| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.1976 |
| Prevalence of Second Most Common Vertical Interval |
0.1907 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9651 |
| Vertical Unisons |
0.03073 |
| Vertical Minor Seconds |
0.002649 |
| Vertical Thirds |
0.3241 |
| Vertical Tritones |
0.02084 |
| Vertical Perfect Fourths |
0.09979 |
| Vertical Perfect Fifths |
0.1976 |
| Vertical Sixths |
0.1206 |
| Vertical Sevenths |
0.01819 |
| Vertical Octaves |
0.16 |
| Perfect Vertical Intervals |
0.4882 |
| Vertical Dissonance Ratio |
0.07194 |
| Vertical Minor Third Prevalence |
0.4333 |
| Vertical Major Third Prevalence |
0.4649 |
| Chord Duration |
2.075 |
| Partial Chords |
0.2835 |
| Standard Triads |
0.5 |
| Diminished and Augmented Triads |
0.05882 |
| Dominant Seventh Chords |
0.001634 |
| Seventh Chords |
0.01634 |
| Non-Standard Chords |
0.2002 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.3421 |
| Average Number of Simultaneous Pitch Classes |
2.466 |
| Variability of Number of Simultaneous Pitch Classes |
0.7788 |
| Average Number of Simultaneous Pitches |
3.04 |
| Variability of Number of Simultaneous Pitches |
1.068 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2255 |
| Stepwise Motion |
0.5966 |
| Melodic Thirds |
0.1695 |
| Melodic Perfect Fourths |
0.04202 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03782 |
| Melodic Sixths |
0.007003 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.005602 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.951 |
| Melodic Embellishments |
0.03203 |
| Direction of Melodic Motion |
0.4796 |
| Average Length of Melodic Arcs |
1.803 |
| Average Interval Spanned by Melodic Arcs |
4.426 |
| Melodic Pitch Variety |
4.522 |
| Mean Melodic Interval |
2.132 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3711 |
| Relative Prevalence of Most Common Melodic Intervals |
0.6075 |
| Amount of Arpeggiation |
0.3543 |
| Repeated Notes |
0.1415 |
| Importance of Middle Register |
0.8134 |
| Importance of High Register |
0.04318 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
62.41 |
| Mean Pitch Class |
5.138 |
| Most Common Pitch |
65.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.11 |
| Prevalence of Most Common Pitch Class |
0.1769 |
| Relative Prevalence of Top Pitches |
0.9367 |
| Relative Prevalence of Top Pitch Classes |
0.9764 |
| Interval Between Most Prevalent Pitches |
4.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.819 |
| Pitch Class Variability |
3.48 |
| Pitch Class Variability After Folding |
3.729 |
| Pitch Skewness |
-0.4994 |
| Pitch Class Skewness |
0.1189 |
| Pitch Class Skewness After Folding |
0.7585 |
| Pitch Kurtosis |
5.472 |
| Pitch Class Kurtosis |
4.917 |
| Pitch Class Kurtosis After Folding |
5.64 |
| Major or Minor |
0.0 |
| First Pitch |
67.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
45.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
24.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
32.0 |
| Importance of Bass Register |
0.1435 |
| Note Density per Quarter Note |
0.9755 |
| Note Density per Quarter Note per Voice |
0.2439 |
| Note Density per Quarter Note Variability |
0.5145 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.005571 |
| Prevalence of Medium Rhythmic Values |
0.5613 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8607 |
| Prevalence of Very Long Rhythmic Values |
0.1253 |
| Prevalence of Dotted Notes |
0.1086 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.16 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.422 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6073 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.131 |
| Rhythmic Value Skewness |
1.633 |
| Rhythmic Value Kurtosis |
9.482 |
| Mean Rhythmic Value Run Length |
1.681 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.313 |
| Mean Rhythmic Value Offset |
0.039 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.3933 |
| Complete Rests Fraction |
0.01223 |
| Partial Rests Fraction |
0.4783 |
| Average Rest Fraction Across Voices |
0.2198 |
| Longest Complete Rest |
4.0 |
| Longest Partial Rest |
104.0 |
| Mean Complete Rest Duration |
3.0 |
| Mean Partial Rest Duration |
12.94 |
| Median Complete Rest Duration |
4.0 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
1.732 |
| Variability of Partial Rest Durations |
23.29 |
| Variability Across Voices of Combined Rests |
94.57 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.675 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1719 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.927 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8469 |
| Rhythmic Variability - Tempo Standardized |
0.05601 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
718.0 |
| Initial Tempo |
120.0 |
| Average Variability of Time Between Attacks for Each Voice |
3.366 |
| Minimum Note Duration |
0.25 |
| Maximum Note Duration |
8.0 |
| Average Note Duration |
1.6 |
| Variability of Note Durations |
1.16 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
3.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
120.0 |
| Strongest Rhythmic Pulse |
60.0 |
| Second Strongest Rhythmic Pulse |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.675 |
| Strength of Second Strongest Rhythmic Pulse |
0.1719 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
3.927 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.8469 |
| Rhythmic Variability |
0.05601 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
368.0 |
| Note Density |
1.951 |
| Note Density Variability |
0.9357 |
| Average Time Between Attacks |
0.9135 |
| Average Time Between Attacks for Each Voice |
1.987 |
| Variability of Time Between Attacks |
0.4691 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4062 |
| Relative Range Isolation of Loudest Voice |
0.5 |
| Relative Range of Highest Line |
0.4062 |
| Relative Note Density of Highest Line |
0.39 |
| Relative Note Durations of Lowest Line |
1.181 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5714 |
| Voice Overlap |
0.7799 |
| Voice Separation |
6.0 |
| Variability of Voice Separation |
2.0 |
| Parallel Motion |
0.03067 |
| Average Number of Independent Voices |
3.16 |
| Similar Motion |
0.1253 |
| Contrary Motion |
0.168 |
| Oblique Motion |
0.676 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
1.085 |
| Voice Equality - Number of Notes |
36.74 |
| Voice Equality - Note Duration |
47.28 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
0.9574 |
| Importance of Loudest Voice |
0.0 |