File

Last modified on: Oct. 17, 2023, 9:30 a.m.

F164_03_Pisano_De_perche_OMRcorrIL.xml


Source
Florence, Italy, Biblioteca Nazionale Centrale, MS Magliabechi XIX.164-167
Musical Work
De perché in odio m’hai
File Type
Symbolic Music
File Format
xml
File Size
378.6 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.1901
Prevalence of Second Most Common Vertical Interval 0.1723
Prevalence Ratio of Two Most Common Vertical Intervals 0.9065
Vertical Unisons 0.01744
Vertical Minor Seconds 0.008236
Vertical Thirds 0.2934
Vertical Tritones 0.01114
Vertical Perfect Fourths 0.1465
Vertical Perfect Fifths 0.1901
Vertical Sixths 0.1124
Vertical Sevenths 0.02939
Vertical Octaves 0.1549
Perfect Vertical Intervals 0.5089
Vertical Dissonance Ratio 0.09322
Vertical Minor Third Prevalence 0.5927
Vertical Major Third Prevalence 0.5714
Chord Duration 1.623
Partial Chords 0.1486
Standard Triads 0.5666
Diminished and Augmented Triads 0.009653
Dominant Seventh Chords 0.007722
Seventh Chords 0.05019
Non-Standard Chords 0.2346
Complex Chords 0.02124
Minor Major Triad Ratio 1.348
Average Number of Simultaneous Pitch Classes 3.017
Variability of Number of Simultaneous Pitch Classes 0.5974
Average Number of Simultaneous Pitches 3.875
Variability of Number of Simultaneous Pitches 0.6164
Most Common Vertical Interval 7.0
Second Most Common Vertical Interval 0.0
Dynamic Range 0.0
Variation of Dynamics 0.0
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 1.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1768
Stepwise Motion 0.5871
Melodic Thirds 0.08529
Melodic Perfect Fourths 0.09147
Melodic Tritones 0.0
Melodic Perfect Fifths 0.03337
Melodic Sixths 0.002472
Melodic Sevenths 0.001236
Melodic Octaves 0.01607
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 1.875
Melodic Embellishments 0.03799
Direction of Melodic Motion 0.4539
Average Length of Melodic Arcs 1.777
Average Interval Spanned by Melodic Arcs 4.742
Melodic Pitch Variety 4.47
Mean Melodic Interval 2.199
Number of Common Melodic Intervals 4.0
Distance Between Most Prevalent Melodic Intervals 2.0
Prevalence of Most Common Melodic Interval 0.4104
Relative Prevalence of Most Common Melodic Intervals 0.4458
Amount of Arpeggiation 0.3189
Repeated Notes 0.1829
Importance of Middle Register 0.8113
Importance of High Register 0.0
Dominant Spread 7.0
Strong Tonal Centres 2.0
Mean Pitch 59.0
Mean Pitch Class 5.07
Most Common Pitch 60.0
Most Common Pitch Class 0.0
Prevalence of Most Common Pitch 0.1201
Prevalence of Most Common Pitch Class 0.1765
Relative Prevalence of Top Pitches 0.9694
Relative Prevalence of Top Pitch Classes 0.9514
Interval Between Most Prevalent Pitches 3.0
Interval Between Most Prevalent Pitch Classes 9.0
Pitch Variability 6.179
Pitch Class Variability 3.589
Pitch Class Variability After Folding 3.16
Pitch Skewness -0.4409
Pitch Class Skewness 0.05846
Pitch Class Skewness After Folding 0.2179
Pitch Kurtosis 5.842
Pitch Class Kurtosis 4.803
Pitch Class Kurtosis After Folding 7.346
Major or Minor 0.0
First Pitch 45.0
First Pitch Class 9.0
Last Pitch 43.0
Last Pitch Class 7.0
Glissando Prevalence 0.004902
Average Range of Glissandos 0.0
Number of Pitches 20.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.004902
Number of Pitch Classes 8.0
Number of Common Pitches 4.0
Number of Common Pitch Classes 0.0
Range 29.0
Importance of Bass Register 0.1887
Note Density per Quarter Note 1.566
Note Density per Quarter Note per Voice 1.566
Note Density per Quarter Note Variability 0.5042
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.02206
Prevalence of Medium Rhythmic Values 0.6556
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.8039
Prevalence of Very Long Rhythmic Values 0.01471
Prevalence of Dotted Notes 0.09069
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.49
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.4596
Relative Prevalence of Most Common Rhythmic Values 0.544
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.447
Rhythmic Value Skewness 1.016
Rhythmic Value Kurtosis 20.58
Mean Rhythmic Value Run Length 2.071
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.714
Mean Rhythmic Value Offset 0.5208
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 13.42
Complete Rests Fraction 0.005758
Partial Rests Fraction 0.003839
Average Rest Fraction Across Voices 0.003839
Longest Complete Rest 2.0
Longest Partial Rest 2.0
Mean Complete Rest Duration 1.5
Mean Partial Rest Duration 2.0
Median Complete Rest Duration 2.0
Median Partial Rest Duration 2.0
Duple Initial Meter 1.0
Variability of Complete Rest Durations 0.7071
Variability of Partial Rest Durations 0.0
Variability Across Voices of Combined Rests 0.0
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.5938
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.1968
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 3.018
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.7906
Rhythmic Variability - Tempo Standardized 0.05139
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 0.0
Metrical Diversity 1.0
Total Number of Notes 816.0
Initial Tempo 320.0
Average Variability of Time Between Attacks for Each Voice 0.1292
Minimum Note Duration 0.09375
Maximum Note Duration 74.06
Average Note Duration 0.5646
Variability of Note Durations 2.6
Amount of Staccato 0.02206
Number of Strong Rhythmic Pulses 4.0
Number of Moderate Rhythmic Pulses 7.0
Number of Relatively Strong Rhythmic Pulses 5.0
Mean Tempo 320.0
Strongest Rhythmic Pulse 80.0
Second Strongest Rhythmic Pulse 40.0
Harmonicity of Two Strongest Rhythmic Pulses 2.0
Strength of Strongest Rhythmic Pulse 0.2093
Strength of Second Strongest Rhythmic Pulse 0.2
Strength Ratio of Two Strongest Rhythmic Pulses 1.046
Combined Strength of Two Strongest Rhythmic Pulses 0.4093
Rhythmic Variability 0.03197
Rhythmic Looseness 0.0
Polyrhythms 0.6
Tempo Variability 0.0
Duration in Seconds 97.69
Note Density 8.353
Note Density Variability 1.971
Average Time Between Attacks 0.2737
Average Time Between Attacks for Each Voice 0.2737
Variability of Time Between Attacks 0.1292
Maximum Number of Independent Voices 1.0
Relative Range of Loudest Voice 1.0
Relative Range Isolation of Loudest Voice 0.0
Relative Range of Highest Line 1.0
Relative Note Density of Highest Line 0.0723
Relative Note Durations of Lowest Line 1.0
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.0
Voice Separation 0.0
Variability of Voice Separation 0.0
Parallel Motion 0.05668
Average Number of Independent Voices 1.0
Similar Motion 0.1346
Contrary Motion 0.1437
Oblique Motion 0.665
Parallel Fifths 0.001012
Parallel Octaves 0.002024
Variability of Number of Independent Voices 0.0
Voice Equality - Number of Notes 0.0
Voice Equality - Note Duration 0.0
Voice Equality - Dynamics 0.0
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 0.0
Importance of Loudest Voice 0.0