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.834 |
| Minimum Note Duration |
0.25 |
| Maximum Note Duration |
12.0 |
| Average Note Duration |
1.502 |
| Variability of Note Durations |
1.417 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
3.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
120.0 |
| Strongest Rhythmic Pulse |
60.0 |
| Second Strongest Rhythmic Pulse |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.5934 |
| Strength of Second Strongest Rhythmic Pulse |
0.2142 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
2.771 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.8076 |
| Rhythmic Variability |
0.05163 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
112.0 |
| Note Density |
5.714 |
| Note Density Variability |
2.885 |
| Average Time Between Attacks |
0.7287 |
| Average Time Between Attacks for Each Voice |
1.972 |
| Variability of Time Between Attacks |
0.3729 |
| Maximum Number of Independent Voices |
12.0 |
| Relative Range of Loudest Voice |
0.2727 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.2727 |
| Relative Note Density of Highest Line |
1.369 |
| Relative Note Durations of Lowest Line |
1.137 |
| Relative Size of Melodic Intervals in Lowest Line |
0.0 |
| Voice Overlap |
1.0 |
| Voice Separation |
2.273 |
| Variability of Voice Separation |
1.794 |
| Parallel Motion |
0.04244 |
| Average Number of Independent Voices |
8.585 |
| Similar Motion |
0.2202 |
| Contrary Motion |
0.1485 |
| Oblique Motion |
0.5889 |
| Parallel Fifths |
0.005305 |
| Parallel Octaves |
0.01326 |
| Variability of Number of Independent Voices |
3.221 |
| Voice Equality - Number of Notes |
8.742 |
| Voice Equality - Note Duration |
5.955 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
1.087 |
| Voice Equality - Range |
2.275 |
| Importance of Loudest Voice |
0.0 |