Distance Between Two Most Common Vertical Intervals |
3.0 |
Prevalence of Most Common Vertical Interval |
0.2121 |
Prevalence of Second Most Common Vertical Interval |
0.1969 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.9282 |
Vertical Unisons |
0.01806 |
Vertical Minor Seconds |
0.002176 |
Vertical Thirds |
0.359 |
Vertical Tritones |
0.006092 |
Vertical Perfect Fourths |
0.1022 |
Vertical Perfect Fifths |
0.2121 |
Vertical Sixths |
0.1349 |
Vertical Sevenths |
0.01012 |
Vertical Octaves |
0.1445 |
Perfect Vertical Intervals |
0.4768 |
Vertical Dissonance Ratio |
0.03015 |
Vertical Minor Third Prevalence |
0.5654 |
Vertical Major Third Prevalence |
0.6587 |
Chord Duration |
1.392 |
Partial Chords |
0.2035 |
Standard Triads |
0.6881 |
Diminished and Augmented Triads |
0.02364 |
Dominant Seventh Chords |
0.0 |
Seventh Chords |
0.01285 |
Non-Standard Chords |
0.09558 |
Complex Chords |
0.0 |
Minor Major Triad Ratio |
0.6429 |
Average Number of Simultaneous Pitch Classes |
2.802 |
Variability of Number of Simultaneous Pitch Classes |
0.4931 |
Average Number of Simultaneous Pitches |
3.455 |
Variability of Number of Simultaneous Pitches |
0.7238 |
Most Common Vertical Interval |
7.0 |
Second Most Common Vertical Interval |
4.0 |
Dynamic Range |
0.0 |
Variation of Dynamics |
0.0 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
1.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
0.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
0.0 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
1.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.2321 |
Stepwise Motion |
0.5205 |
Melodic Thirds |
0.09859 |
Melodic Perfect Fourths |
0.05902 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.04158 |
Melodic Sixths |
0.002012 |
Melodic Sevenths |
0.0 |
Melodic Octaves |
0.007378 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
3.2 |
Melodic Embellishments |
0.004013 |
Direction of Melodic Motion |
0.4903 |
Average Length of Melodic Arcs |
1.842 |
Average Interval Spanned by Melodic Arcs |
4.588 |
Melodic Pitch Variety |
4.443 |
Mean Melodic Interval |
1.82 |
Number of Common Melodic Intervals |
3.0 |
Distance Between Most Prevalent Melodic Intervals |
2.0 |
Prevalence of Most Common Melodic Interval |
0.2884 |
Relative Prevalence of Most Common Melodic Intervals |
0.9395 |
Amount of Arpeggiation |
0.4185 |
Repeated Notes |
0.271 |
Importance of Middle Register |
0.8154 |
Importance of High Register |
0.009365 |
Dominant Spread |
7.0 |
Strong Tonal Centres |
2.0 |
Mean Pitch |
59.93 |
Mean Pitch Class |
5.376 |
Most Common Pitch |
64.0 |
Most Common Pitch Class |
9.0 |
Prevalence of Most Common Pitch |
0.1298 |
Prevalence of Most Common Pitch Class |
0.202 |
Relative Prevalence of Top Pitches |
0.8969 |
Relative Prevalence of Top Pitch Classes |
0.8974 |
Interval Between Most Prevalent Pitches |
7.0 |
Interval Between Most Prevalent Pitch Classes |
5.0 |
Pitch Variability |
6.396 |
Pitch Class Variability |
3.497 |
Pitch Class Variability After Folding |
3.066 |
Pitch Skewness |
0.2137 |
Pitch Class Skewness |
0.3225 |
Pitch Class Skewness After Folding |
0.7344 |
Pitch Kurtosis |
5.607 |
Pitch Class Kurtosis |
4.807 |
Pitch Class Kurtosis After Folding |
6.664 |
Major or Minor |
0.0 |
First Pitch |
64.0 |
First Pitch Class |
4.0 |
Last Pitch |
52.0 |
Last Pitch Class |
4.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
28.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
11.0 |
Number of Common Pitches |
3.0 |
Number of Common Pitch Classes |
1.0 |
Range |
33.0 |
Importance of Bass Register |
0.1753 |
Note Density per Quarter Note |
1.504 |
Note Density per Quarter Note per Voice |
0.376 |
Note Density per Quarter Note Variability |
0.5864 |
Range of Rhythmic Values |
9.0 |
Number of Different Rhythmic Values Present |
8.0 |
Number of Common Rhythmic Values Present |
3.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.004013 |
Prevalence of Medium Rhythmic Values |
0.7472 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.7993 |
Prevalence of Very Long Rhythmic Values |
0.02207 |
Prevalence of Dotted Notes |
0.07692 |
Shortest Rhythmic Value |
0.5 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
2.326 |
Most Common Rhythmic Value |
2.0 |
Prevalence of Most Common Rhythmic Value |
0.5465 |
Relative Prevalence of Most Common Rhythmic Values |
0.3599 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
1.316 |
Rhythmic Value Skewness |
0.7441 |
Rhythmic Value Kurtosis |
18.63 |
Mean Rhythmic Value Run Length |
1.846 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
1.424 |
Mean Rhythmic Value Offset |
0.008027 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.1791 |
Complete Rests Fraction |
0.005358 |
Partial Rests Fraction |
0.3362 |
Average Rest Fraction Across Voices |
0.1132 |
Longest Complete Rest |
1.332 |
Longest Partial Rest |
34.62 |
Mean Complete Rest Duration |
1.332 |
Mean Partial Rest Duration |
6.619 |
Median Complete Rest Duration |
1.332 |
Median Partial Rest Duration |
2.663 |
Duple Initial Meter |
0.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
7.75 |
Variability Across Voices of Combined Rests |
21.92 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6022 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2126 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.833 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8148 |
Rhythmic Variability - Tempo Standardized |
0.05211 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
0.6667 |
Quadruple Initial Meter |
1.0 |
Metrical Diversity |
2.0 |
Total Number of Notes |
1495.0 |
Initial Tempo |
120.0 |
Average Variability of Time Between Attacks for Each Voice |
2.195 |
Minimum Note Duration |
0.5 |
Maximum Note Duration |
12.0 |
Average Note Duration |
1.771 |
Variability of Note Durations |
1.201 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
2.0 |
Number of Moderate Rhythmic Pulses |
2.0 |
Number of Relatively Strong Rhythmic Pulses |
2.0 |
Mean Tempo |
89.88 |
Strongest Rhythmic Pulse |
40.0 |
Second Strongest Rhythmic Pulse |
80.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
Strength of Strongest Rhythmic Pulse |
0.765 |
Strength of Second Strongest Rhythmic Pulse |
0.2303 |
Strength Ratio of Two Strongest Rhythmic Pulses |
3.322 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.9952 |
Rhythmic Variability |
0.06285 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
1.0 |
Tempo Variability |
30.0 |
Duration in Seconds |
746.5 |
Note Density |
2.003 |
Note Density Variability |
0.9233 |
Average Time Between Attacks |
1.283 |
Average Time Between Attacks for Each Voice |
1.965 |
Variability of Time Between Attacks |
0.6742 |
Maximum Number of Independent Voices |
4.0 |
Relative Range of Loudest Voice |
0.4848 |
Relative Range Isolation of Loudest Voice |
0.2373 |
Relative Range of Highest Line |
0.4848 |
Relative Note Density of Highest Line |
0.1819 |
Relative Note Durations of Lowest Line |
1.003 |
Relative Size of Melodic Intervals in Lowest Line |
0.8 |
Voice Overlap |
0.9003 |
Voice Separation |
5.333 |
Variability of Voice Separation |
1.155 |
Parallel Motion |
0.08248 |
Average Number of Independent Voices |
3.54 |
Similar Motion |
0.1956 |
Contrary Motion |
0.2219 |
Oblique Motion |
0.5 |
Parallel Fifths |
0.00219 |
Parallel Octaves |
0.00146 |
Variability of Number of Independent Voices |
0.6926 |
Voice Equality - Number of Notes |
18.55 |
Voice Equality - Note Duration |
16.46 |
Voice Equality - Dynamics |
0.0 |
Voice Equality - Melodic Leaps |
0.5 |
Voice Equality - Range |
1.5 |
Importance of Loudest Voice |
0.0 |