| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2259 |
| Prevalence of Second Most Common Vertical Interval |
0.2064 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9135 |
| Vertical Unisons |
0.01519 |
| Vertical Minor Seconds |
0.0 |
| Vertical Thirds |
0.315 |
| Vertical Tritones |
0.004026 |
| Vertical Perfect Fourths |
0.1334 |
| Vertical Perfect Fifths |
0.2064 |
| Vertical Sixths |
0.1106 |
| Vertical Sevenths |
0.01189 |
| Vertical Octaves |
0.1877 |
| Perfect Vertical Intervals |
0.5427 |
| Vertical Dissonance Ratio |
0.03281 |
| Vertical Minor Third Prevalence |
0.3894 |
| Vertical Major Third Prevalence |
0.6951 |
| Chord Duration |
2.414 |
| Partial Chords |
0.1987 |
| Standard Triads |
0.6751 |
| Diminished and Augmented Triads |
0.01127 |
| Dominant Seventh Chords |
0.002253 |
| Seventh Chords |
0.01803 |
| Non-Standard Chords |
0.1082 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.235 |
| Average Number of Simultaneous Pitch Classes |
2.789 |
| Variability of Number of Simultaneous Pitch Classes |
0.5181 |
| Average Number of Simultaneous Pitches |
3.723 |
| Variability of Number of Simultaneous Pitches |
0.5713 |
| Most Common Vertical Interval |
4.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
4.0 |
| Variation of Dynamics |
1.624 |
| Variation of Dynamics In Each Voice |
1.628 |
| Average Note to Note Change in Dynamics |
1.618 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1271 |
| Stepwise Motion |
0.4562 |
| Melodic Thirds |
0.08051 |
| Melodic Perfect Fourths |
0.07345 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03531 |
| Melodic Sixths |
0.001412 |
| Melodic Sevenths |
0.001412 |
| Melodic Octaves |
0.01412 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
0.0 |
| Minor Major Melodic Third Ratio |
2.8 |
| Melodic Embellishments |
0.004213 |
| Direction of Melodic Motion |
0.4499 |
| Average Length of Melodic Arcs |
1.724 |
| Average Interval Spanned by Melodic Arcs |
4.761 |
| Melodic Pitch Variety |
3.673 |
| Mean Melodic Interval |
1.859 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3376 |
| Relative Prevalence of Most Common Melodic Intervals |
0.9749 |
| Amount of Arpeggiation |
0.4689 |
| Repeated Notes |
0.3376 |
| Importance of Middle Register |
0.7739 |
| Importance of High Register |
0.002809 |
| Dominant Spread |
3.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
60.2 |
| Mean Pitch Class |
4.632 |
| Most Common Pitch |
65.0 |
| Most Common Pitch Class |
5.0 |
| Prevalence of Most Common Pitch |
0.1475 |
| Prevalence of Most Common Pitch Class |
0.2711 |
| Relative Prevalence of Top Pitches |
0.9333 |
| Relative Prevalence of Top Pitch Classes |
0.8187 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.597 |
| Pitch Class Variability |
3.232 |
| Pitch Class Variability After Folding |
4.527 |
| Pitch Skewness |
-0.6961 |
| Pitch Class Skewness |
-0.3415 |
| Pitch Class Skewness After Folding |
1.137 |
| Pitch Kurtosis |
5.278 |
| Pitch Class Kurtosis |
4.955 |
| Pitch Class Kurtosis After Folding |
4.496 |
| Major or Minor |
0.0 |
| First Pitch |
53.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
41.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
20.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
8.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
2.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.2233 |
| Note Density per Quarter Note |
1.508 |
| Note Density per Quarter Note per Voice |
0.3771 |
| Note Density per Quarter Note Variability |
0.5507 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
1.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.823 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9129 |
| Prevalence of Very Long Rhythmic Values |
0.03511 |
| Prevalence of Dotted Notes |
0.04635 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.382 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.736 |
| Relative Prevalence of Most Common Rhythmic Values |
0.1469 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.376 |
| Rhythmic Value Skewness |
0.8329 |
| Rhythmic Value Kurtosis |
23.51 |
| Mean Rhythmic Value Run Length |
3.004 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
3.485 |
| Mean Rhythmic Value Offset |
0.04608 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.5985 |
| Complete Rests Fraction |
0.03814 |
| Partial Rests Fraction |
0.1661 |
| Average Rest Fraction Across Voices |
0.08518 |
| Longest Complete Rest |
2.0 |
| Longest Partial Rest |
34.0 |
| Mean Complete Rest Duration |
2.0 |
| Mean Partial Rest Duration |
3.655 |
| Median Complete Rest Duration |
2.0 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
6.936 |
| Variability Across Voices of Combined Rests |
14.03 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.8057 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1035 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
7.784 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.9092 |
| Rhythmic Variability - Tempo Standardized |
0.06432 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
712.0 |
| Initial Tempo |
320.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.4077 |
| Minimum Note Duration |
0.1875 |
| Maximum Note Duration |
3.75 |
| Average Note Duration |
0.4548 |
| Variability of Note Durations |
0.3309 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
320.0 |
| Strongest Rhythmic Pulse |
160.0 |
| Second Strongest Rhythmic Pulse |
80.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.2296 |
| Strength of Second Strongest Rhythmic Pulse |
0.2295 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.0 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4591 |
| Rhythmic Variability |
0.03546 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.75 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
88.5 |
| Note Density |
8.045 |
| Note Density Variability |
2.312 |
| Average Time Between Attacks |
0.3667 |
| Average Time Between Attacks for Each Voice |
0.4808 |
| Variability of Time Between Attacks |
0.1702 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4848 |
| Relative Range Isolation of Loudest Voice |
0.1639 |
| Relative Range of Highest Line |
0.4848 |
| Relative Note Density of Highest Line |
0.3764 |
| Relative Note Durations of Lowest Line |
1.082 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8 |
| Voice Overlap |
0.8567 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
3.512 |
| Parallel Motion |
0.07007 |
| Average Number of Independent Voices |
3.804 |
| Similar Motion |
0.2438 |
| Contrary Motion |
0.1796 |
| Oblique Motion |
0.5066 |
| Parallel Fifths |
0.007299 |
| Parallel Octaves |
0.00146 |
| Variability of Number of Independent Voices |
0.5323 |
| Voice Equality - Number of Notes |
13.83 |
| Voice Equality - Note Duration |
2.631 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
0.5 |
| Importance of Loudest Voice |
0.0 |