| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.1845 |
| Prevalence of Second Most Common Vertical Interval |
0.1738 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.942 |
| Vertical Unisons |
0.0442 |
| Vertical Minor Seconds |
0.007676 |
| Vertical Thirds |
0.313 |
| Vertical Tritones |
0.01838 |
| Vertical Perfect Fourths |
0.08987 |
| Vertical Perfect Fifths |
0.1845 |
| Vertical Sixths |
0.1528 |
| Vertical Sevenths |
0.029 |
| Vertical Octaves |
0.1296 |
| Perfect Vertical Intervals |
0.4482 |
| Vertical Dissonance Ratio |
0.09399 |
| Vertical Minor Third Prevalence |
0.449 |
| Vertical Major Third Prevalence |
0.3871 |
| Chord Duration |
1.334 |
| Partial Chords |
0.4065 |
| Standard Triads |
0.3942 |
| Diminished and Augmented Triads |
0.03863 |
| Dominant Seventh Chords |
0.002634 |
| Seventh Chords |
0.01405 |
| Non-Standard Chords |
0.1853 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.072 |
| Average Number of Simultaneous Pitch Classes |
2.538 |
| Variability of Number of Simultaneous Pitch Classes |
0.682 |
| Average Number of Simultaneous Pitches |
2.965 |
| Variability of Number of Simultaneous Pitches |
0.8309 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2603 |
| Stepwise Motion |
0.766 |
| Melodic Thirds |
0.1005 |
| Melodic Perfect Fourths |
0.03196 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03196 |
| Melodic Sixths |
0.003425 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.005708 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
4.176 |
| Melodic Embellishments |
0.01364 |
| Direction of Melodic Motion |
0.5261 |
| Average Length of Melodic Arcs |
2.305 |
| Average Interval Spanned by Melodic Arcs |
5.048 |
| Melodic Pitch Variety |
5.205 |
| Mean Melodic Interval |
2.074 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.5057 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5147 |
| Amount of Arpeggiation |
0.1986 |
| Repeated Notes |
0.0605 |
| Importance of Middle Register |
0.7148 |
| Importance of High Register |
0.006818 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.09 |
| Mean Pitch Class |
5.188 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1 |
| Prevalence of Most Common Pitch Class |
0.1784 |
| Relative Prevalence of Top Pitches |
0.8523 |
| Relative Prevalence of Top Pitch Classes |
0.8535 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.834 |
| Pitch Class Variability |
3.48 |
| Pitch Class Variability After Folding |
3.317 |
| Pitch Skewness |
-0.03143 |
| Pitch Class Skewness |
0.1616 |
| Pitch Class Skewness After Folding |
0.8007 |
| Pitch Kurtosis |
5.31 |
| Pitch Class Kurtosis |
4.87 |
| Pitch Class Kurtosis After Folding |
6.228 |
| Major or Minor |
0.0 |
| First Pitch |
69.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
30.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.2784 |
| Note Density per Quarter Note |
1.447 |
| Note Density per Quarter Note per Voice |
0.3618 |
| Note Density per Quarter Note Variability |
0.5786 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.07045 |
| Prevalence of Medium Rhythmic Values |
0.7466 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.5864 |
| Prevalence of Very Long Rhythmic Values |
0.04432 |
| Prevalence of Dotted Notes |
0.09205 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.157 |
| Most Common Rhythmic Value |
1.0 |
| Prevalence of Most Common Rhythmic Value |
0.3398 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9799 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.648 |
| Rhythmic Value Skewness |
0.2865 |
| Rhythmic Value Kurtosis |
13.79 |
| Mean Rhythmic Value Run Length |
1.901 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.354 |
| Mean Rhythmic Value Offset |
0.0005682 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.00972 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.6118 |
| Average Rest Fraction Across Voices |
0.2196 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
68.0 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
11.61 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
6.0 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
14.19 |
| Variability Across Voices of Combined Rests |
29.86 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
5.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.4456 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2549 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.748 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7006 |
| Rhythmic Variability - Tempo Standardized |
0.04434 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
880.0 |
| Initial Tempo |
120.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.907 |
| Minimum Note Duration |
0.25 |
| Maximum Note Duration |
6.0 |
| Average Note Duration |
1.078 |
| Variability of Note Durations |
0.8242 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
120.0 |
| Strongest Rhythmic Pulse |
60.0 |
| Second Strongest Rhythmic Pulse |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.4456 |
| Strength of Second Strongest Rhythmic Pulse |
0.2549 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.748 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.7006 |
| Rhythmic Variability |
0.04434 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
304.0 |
| Note Density |
2.895 |
| Note Density Variability |
1.08 |
| Average Time Between Attacks |
0.64 |
| Average Time Between Attacks for Each Voice |
1.306 |
| Variability of Time Between Attacks |
0.3572 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4545 |
| Relative Range Isolation of Loudest Voice |
0.3833 |
| Relative Range of Highest Line |
0.4545 |
| Relative Note Density of Highest Line |
0.3 |
| Relative Note Durations of Lowest Line |
1.125 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5714 |
| Voice Overlap |
0.8227 |
| Voice Separation |
5.667 |
| Variability of Voice Separation |
0.5774 |
| Parallel Motion |
0.05601 |
| Average Number of Independent Voices |
3.122 |
| Similar Motion |
0.1249 |
| Contrary Motion |
0.1669 |
| Oblique Motion |
0.6523 |
| Parallel Fifths |
0.002334 |
| Parallel Octaves |
0.001167 |
| Variability of Number of Independent Voices |
0.8361 |
| Voice Equality - Number of Notes |
28.33 |
| Voice Equality - Note Duration |
14.93 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
1.291 |
| Importance of Loudest Voice |
0.0 |