| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2793 |
| Prevalence of Second Most Common Vertical Interval |
0.2081 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7451 |
| Vertical Unisons |
0.07776 |
| Vertical Minor Seconds |
0.003076 |
| Vertical Thirds |
0.246 |
| Vertical Tritones |
0.001656 |
| Vertical Perfect Fourths |
0.1171 |
| Vertical Perfect Fifths |
0.2081 |
| Vertical Sixths |
0.1117 |
| Vertical Sevenths |
0.01124 |
| Vertical Octaves |
0.2015 |
| Perfect Vertical Intervals |
0.6044 |
| Vertical Dissonance Ratio |
0.03943 |
| Vertical Minor Third Prevalence |
0.7514 |
| Vertical Major Third Prevalence |
0.8388 |
| Chord Duration |
2.612 |
| Partial Chords |
0.04775 |
| Standard Triads |
0.7514 |
| Diminished and Augmented Triads |
0.01124 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0309 |
| Non-Standard Chords |
0.1699 |
| Complex Chords |
0.02528 |
| Minor Major Triad Ratio |
0.1077 |
| Average Number of Simultaneous Pitch Classes |
3.061 |
| Variability of Number of Simultaneous Pitch Classes |
0.6031 |
| Average Number of Simultaneous Pitches |
5.224 |
| Variability of Number of Simultaneous Pitches |
1.692 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.07702 |
| Stepwise Motion |
0.2563 |
| Melodic Thirds |
0.1227 |
| Melodic Perfect Fourths |
0.09146 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04573 |
| Melodic Sixths |
0.002407 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.00722 |
| Melodic Large Intervals |
0.001203 |
| Most Common Melodic Interval |
0.0 |
| Minor Major Melodic Third Ratio |
1.429 |
| Melodic Embellishments |
0.03095 |
| Direction of Melodic Motion |
0.5183 |
| Average Length of Melodic Arcs |
1.833 |
| Average Interval Spanned by Melodic Arcs |
5.954 |
| Melodic Pitch Variety |
3.192 |
| Mean Melodic Interval |
1.761 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.4729 |
| Relative Prevalence of Most Common Melodic Intervals |
0.3791 |
| Amount of Arpeggiation |
0.6486 |
| Repeated Notes |
0.4729 |
| Importance of Middle Register |
0.731 |
| Importance of High Register |
0.01905 |
| Dominant Spread |
3.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
60.35 |
| Mean Pitch Class |
4.437 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.1524 |
| Prevalence of Most Common Pitch Class |
0.3012 |
| Relative Prevalence of Top Pitches |
0.6719 |
| Relative Prevalence of Top Pitch Classes |
0.7075 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
8.17 |
| Pitch Class Variability |
3.556 |
| Pitch Class Variability After Folding |
4.488 |
| Pitch Skewness |
0.2286 |
| Pitch Class Skewness |
-0.4751 |
| Pitch Class Skewness After Folding |
0.841 |
| Pitch Kurtosis |
5.394 |
| Pitch Class Kurtosis |
4.691 |
| Pitch Class Kurtosis After Folding |
4.636 |
| Major or Minor |
0.0 |
| First Pitch |
72.0 |
| First Pitch Class |
0.0 |
| Last Pitch |
41.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
2.0 |
| Range |
36.0 |
| Importance of Bass Register |
0.25 |
| Note Density per Quarter Note |
2.295 |
| Note Density per Quarter Note per Voice |
0.255 |
| Note Density per Quarter Note Variability |
1.299 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.00119 |
| Prevalence of Medium Rhythmic Values |
0.6762 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7738 |
| Prevalence of Very Long Rhythmic Values |
0.1167 |
| Prevalence of Dotted Notes |
0.09286 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.798 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.45 |
| Relative Prevalence of Most Common Rhythmic Values |
0.4974 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.033 |
| Rhythmic Value Skewness |
1.177 |
| Rhythmic Value Kurtosis |
10.82 |
| Mean Rhythmic Value Run Length |
1.863 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.333 |
| Mean Rhythmic Value Offset |
0.09048 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.9624 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.5337 |
| Average Rest Fraction Across Voices |
0.2693 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
106.4 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
15.56 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
4.171 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
26.69 |
| Variability Across Voices of Combined Rests |
27.85 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6157 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1945 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.166 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8102 |
| Rhythmic Variability - Tempo Standardized |
0.05274 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
840.0 |
| Initial Tempo |
120.0 |
| Average Variability of Time Between Attacks for Each Voice |
3.481 |
| Minimum Note Duration |
0.1667 |
| Maximum Note Duration |
12.0 |
| Average Note Duration |
1.374 |
| Variability of Note Durations |
1.288 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
3.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
128.0 |
| Strongest Rhythmic Pulse |
63.0 |
| Second Strongest Rhythmic Pulse |
125.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.984 |
| Strength of Strongest Rhythmic Pulse |
0.6157 |
| Strength of Second Strongest Rhythmic Pulse |
0.1945 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
3.166 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.8102 |
| Rhythmic Variability |
0.05274 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
21.37 |
| Duration in Seconds |
175.5 |
| Note Density |
4.786 |
| Note Density Variability |
2.874 |
| Average Time Between Attacks |
0.7077 |
| Average Time Between Attacks for Each Voice |
1.742 |
| Variability of Time Between Attacks |
0.3374 |
| Maximum Number of Independent Voices |
9.0 |
| Relative Range of Loudest Voice |
0.3333 |
| Relative Range Isolation of Loudest Voice |
0.02564 |
| Relative Range of Highest Line |
0.3333 |
| Relative Note Density of Highest Line |
0.75 |
| Relative Note Durations of Lowest Line |
1.424 |
| Relative Size of Melodic Intervals in Lowest Line |
0.75 |
| Voice Overlap |
0.9917 |
| Voice Separation |
2.75 |
| Variability of Voice Separation |
1.581 |
| Parallel Motion |
0.02412 |
| Average Number of Independent Voices |
6.628 |
| Similar Motion |
0.1732 |
| Contrary Motion |
0.08553 |
| Oblique Motion |
0.7171 |
| Parallel Fifths |
0.002193 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
2.623 |
| Voice Equality - Number of Notes |
16.14 |
| Voice Equality - Note Duration |
13.35 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
3.444 |
| Importance of Loudest Voice |
0.0 |