| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2703 |
| Prevalence of Second Most Common Vertical Interval |
0.2121 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7848 |
| Vertical Unisons |
0.0585 |
| Vertical Minor Seconds |
0.002369 |
| Vertical Thirds |
0.2697 |
| Vertical Tritones |
0.002369 |
| Vertical Perfect Fourths |
0.1122 |
| Vertical Perfect Fifths |
0.2121 |
| Vertical Sixths |
0.1107 |
| Vertical Sevenths |
0.007619 |
| Vertical Octaves |
0.2118 |
| Perfect Vertical Intervals |
0.5947 |
| Vertical Dissonance Ratio |
0.02559 |
| Vertical Minor Third Prevalence |
0.6233 |
| Vertical Major Third Prevalence |
0.7465 |
| Chord Duration |
2.115 |
| Partial Chords |
0.127 |
| Standard Triads |
0.7593 |
| Diminished and Augmented Triads |
0.007105 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.003552 |
| Non-Standard Chords |
0.1101 |
| Complex Chords |
0.005329 |
| Minor Major Triad Ratio |
0.2935 |
| Average Number of Simultaneous Pitch Classes |
2.872 |
| Variability of Number of Simultaneous Pitch Classes |
0.4991 |
| Average Number of Simultaneous Pitches |
4.451 |
| Variability of Number of Simultaneous Pitches |
1.558 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1538 |
| Stepwise Motion |
0.3863 |
| Melodic Thirds |
0.0982 |
| Melodic Perfect Fourths |
0.07365 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05892 |
| Melodic Sixths |
0.00491 |
| Melodic Sevenths |
0.0008183 |
| Melodic Octaves |
0.01227 |
| Melodic Large Intervals |
0.0008183 |
| Most Common Melodic Interval |
0.0 |
| Minor Major Melodic Third Ratio |
2.077 |
| Melodic Embellishments |
0.0122 |
| Direction of Melodic Motion |
0.4698 |
| Average Length of Melodic Arcs |
1.615 |
| Average Interval Spanned by Melodic Arcs |
4.834 |
| Melodic Pitch Variety |
3.946 |
| Mean Melodic Interval |
1.935 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3642 |
| Relative Prevalence of Most Common Melodic Intervals |
0.6382 |
| Amount of Arpeggiation |
0.5344 |
| Repeated Notes |
0.3642 |
| Importance of Middle Register |
0.722 |
| Importance of High Register |
0.06098 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
60.53 |
| Mean Pitch Class |
5.914 |
| Most Common Pitch |
66.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1106 |
| Prevalence of Most Common Pitch Class |
0.2089 |
| Relative Prevalence of Top Pitches |
0.8676 |
| Relative Prevalence of Top Pitch Classes |
0.7821 |
| Interval Between Most Prevalent Pitches |
4.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.865 |
| Pitch Class Variability |
3.373 |
| Pitch Class Variability After Folding |
1.996 |
| Pitch Skewness |
-0.4087 |
| Pitch Class Skewness |
-0.07664 |
| Pitch Class Skewness After Folding |
-0.3201 |
| Pitch Kurtosis |
5.516 |
| Pitch Class Kurtosis |
4.706 |
| Pitch Class Kurtosis After Folding |
5.596 |
| Major or Minor |
0.0 |
| First Pitch |
57.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
38.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
30.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
38.0 |
| Importance of Bass Register |
0.2171 |
| Note Density per Quarter Note |
2.135 |
| Note Density per Quarter Note per Voice |
0.2669 |
| Note Density per Quarter Note Variability |
1.157 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0122 |
| Prevalence of Medium Rhythmic Values |
0.7447 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.6894 |
| Prevalence of Very Long Rhythmic Values |
0.05122 |
| Prevalence of Dotted Notes |
0.06423 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.354 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4341 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6704 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.667 |
| Rhythmic Value Skewness |
0.6378 |
| Rhythmic Value Kurtosis |
12.51 |
| Mean Rhythmic Value Run Length |
1.671 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.004 |
| Mean Rhythmic Value Offset |
0.03577 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.814 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.669 |
| Average Rest Fraction Across Voices |
0.3605 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
130.5 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
14.7 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
6.021 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
22.98 |
| Variability Across Voices of Combined Rests |
45.08 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5254 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2299 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.286 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7553 |
| Rhythmic Variability - Tempo Standardized |
0.04841 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1230.0 |
| Initial Tempo |
100.0 |
| Average Variability of Time Between Attacks for Each Voice |
5.077 |
| Minimum Note Duration |
0.3 |
| Maximum Note Duration |
19.2 |
| Average Note Duration |
1.433 |
| Variability of Note Durations |
1.217 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
2.0 |
| Number of Moderate Rhythmic Pulses |
4.0 |
| Number of Relatively Strong Rhythmic Pulses |
2.0 |
| Mean Tempo |
100.9 |
| Strongest Rhythmic Pulse |
51.0 |
| Second Strongest Rhythmic Pulse |
101.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.98 |
| Strength of Strongest Rhythmic Pulse |
0.6768 |
| Strength of Second Strongest Rhythmic Pulse |
0.2941 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
2.301 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9709 |
| Rhythmic Variability |
0.05802 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
7.747 |
| Duration in Seconds |
344.4 |
| Note Density |
3.571 |
| Note Density Variability |
1.875 |
| Average Time Between Attacks |
0.9292 |
| Average Time Between Attacks for Each Voice |
2.181 |
| Variability of Time Between Attacks |
0.43 |
| Maximum Number of Independent Voices |
8.0 |
| Relative Range of Loudest Voice |
0.3684 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.3684 |
| Relative Note Density of Highest Line |
0.4553 |
| Relative Note Durations of Lowest Line |
1.004 |
| Relative Size of Melodic Intervals in Lowest Line |
0.7273 |
| Voice Overlap |
1.0 |
| Voice Separation |
3.0 |
| Variability of Voice Separation |
2.309 |
| Parallel Motion |
0.04068 |
| Average Number of Independent Voices |
5.104 |
| Similar Motion |
0.2011 |
| Contrary Motion |
0.1887 |
| Oblique Motion |
0.5695 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.01017 |
| Variability of Number of Independent Voices |
2.171 |
| Voice Equality - Number of Notes |
25.47 |
| Voice Equality - Note Duration |
26.96 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.744 |
| Voice Equality - Range |
3.845 |
| Importance of Loudest Voice |
0.0 |